Bedarida raffaele (96 résultats)

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Vendeur : Raritan River Books, Philadelphia, PA, Etats-UnisRaritan River Books
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Paperback. Etat : Very Good+. Binding sound, text clean, light shelf wear. 128 pages. Book.

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Vendeur : Librodifaccia, Alessandria, AL, ItalieLibrodifaccia
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Softcover, 112 pages; in English and Italian; very good condition clean and crisp; no internal marks. Foreign shipping may be extra.

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Vendeur : Brook Bookstore On Demand, Napoli, NA, ItalieBrook Bookstore On Demand
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-UniRarewaves.com USA
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Paperback. Etat : New. On the centenary of the fascist party's ascent to power in Italy, Curating Fascism examines the ways in which exhibitions organized from the fall of Benito Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultural history, as well as in exhibition practices. Featuring contributions from an international group of art, architectural, design, and cultural historians, as well as journalists and curators, this book treats fascism as both a historical moment and as a major paradigm through which critics, curators, and the public at large have defined the present moment since World War II. It interweaves historical perspectives, critical theory, and direct accounts of exhibitions from the people who conceived them or responded to them most significantly in order to examine the main curatorial strategies, cultural relevance, and political responsibility of art exhibitions focusing on the Fascist period. Through close analysis, the chapter authors unpack the multifaceted specificity of art shows, including architecture and exhibition design; curatorial choices and institutional history; cultural diplomacy and political history; theories of viewership; and constructed collective memory, to evaluate current curatorial practice.In offering fresh new perspectives on the historiography, collective memory, and understanding of fascist art and culture from a contemporary standpoint, Curating Fascism sheds light on the complex exhibition history of Italian fascism not just within Italy but in such countries as the USA, the UK, Germany, and Brazil. It also presents an innovative approach to the growing field of exhibition theory by bringing contributions from curators and exhibition historians, who critically reflect upon curatorial strategies with respect to the delicate subject of fascism and fascist art, into dialogue with scholars of Italian studies and art historians. In doing so, the book addresses the physical and cultural legacy of fascism in the context of the current historical moment.…

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Vendeur : GreatBookPrices, Columbia, MD, Etats-UnisGreatBookPrices
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-UniPBShop.store UK
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Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today (Visual Cultures and Italian Contexts)
Sharon Hecker,Raffaele Bedarida,Sharon Hecker,Raffaele Bedarida
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Vendeur : Chiron Media, Wallingford, Royaume-UniChiron Media
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Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-UnisMullen Books, ABAA
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Softcover. Etat : VG+. Oblong Quarto. Illustrated paper wrapper. Unpaginated. Color illustrations. 23 x 28 cm.

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- Édition originale
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandeKennys Bookshop and Art Galleries Ltd.
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Etat : New. 2022. 1st Edition. Paperback. . . . . .

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Vendeur : Rarewaves USA, HEBRON, KY, Etats-UnisRarewaves USA
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Paperback. Etat : New. On the centenary of the fascist party's ascent to power in Italy, Curating Fascism examines the ways in which exhibitions organized from the fall of Benito Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultural history, as well as in exhibition practices. Featuring contributions from an international group of art, architectural, design, and cultural historians, as well as journalists and curators, this book treats fascism as both a historical moment and as a major paradigm through which critics, curators, and the public at large have defined the present moment since World War II. It interweaves historical perspectives, critical theory, and direct accounts of exhibitions from the people who conceived them or responded to them most significantly in order to examine the main curatorial strategies, cultural relevance, and political responsibility of art exhibitions focusing on the Fascist period. Through close analysis, the chapter authors unpack the multifaceted specificity of art shows, including architecture and exhibition design; curatorial choices and institutional history; cultural diplomacy and political history; theories of viewership; and constructed collective memory, to evaluate current curatorial practice.In offering fresh new perspectives on the historiography, collective memory, and understanding of fascist art and culture from a contemporary standpoint, Curating Fascism sheds light on the complex exhibition history of Italian fascism not just within Italy but in such countries as the USA, the UK, Germany, and Brazil. It also presents an innovative approach to the growing field of exhibition theory by bringing contributions from curators and exhibition historians, who critically reflect upon curatorial strategies with respect to the delicate subject of fascism and fascist art, into dialogue with scholars of Italian studies and art historians. In doing so, the book addresses the physical and cultural legacy of fascism in the context of the current historical moment.…

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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-UnisGrand Eagle Retail
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EUR 48,54
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Paperback. Etat : new. Paperback. On the centenary of the fascist party's ascent to power in Italy, Curating Fascism examines the ways in which exhibitions organized from the fall of Benito Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultural history, as well as in exhibition practices. Featuring contributions from an international group of art, architectural, design, and cultural historians, as well as journalists and curators, this book treats fascism as both a historical moment and as a major paradigm through which critics, curators, and the public at large have defined the present moment since World War II. It interweaves historical perspectives, critical theory, and direct accounts of exhibitions from the people who conceived them or responded to them most significantly in order to examine the main curatorial strategies, cultural relevance, and political responsibility of art exhibitions focusing on the Fascist period. Through close analysis, the chapter authors unpack the multifaceted specificity of art shows, including architecture and exhibition design; curatorial choices and institutional history; cultural diplomacy and political history; theories of viewership; and constructed collective memory, to evaluate current curatorial practice.In offering fresh new perspectives on the historiography, collective memory, and understanding of fascist art and culture from a contemporary standpoint, Curating Fascism sheds light on the complex exhibition history of Italian fascism not just within Italy but in such countries as the USA, the UK, Germany, and Brazil. It also presents an innovative approach to the growing field of exhibition theory by bringing contributions from curators and exhibition historians, who critically reflect upon curatorial strategies with respect to the delicate subject of fascism and fascist art, into dialogue with scholars of Italian studies and art historians. In doing so, the book addresses the physical and cultural legacy of fascism in the context of the current historical moment. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Vendeur : Chiron Media, Wallingford, Royaume-UniChiron Media
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EUR 36,49
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Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 5-6 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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Vendeur : Messinissa libri, Milano, MI, ItalieMessinissa libri
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brossura paperback. Etat : Ottimo (Fine). AP.49Brossura editoriale,in lingua italiana e inglese, volume in ottime condizioni, in gran parte illustrato, copertina e interno in ottimo stato, legatura salda , 111 pagine circaCopertina come da fotoISBN/ASIN: 8836608698. Book.

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brossura paperback. Etat : Good. Prima. Buone condizioni. Copertina flessibile, con segni d'uso. Pagine in buono stato. paperback 128 9788881588541 Buono (Good) . Book.

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Soft cover. Etat : Fine. Oblong 4to. 80 pp. Fine.

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Etat : New. 2022. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

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Etat : New. In English.

Langue : anglais
Edité par Routledge 2024-05-27, 2024
Série : Livre 9 sur 12 - Routledge Research in Art Museums and Exhibitions
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Langue : anglais
Edité par Routledge, 2024
Série : Livre 9 sur 12 - Routledge Research in Art Museums and Exhibitions
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Langue : anglais
Edité par Routledge, 2024
Série : Livre 9 sur 12 - Routledge Research in Art Museums and Exhibitions
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Vendeur : Revaluation Books, Exeter, Royaume-UniRevaluation Books
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Paperback. Etat : Brand New. 304 pages. 9.21x6.14x1.00 inches. In Stock.