Blake warren e (19 résultats)

Hardcover. Etat : Very Good. Very Good Dust Jacket. First Edition. Gulf Publishing, 1963. 1st printing, 1st edition, from a private collection. Binding is tight, sturdy, and square; text also very good+. Boards and DJ have light dust soil. DJ protected in Mylar wraps. Ships from Dinkytown in Minneapolis, Minnesota.…

Hardcover. Etat : Good. Second Printing. The hardcover book is in good condition with a dust jacket showing some wear and minor edge tears. The binding remains strong, and the pages are clean, with no inscriptions or library markings. Some wear with minor edge tears.

Hardcover. Etat : Good. No Dust Jacket. 225 pages. Ex-university library marks, light wear and discoloring; a sound binding; good shape. Greek/English texts. Quantity Available: 1. Category: Literary Criticism & Essays; Inventory No: 218977.

Cloth. Etat : Good+. Philological Monographs, published by the American Philological Association, Number XXIV, with an Introduction, Text, Textual Commentary and Interpretive Translation. Boards are hunter green with gold printing on spine. Book plate. Date in ink. Professional book dealer with storefront since 1975. All orders are processed promptly and carefully packaged.…

Hard Cover. Etat : Very Good. Etat de la jaquette : Very Good. Jacket has light edgewear. Boards have minor shelfwear. Pages are clean, text has no markings, binding is sound. Bookplate on fep. Author Avis inscribed dedication page. Size: 8vo - over 7¾" - 9¾" tall. Inscribed By an Author. Ex-Libris.

Cloth. Etat : Very Good. No Dust Jacket. Facsimile in rear pocket. A nice, crisp copy. ; Philological Monographs; Vol. 24; 8vo ; 225 pages.

Hardcover. Etat : Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Soft cover. Etat : Very Good. 80 pages. William D Gray "The Roman Depression and Our Own" / William Sener Rusk "The Glory and Grandeur That Were" / Lenore Kramp Geweke "Notes on the Political Relationship of Cicero and Atticus from 63-59 B.C." / Warren E Blake "Charlton's Romance - The First European Novel" (SL#12/1).…

Hardcover. Etat : Very Good-. Etat de la jaquette : Fair. Initials written in ink to ffep. Scholar's bookplate to inner cover (G. P. Goold). Pencil marginalia to some pages. Light bumping to lower corners. DJ is browned with some tears. DJ has tape applied to edges.; 125 pages.

Hardcover. Etat : Near Fine. Etat de la jaquette : Good. 1st Edition. First translation into English from the Greek Text. In 1764, a version was translated into English from an Italian text. The first European novel to survive. Near Fine in Good Dust Jacket with edge chips and tears.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good-. Clean except for a prior owner's name at the front free endpaper and a small yellow adhesion in the top margin of the final text page; full cloth cover bears modest softening at spine ends, otherwise excellent; dust jacket shows several small, closed edge tears, some with attendant creases, as well as a bluish smudge at the left front and some toning along the spine, otherwise attractive and now protected in a clear sleeve. vii, 125pp. Arguably the first love story in novel form and definitely influential in the development of historical fiction; the composition date is still debated but is likely to have been in the first or second century CE.…

Brossura. Etat : come nuovo. Etat de la jaquette : ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.…

Hardcover. Etat : Good. xix, 142 , boards sunned in patces, some spotting to eps and margins, offsetting to eps along with a neat PO name.

Couverture rigide. Etat : Très bon. Etat de la jaquette : Très bon. Traduit de l'américain par Philippe Schaufelberger. Collection "Savoir Réussir".

Soft cover. Etat : Near Fine. No Edition Stated, Presumed 1st. An offering of six books of the Addison-Wesley series ORGANIZATION DEVELOPMENT. 1.) organization development: its nature, origins, and prospects: NF with some foxing on spine, ow as new, 82 pp. plus References and Selected Bibliography. 2.) developing organizations: diagnosis and action - ISBN 0201042045, Fine, 101 pp. Foreword by Schein, Beckhard, Bennis. 3.) interpersonal peacemaking: confrontations and third-party consultation - ISBN 02010843X, Fine, 151 pp. Foreword by same, Preface by Richard E. Walton. 4.) process consultation: its role in organization development - ISBN 0201067331, NF with slight foxing on spine, ow Fine, 135 pp. plus: References, Appendix - 3 Sample Theory Memos. 5.) organization development: strategies and models - ISBN 0201004488, As New, 119 pp. Foreword by same, Preface by Richard Beckhard. 6.) building a dynamic corporation through grid organization development - ISBN020100612X, Foreword by same, Preface by Robert R. Blake & Jane Srygley Mouton, 114 pp. plus: Suggested Reading, Index. Bookseller's Inventory # 210441. …

Chariton Aphrodisiensis. Translated from the Greek by Warren E. Blake. Chariton's Chaereas and Callirhoe [Originaltitel: De Chaerea et Callirhoe amatoriarum narrationes]. Ann Arbor: University of Michigan Press / London: Humphrey Milford, Oxford University Press 1939. [VIII], 125 S. Original-Halbleinen mit Rückentitel sowie einer Deckelillustration. Zustand: Einband und Schnitt mit leichten Alters- und Lagerspuren. Davon abgesehen von guter bis sehr guter Erhaltung. - Das Buch stammt aus der Bibliothek des Altphilologen Herbert Juhnke (1932-2008). Herbert Juhnke wurde 1963 an der Universität Kiel mit der Dissertation Das dichterische Selbstverständnis des Horaz und Properz zum Dr. phil. promoviert. Seine Habilitation erfolgte 1968 mit der Schrift Homerisches in römischer Epik flavischer Zeit (München 1973). Sprache: en 626 Gramm. …

8°. XIX, 142 Pages. Original Hardcover-Volume with original Dust-jacket. Fine Pencil-Markings in the Text (in some Places). Cover only minimally rubbed and only minimally bumped. Dust-jacket with small Signs of Usage! Text in Greek Language, Introduction in Latin Language.

Hardcover with dust jacket. Etat : Sehr gut. xix, 142 p. Der Schutzumschlag ist lichtbedingt nachgedunkelt, die Seiten sind papierbedingt leicht nachgedunkelt, ansonsten ein sehr gutes und sauberes Exemplar ohne Anstreichungen. / Operimentum pulveris propter lucem aliquantulum obscuratum est; paginae propter naturam chartae aliquantulum obscuratae sunt; ceteroquin, exemplar hoc est valde bonum et mundum, sine ullis notis. -- (Excerptum:) PRAEFATIO: USQUE ad annum 1898 ubi in Aegypto inventa sunt codicis Thebani fragmenta pendebat textus Charitonis ex uno ac solo codice Florentino saeculi decimi tertii vel quarti. Quamquam de alio quodam Charitonis codice in Bibliotheca Vaticana latente mentio fit, numquam ad lucem prolatus est et suspicari licet non nostrum Charitonem sed illum 'Confessorem' indi- catum esse. Reperitur fabula Charitonea in Florentini foliis 48r-70r, litteris conscripta minutis sed haud difficilibus nisi ubi hic illic scriptura aetate evanuit vel sordibus obscurata est. Folium primum tamen iam anno 1727 ita carbone interlitum ac obfuscatum erat ut paene dimidia pars legi non posset. Mense Iunio anno 1842 Carolus Gabriel Cobet a Bibliothecae Laurentianae praefecto, v.d. Furia, impetravit ut sibi liceret ad paginam illam reagentia chemica, ut dicuntur, adhibere. Quorum ope fretus paene omnia discernere potuit. Mihi autem mense Aprili anno 1932 Florentiae codicem excutienti ac diligentissime cum textu Hercheriano conferenti minus suc- cessit omnia iterum enucleare quae Cobeto apparuerant, quippe cum ex tanto intervallo palluisset color glaucus quo imbuerat venenum scripturam subrufam et paene evanidam. Neque vero apparatus Lynceus quem fluoroscopum vocant multum profuit nisi ad ea quae iam conspexerat Cobet confirmanda. Sed omnia vestigia quae vis chemica tunc apertius elicuerat summa cura perscripserat Cobet in duabus schedulis quas e sua bene- volentia ac prudentia inter codicis paginas inclusas reliquerat. la Gewicht in Gramm: 250. …

Hardcover. Etat : Gut. Erste Ausgabe. xix, 142 S. Orig.-Leinenband. Durchgängig mit geringen Bleistiftanstreichungen, sonst noch gut erhaltenes Exemplar mit nur leichten Gebrauchsspuren.