Bernard aikema (241 résultats)

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Very Good.

paperback. Etat : Very Good. Il Rinascimento a Venezia e la pittura del Nord ai tempi di Bellini, Durer, Tiziano This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Hardcover. First Edition. Demy ftable, [27.75cm/11inches], full gilt-embossed cardinal-red cloth with mylar-protected dust jacket, pp. 270. Illustrated with b-w halftones, colour plates &ct. Please feel free to ask for particulars and/or additional photographs. . A veduta (Italian for "view"; plural vedute) is a highly detailed, usually large-scale painting or, more often, print of a cityscape or some other vista. The painters of vedute are referred to as vedutisti. . As the itinerary of the Grand Tour became somewhat standardized, vedute of familiar scenes like the Roman Forum or the Grand Canal recalled early ventures to the Continent for aristocratic Englishmen. By the mid-18th century, Venice became renowned as the centre of the vedutisti. The genre was pioneered by Luca Carlevarijs, and its greatest practitioners belonged to the Canal and Guardi families of Venice. Some of them went to work as painters in major capitals of Europe, e.g., Canaletto in London and his nephew Bernardo Bellotto in Dresden and Warsaw. In exceptionally good condition In exceptionally good condition.…

Large Paperback. Etat : Near Fine. First Edition. Large format: 8 1/4" x 10 1/2". Trace wear to cover edges. Internally clean, unmarked and tightly bound. Translated by Andrew McCormick. 341 pages with B&W illustrations and a few in colour. Heavy item and may require additional postage depending on destination. Exhibition Catalogue.…

Etat : Good. Paperback, numerous (full page) illustrations in b/w, 4to.

Original publisher's sewn paperback, pictorial frontcover, large 4to: introduction with illustrations, catalogue of 63 drawings depicted & described largly - with notes & references, rejected drawings, catalogue of 68 paintings depicted & described - with notes & references, general bibliography, colophon, credits. Very fine copy - as new. …

paperback. Etat : Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. The cover has black cloth. The text on the pages varies from one to four columns. Most of the full page illustrations are in color. Other color and b/w illustrations are in-text. The bibliography has 20 pages, each with 4 columns. Index. The original back hinge is broken and is repaired with cloth, hinge tape. DJ: The lamination has a few scratches and some loss of sheen from shelf wear rubbing. A 7/8 in. peeled tear is tipped back together with glue. Because of the book's weight, extra shipping cost will be required. …

Paperback. Etat : Brand New. Italian language. 10.94x8.03x0.16 inches. In Stock.

Hard Cover. Etat : Good to Very Good. None. Size: 8.5 x 11. Art.

Hardcover. Black cloth, black & color illus. dust jacket. 703 pp., 700+ bw & color plates; weighs 8 lbs. "Examines the inspirational interactions between Renaissance artists, musicians, and intellectuals in Venice and in northern Europe, and how the distinctive styles of each area had a lasting effect on the other. . Traces the early contacts between Venice and Germany, Belgium, and the Netherlands; the experience of foreign artists working in the Veneto; the tastes of collectors and patrons in both northern and Venetian art; developments in landscape, genre, and figure painting; and the activities of the giants of the Venice Renaissance -- such as Titian and Bellini -- and thier northern counterparts, most notably Durer." (dj) With 24 illustrated essays and more than 700 illustrations. A terrific abeit weighy resource. Contents as follows: Venice : where North meets South / Bernard Aikema, Beverly Louise Brown -- The Renaissance : a European phenomenon / Enrico Castelnuovo -- Venice and the Low countries : commercial contacts and intellectual inspirations / Peter Stabel -- Venice and Germany : commercial contacts and intellectual inspirations / Bernd Roeck -- The artistic heritage of the North : Venice and Europe in the fifteenth century / Giovanna Nepi Scirè -- Working abroad : northern artists in the Venetian ambient / Louisa C. Matthew -- Across the Alps and to the Lagoon : northern artists in Venice during the sixteenth century / Caterina Limentani Virdis -- The Fondaco dei Tedeschi / Giandomenico Romanelli -- The lure of the North : Netherlandish art in Venetian collections / Bernard Aikema -- North and South : painting techniques in Renaissance Venice / Jill Dunkerton -- Genre and meaning : crosscurrents between Venice and the North / Beverly Louise Brown -- Crossing the Alps : portraiture in Renaissance Venice / Rona Goffen -- Flemish and Dutch artists in Venetian workshops : the case of Jacopo Tintoretto / Bert W. Meijer -- Mantegna and the role of prints : a prototype for artistic innovation in the North and South / Konrad Oberhuber -- Northern prints and printmaking in late sixteenth-century Venice / Gert Jan van der Sman -- Venice and Augsburg : architecture and sculpture in the sixteenth century / Bruno Bushart -- Prelude / Giovanna Nepi Scirè -- Early Venetian Renaissance painting and the Ars Nova of the Low Countries / Bernard Aikema, Beverly Louise Brown -- Venice and Dürer / Fritz Koreny -- Crosscurrents with Germany : the spread of the Venetian Renaissance / Bernard Aikema, Andrew John Martin -- From hell to paradise : landscape and figure in early sixteenth-century Venice / Beverly Louise Brown -- Titian and the North / Bert W. Meijer -- Low life and landscape : minor picutra in late sixteenth-century Venice / Stefania Mason -- Augsburg, Prague and Venice at the end of the century / Andrew John Martin. VG- (Slight wear to edges of dj; page edges are beginning to tan lightly, otherwise clean.).…

Etat : good.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. Illustrated. Less common reference work. Minimal shelf wear; interior clean and unread. First numberline printing. DJ nicely in archival wraps. Widely acknowledged as one of the first landscape and genre painters in Italy, Jacopo Bassano (ca. 1510-1592) was highly regarded during his career for his brilliant treatment of light and color and for his innovative rural themes. …

157 S., 120 Abb. Orig.-Kart. Cataloghi di mostre // Istituto di Storia dell'Arte : Centro di Cultura e Civiltà / Fondazione Giorgio Cini ; 45. - (gut erhalten).

hardcover. Etat : Very Good. Hardcover with dust jacket in over all very good condition. Dust jacket is clean and glossy with slight wear along the head of the spine. Black cloth over boards with gold lettering on spine. Pages are crisp and glossy. 703 pages. Please contact us with questions or if you would like to see photographs. We ship every day from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described.…

Hardcover. Etat : Fine. Etat de la jaquette : Fine.

Hardcover. Etat : Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Gebrauchsspuren; Leichte Verschmutzung / Farbtonveränderung. Book by Aikema, Bernard, Boudewun, Bakker.

Etat : Good. Paperback, veel z/w illustraties, 4to.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. New and unopened, still in cellophane wrapper, some light wear to corners.

Paperback. Etat : Very Good. Sunning to spine and front cover, otherwise text clean and tight; NOTE: additional postage may be necessary for international shipping; 8vo 8" - 9" tall; 703 pages.

Paperback. Etat : Very good. First Edition. Oversized softcover, 11 3/4 x 8 1/4 inches, over 700 pp. printed in four columns, with hundreds of reproduced artworks, many in full color. Spine has a crease, covers with a few corner creases, signs of use. Priority and International orders will require additional postage cost. English text. "After the Palazzo Grassi's exceptional exhibition on Renaissance architecture, it was a logical choice that a major event for 1999 should be an exhibition on the painting of the same period. This time the choice fell specifically to the art of Venice.This exhibition marks the first time that masterpieces of Netherlandish, German, and Venitian painting have been assembled under one roof, where, at the same time, they can be seen within the context of the cultural exchange brought forth through that extraordinary vehicle of communication - the graphic arts." - Giovanna Melandri.This volume features glorious works of art with critical commentary.…

Hardcover. Etat : Very Good. Black cloth lightly marked. Clean, tight and unmarked interior. Fore edge lightly smudged.; 10.5 X 8.3 X 1.1 inches.

1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 270 pages : illustrations, maps ; 23 x 27 cm. Notes: "Published on the occasion of the exhibition of the same name in the Rijksmuseum, Amsterdam, from 15 December 1990 until 10 March 1991". Includes bibliographical references (pages 259-267). Subjects: Rijksmuseum (Netherlands); Exhibitions; 1600-1799; Painters Italy Venice; Painting, Italian Italy Venice; Painting, Modern 17th-18th; Cities and towns in art; Painting, Modern; Venice (Italy) Description and travel; Venice (Italy) Pictorial works; Painting, Modern-18th century; Venice Art Exhibitions; Venice Art Painting. 1 Kg.…

Softcover. 1st thus. Quarto Size [approx 24cm x 30.5cm]. Very Good condition - Card Covers. Illustrated with Black and White plates. Translation by Andrew McCormick. Robust, professional packaging and tracking provided for all parcels. 232 pages.

TPB. Etat : VG-. VERY-GOOD-MINUS TRADE-PAPERBACK. NEARLY NEW LOOKING EXCEPT LIGHT CREASE TO FRONT COVER NEAR TOP OUTER CORNER.

Etat : Very good. Etat de la jaquette : Very good. First American edition. 4to. 703 pp. Illustrated with hundreds of b/w and full colour photographic plate reproductions of paintings, drawings, prints, architecture, and maps ranging in size from thumbnails to full-page. Gilt lettering to spine. Slight toning to the edges. Pages bright and clean. Binding strong and square. Boards and spine lightly shelf worn. D/j is lightly rubbed with slightly worn edges. Volume is heavy. Hardcover black cloth over boards with complete d/j. …

1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 270 pages : illustrations, maps ; 23 x 27 cm. Notes: "Published on the occasion of the exhibition of the same name in the Rijksmuseum, Amsterdam, from 15 December 1990 until 10 March 1991". Includes bibliographical references (pages 259-267). Subjects: Rijksmuseum (Netherlands); Exhibitions; 1600-1799; Painters Italy Venice; Painting, Italian Italy Venice; Painting, Modern 17th-18th; Cities and towns in art; Painting, Modern; Venice (Italy) Description and travel; Venice (Italy) Pictorial works; Painting, Modern-18th century; Venice Art Exhibitions; Venice Art Painting. 1 Kg.…

Paperback. Etat : Near Fine. Light edge wear. ; 4to ; 106 pages.

704 pages. Hardcover: H 30.25cm x L 21.75cm. Dust jacket rubbed and with nicks and short tears at edges; dj now presented in a mylar Brodart protector. Dark navy blue cloth with bright gilt stamped lettering to spine; small stain at front board's bottom center. Touch of soiling to text block edges; single swath of brown marker on bottom edge near spine (possible a publisher's remainder mark?). Slender bands of binding glue stains at bottom margins of front and rear pastedowns; interior pages are clean. Binding is firm. A very good+ copy in a very good- dust jacket. Published as the accompanying catalogue for an exhibition held at the Palazzo Grassi, Venice from September 5, 1999 to January 9, 2000. Color and b/w illustrations throughout. Features the following essays: "Venice: Where North Meets South" by Bernard Aikema, Beverly Louise Brown; "The Renaissance: a European Phenomenon" by Enrico Castelnuovo; "Venice and the Low Countries: Commercial Contacts and Intellectual Inspirations" by Peter Stabel; "Venice and Germany: Commercial Contacts and Intellectual Inspirations" by Bernd Roeck; "The Artistic Heritage of the North: Venice and Europe in the Fifteenth Century" by Giovanna Nepi ScireÌ; "Working Abroad: northern artists in the Venetian ambient" by Louisa C. Matthew; "Across the Alps and to the Lagoon: northern artists in Venice during the Sixteenth Century" by Caterina Limentani Virdis; "The Fondaco dei Tedeschi" by Giandomenico Romanelli; "The lure of the North: Netherlandish art in Venetian collections" by Bernard Aikema; "North and South: painting techniques in Renaissance Venice" by Jill Dunkerton; "Genre and meaning: crosscurrents between Venice and the North" by Beverly Louise Brown; "Crossing the Alps: portraiture in Renaissance Venice" by Rona Goffen; "Flemish and Dutch artists in Venetian workshops: the case of Jacopo Tintoretto" by Bert W. Meijer; "Manegna and the role of prints: a prototype for artistic innovation in the North and South" by Konrad Oberhuber; "Northern prints and printmaking in late sixteenth-century Venice" by Gert Jan van der Sman; "Venice and Augusburg: architecture and sculpture in the Sixteenth Century" by Bruno Bushart; "Prelude" by Giovanna Nepi ScireÌ; "Early Venetian Renaissance painting and the Ars Nova of the Low Countries" by Bernard Aikema, Beverly Louise Brown; "Venice and DuÌrer" by Fritz Koreny; "Crosscurrents with Germany: the spread of the Venetian Renaissance" by Bernard Aikema, Andrew John Martin; "From hell to paradise: landscape and figure in early sixteenth-century Venice" by Beverly Louise Brown; "Titian and the North" by Bert W. Meijer; "Low life and landscape: minor picutra in late sixteenth-century Venice" by Stefania Mason; "Augsburg, Prague and Venice at the end of the century" by Andrew John Martin. Please note that this thick book has an approximate shipping weight of 9 pounds (4.08 kg) and will require additional postage for any postal class other than domestic Media Mail. ISBN 0847821951. …