Bergner dan (10 résultats)

Hardback. Etat : Very Good. Never before had Daniel Bergner seen a spectacle as bizarre as the one he had come to watch that Sunday in October. Murderers, rapists, and armed robbers were competing in the annual rodeo at Angola, the grim maximum-security penitentiary in Louisiana. The convicts, sentenced to life without parole, were thrown, trampled, and gored by bucking bulls and broncos before thousands of cheering spectators. But amid the brutality of this gladiatorial spectacle Bergner caught surprising glimpses of exaltation, hints of triumphant skill. The incongruity of seeing hope where one would expect only hopelessness, self-control in men who were there because they'd had none, sparked an urgent quest in him. Having gained unlimited and unmonitored access, Bergner spent an unflinching year inside the harsh world of Angola. He forged relationships with seven prisoners who left an indelible impression on him. There's Johnny Brooks, seemingly a latter-day Stepin Fetchit, who, while washing the warden's car, longs to be a cowboy and to marry a woman he meets on the rodeo grounds. Then there's Danny Fabre, locked up for viciously beating a woman to death, now struggling to bring his reading skills up to a sixth-grade level. And Terry Hawkins, haunted nightly by the ghost of his victim, a ghost he tries in vain to exorcise in a prison church that echoes with the cries of convicts talking in tongues. Looming front and center is Warden Burl Cain, the larger-than-life ruler of Angola who quotes both Jesus and Attila the Hun, declares himself a prophet, and declaims that redemption is possible for even the most depraved criminal. Cain welcomes Bergner in, and so begins a journey that takes the author deep into a forgotten world and forces him to question his most closely held beliefs. The climax of his story is as unexpected as it is wrenching. Rendered in luminous prose, God of the Rodeo is an exploration of the human spirit, yielding in the process a searing portrait of a place that will be impossible to forget and a group of men, guilty of unimaginable crimes, desperately seeking a moment of grace. From the Hardcover edition. …

Hardback. Etat : Good. Never before had Daniel Bergner seen a spectacle as bizarre as the one he had come to watch that Sunday in October. Murderers, rapists, and armed robbers were competing in the annual rodeo at Angola, the grim maximum-security penitentiary in Louisiana. The convicts, sentenced to life without parole, were thrown, trampled, and gored by bucking bulls and broncos before thousands of cheering spectators. But amid the brutality of this gladiatorial spectacle Bergner caught surprising glimpses of exaltation, hints of triumphant skill. The incongruity of seeing hope where one would expect only hopelessness, self-control in men who were there because they'd had none, sparked an urgent quest in him. Having gained unlimited and unmonitored access, Bergner spent an unflinching year inside the harsh world of Angola. He forged relationships with seven prisoners who left an indelible impression on him. There's Johnny Brooks, seemingly a latter-day Stepin Fetchit, who, while washing the warden's car, longs to be a cowboy and to marry a woman he meets on the rodeo grounds. Then there's Danny Fabre, locked up for viciously beating a woman to death, now struggling to bring his reading skills up to a sixth-grade level. And Terry Hawkins, haunted nightly by the ghost of his victim, a ghost he tries in vain to exorcise in a prison church that echoes with the cries of convicts talking in tongues. Looming front and center is Warden Burl Cain, the larger-than-life ruler of Angola who quotes both Jesus and Attila the Hun, declares himself a prophet, and declaims that redemption is possible for even the most depraved criminal. Cain welcomes Bergner in, and so begins a journey that takes the author deep into a forgotten world and forces him to question his most closely held beliefs. The climax of his story is as unexpected as it is wrenching. Rendered in luminous prose, God of the Rodeo is an exploration of the human spirit, yielding in the process a searing portrait of a place that will be impossible to forget and a group of men, guilty of unimaginable crimes, desperately seeking a moment of grace. From the Hardcover edition.…

Hardback. Etat : Very Good. Never before had Daniel Bergner seen a spectacle as bizarre as the one he had come to watch that Sunday in October. Murderers, rapists, and armed robbers were competing in the annual rodeo at Angola, the grim maximum-security penitentiary in Louisiana. The convicts, sentenced to life without parole, were thrown, trampled, and gored by bucking bulls and broncos before thousands of cheering spectators. But amid the brutality of this gladiatorial spectacle Bergner caught surprising glimpses of exaltation, hints of triumphant skill. The incongruity of seeing hope where one would expect only hopelessness, self-control in men who were there because they'd had none, sparked an urgent quest in him. Having gained unlimited and unmonitored access, Bergner spent an unflinching year inside the harsh world of Angola. He forged relationships with seven prisoners who left an indelible impression on him. There's Johnny Brooks, seemingly a latter-day Stepin Fetchit, who, while washing the warden's car, longs to be a cowboy and to marry a woman he meets on the rodeo grounds. Then there's Danny Fabre, locked up for viciously beating a woman to death, now struggling to bring his reading skills up to a sixth-grade level. And Terry Hawkins, haunted nightly by the ghost of his victim, a ghost he tries in vain to exorcise in a prison church that echoes with the cries of convicts talking in tongues. Looming front and center is Warden Burl Cain, the larger-than-life ruler of Angola who quotes both Jesus and Attila the Hun, declares himself a prophet, and declaims that redemption is possible for even the most depraved criminal. Cain welcomes Bergner in, and so begins a journey that takes the author deep into a forgotten world and forces him to question his most closely held beliefs. The climax of his story is as unexpected as it is wrenching. Rendered in luminous prose, God of the Rodeo is an exploration of the human spirit, yielding in the process a searing portrait of a place that will be impossible to forget and a group of men, guilty of unimaginable crimes, desperately seeking a moment of grace. From the Hardcover edition. …

Hardback. Etat : Good. Never before had Daniel Bergner seen a spectacle as bizarre as the one he had come to watch that Sunday in October. Murderers, rapists, and armed robbers were competing in the annual rodeo at Angola, the grim maximum-security penitentiary in Louisiana. The convicts, sentenced to life without parole, were thrown, trampled, and gored by bucking bulls and broncos before thousands of cheering spectators. But amid the brutality of this gladiatorial spectacle Bergner caught surprising glimpses of exaltation, hints of triumphant skill. The incongruity of seeing hope where one would expect only hopelessness, self-control in men who were there because they'd had none, sparked an urgent quest in him. Having gained unlimited and unmonitored access, Bergner spent an unflinching year inside the harsh world of Angola. He forged relationships with seven prisoners who left an indelible impression on him. There's Johnny Brooks, seemingly a latter-day Stepin Fetchit, who, while washing the warden's car, longs to be a cowboy and to marry a woman he meets on the rodeo grounds. Then there's Danny Fabre, locked up for viciously beating a woman to death, now struggling to bring his reading skills up to a sixth-grade level. And Terry Hawkins, haunted nightly by the ghost of his victim, a ghost he tries in vain to exorcise in a prison church that echoes with the cries of convicts talking in tongues. Looming front and center is Warden Burl Cain, the larger-than-life ruler of Angola who quotes both Jesus and Attila the Hun, declares himself a prophet, and declaims that redemption is possible for even the most depraved criminal. Cain welcomes Bergner in, and so begins a journey that takes the author deep into a forgotten world and forces him to question his most closely held beliefs. The climax of his story is as unexpected as it is wrenching. Rendered in luminous prose, God of the Rodeo is an exploration of the human spirit, yielding in the process a searing portrait of a place that will be impossible to forget and a group of men, guilty of unimaginable crimes, desperately seeking a moment of grace. From the Hardcover edition.…

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Used - Very Good.

Trade Paperback. Etat : Fine. Trade Paperback -- FINE -- Advance Reading Copy (ARC) -- Clean and bright with only slightest of shelf wear. 205 pages.

Hardcover. Etat : Used Good.

Magazine. First edition. Near Fine magazine with light stress marks at the spine and light signs of handling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The July 20, 2008, issue of the Sunday New York Times Magazine with: David Carr's memoir on his drug addictions and redemption through the birth of his daughters with a portrait by Ryan Pfluger; fashion portfolio by Ruven Afanador with actors as models including Anna Faris, Steve Coogan, Elizabeth Banks, Will Ferrell, James Franco, Dwayne Johnson, and Seth Rogan; the Pentecostal preacher and Democratic official Leah Daughtry by Daniel Bergner with a portrait by Alessandra Petlin; class instead or race as a basis for desegregation by Emily Bazelon; interview with Dan Gillerman; The Murder of the Terminal Patient comic strip, chapter tk, by Rutu Modan; photograph by David Levinthal and one by Adam Fuss; and much more. Staple-bound magazine; 58 pages; color and b&w reproductions throughout; 9.5 x 11.5 inches.…