Behm meike (65 résultats)

Paperback. Etat : Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Oversized.

Paperback. Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. The drawings and sculptures of Larissa Fassler (born 1975 in Canada, lives in Berlin) both document and question the modern metropolis, its public squares, train stations, and functional buildings. Fassler researches her chosen locations extensively in city archives and online. She tracks trends such as economic disparity, gentrification, homelessness, or drug consumption. She supplements these statistical facts with her own subjective survey methods, such as repeatedly visiting and observing the sites.All of the information gathered finds its way into Fassler's complex cartographic drawings and sculptures, which reflect the socioeconomic and geopolitical challenges of our time. This book accompanies Fassler's exhibition at the Kunstverein Lingen.…

Soft cover. Etat : Fine. Hatje Cantz paperback; 104 pages. Bright, new art book in glossy softcover binding, with no marks or flaws. No sign of wear.

Paperback. Etat : New. In a probing engagement with the screen, an omnipresent object in contemporary life, Antonia Hirsch charts the gulf between the digital and the analog, the two spheres of which our perceived reality is composed. In provocative installations and objects, the artist conceives the distinctions between screen, mirror, and blade as less than sharply defined.Her works show rigidly geometric shapes made of hard and shimmering glass and steel; they encounter eerily somatic and perishable-looking cardboard or soft foamed-plastic components that recall the bodies they perhaps once served. Reflective surfaces mirror our gaze, but the less classy materials, too, await recognition by the beholder's body.The book accompanies Hirsch's solo exhibition "Phenomenal Fracture" at Kunsthalle Lingen; photographs and writings convey extensive and sustained impressions that run the gamut from the uncanny to the darkly humourous.…

Hardcover. Etat : Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Oversized.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : Brand New. 48 pages. German language. In Stock.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : Gut. 83 S. Gebunden. Gutes Exemplar. Mit einem Text von Alexander Kluge auf hinterem Deckel. Texte in deutscher und englischer Sprache. [K 021].

Paperback. Etat : New. In a probing engagement with the screen, an omnipresent object in contemporary life, Antonia Hirsch charts the gulf between the digital and the analog, the two spheres of which our perceived reality is composed. In provocative installations and objects, the artist conceives the distinctions between screen, mirror, and blade as less than sharply defined.Her works show rigidly geometric shapes made of hard and shimmering glass and steel; they encounter eerily somatic and perishable-looking cardboard or soft foamed-plastic components that recall the bodies they perhaps once served. Reflective surfaces mirror our gaze, but the less classy materials, too, await recognition by the beholder's body.The book accompanies Hirsch's solo exhibition "Phenomenal Fracture" at Kunsthalle Lingen; photographs and writings convey extensive and sustained impressions that run the gamut from the uncanny to the darkly humourous.…

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Wrappers. Etat : New. 176 pages 97 illustrations in color. Still in shrink-wrap. Illustrated wraps. Edited by Meike Behm. Text is in German and English. Book.

Paperback. Etat : New. 1. Cudelice Brazelton IV's works are magnets. He uses them to glean what he finds in the urban landscape, in the street, in factories and studios: fabric, leather, metal, cardboard, and all sorts of implements. He arranges these materials and things atop one another and side by side in collages, assemblages, and sculptures, staging encounters also between the contexts in which they originated and what he calls their "undercurrents", their subtexts.Such frames of reference, including that of the exhibition space, play a key role in his art, an aspect he will occasionally engage quite explicitly, creating site-specific works for some settings. This makes the space the context and a part of the piece, sometimes physically so, as when Brazelton works directly on the walls. The recent works gathered in this catalogue were displayed in a former railcar repair workshop. It is hard to imagine a more industrial, "metallic" environment. There, as between the covers of this catalogue, Brazelton's works appear to their fullest advantage, becoming veritable magnets drawing the gaze.…

Couverture rigide. Etat : Très bon. 31x23 cm; 88p. bilingual ENG/D.

Etat : New.

Etat : New.

Etat : as new. Wie neu/Like new.

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Etat : New.

Paperback. Etat : Brand New. 176 pages. 4.84x0.43x7.40 inches. In Stock.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : Brand New. 64 pages. 11.01x8.51x10.79 inches. In Stock.

OKart. (laminiert), Rücken in Sämisch, OSchuber (bedruckt, gestanzte Verzierung), 157 Seiten mit zahlr. Fotos, 24 x 32 cm, Schuber leicht bestoßen sonst wie neu. Book Language/s: Czech, English, German.

Taschenbuch. Etat : Neu. Neuware -The drawings and sculptures of Larissa Fassler (born 1975 in Canada, lives in Berlin) both document and question the modern metropolis, its public squares, train stations, and functional buildings. Fassler researches her chosen locations extensively in city archives and online. She tracks trends such as economic disparity, gentrification, homelessness, or drug consumption. She supplements these statistical facts with her own subjective survey methods, such as repeatedly visiting and observing the sites. All of the information gathered finds its way into Fassler's complex cartographic drawings and sculptures, which reflect the socioeconomic and geopolitical challenges of our time. This book accompanies Fassler's exhibition at the Kunstverein Lingen.; Die Zeichnungen und Skulpturen Larissa Fasslers (geb. 1975 in Canada, lebt in Berlin) dokumentieren und hinterfragen die moderne Metropole, deren öffentliche Plätze, Bahnhöfe, und Zweckbauten. Fassler recherchiert die von ihr gewählten Orte ausgiebig in Stadtarchiven und online. Sie verfolgt Trends wie wirtschaftliche Ungleichheit, Gentrifizierung, Obdachlosigkeit, oder Drogenkonsum. Diese statistischen Fakten ergänzt sie mit ihren eigenen subjektiven Erhebungsmethoden, z.B. dem wiederholten Begehen und Beobachten der Orte. Alle gesammelten Informationen finden Eingang in Fasslers komplexe kartografische Zeichnungen und Skulpturen, welche die sozioökonomischen und geopolitischen Herausforderungen unserer Zeit widerspiegeln. Dieses Buch begleitet Fasslers Ausstellung im Kunstverein Lingen. 176 pp. Englisch, Deutsch.…