Bober jonathan (97 résultats)

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : Very Good. None. 160 pages, illustrated throughout in color. Minor shelf-wear to wrappers with tiny tear to upper edge of spine. Clean, tight copy. Record # 460435.

Soft cover. Etat : Fine. Art exhibition catalog. Tall pictorial wrappers, staple binding, 48 pp., 48 b/w prints. Excellent condition.

Paperback. Etat : Very Good. This book is in very good condition; no remainder marks. It does have some cover shelfwear. Inside pages are clean. B0034058J6.

Hardcover. Etat : VG. Limited. Lavender paper over boards, blue leather-like material at spine; 79 pp.; Profusely illustrated in color and bw. Extensive foreword by Patrick Matthiesen; Features a lengthy essay on Castiglione's "St. Francis in Ecstasy Adoring the Cross," as well as provenance and exhibition information; Limited to 650 copies.…

hardcover. Etat : New. New. Clean, unmarked pages. Fine binding and cover. Hardcover. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

softcover. Etat : Collectible; Like New. First Edition. Unpaginated [20 pp] 9 illustrations. Introduction by Jonathan Bober. Published on the occasion of the exhibition, 18 June - 8 August, 1999. Tight, clean and crisp. The book appears unread and looks New.

Paperback. Etat : Near Fine. First Edition, First Printing. Small quarto. 8.5 x 10 in. 63 pp. Occasionally illustrated with black & white reproductions of photographs. Published in correlation with the exhibition held at the Archer M. Huntington Art Gallery, 1 September-29 October, 1989. Features 20 printmakers. Near fine in original pictorial wrappers.…

hardcover. Etat : Very Good. Hardback--dust cover shows slight wear otherwise excellent condition.

Paperback. Etat : Brand New. 32 pages. 11.80x0.50x8.90 inches. In Stock.

Paperback. Etat : Near Fine. 1st. 18 pages, illustrations; 28 cm. Exhibition held June 29 to August 12, 1990, Archer M. Huntington Art Gallery, University of Texas at Austin, College of Fine Arts. Firm binding, clean inside copy. Light shelfwear to wraps. Size: 4to.

Hardcover without dustjacket as issued, 188 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : VG+: As new in shrinkwrap. pictorial boards w/ goldenrod cloth spine, black printing. 156 pgs, color illustrations. Back board has mounted, publisher's correction of book description. "It is well known that the advent of the printed image in the Renaissance transformed the content, appearance, and function of art in the following centuries. As rapidly producible multiples, prints could broadcast visual motifs, compositions, subjects, and styles with unprecedented speed and to an ever-expanding audience. The print, more than any other medium, created an artistic canon that went beyond geographic and medial boundaries. The two art forms most directly and dramatically influenced by prints in the Renaissance were ceramics and bronze plaquettes. Brightly painted maiolica and minutely crafted bronze reliefs are among the most beautiful and intriguing objects produced in the period. Sharing Images: Renaissance Prints into Maiolica and Bronze documents the National Gallery of Art exhibition that brings prints, istoriato maiolica, and plaquettes into the same space, addressing the impact prints had on the decorative arts but also the modalities of their reception, highlighting the remarkably creative engagement artists and craftsmen had with their models."--Provided by publisher. …

Hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : New.

Cloth. Etat : Fine. Etat de la jaquette : Fine. A nice, bright copy. ; B & W and color illustrations; 9.81 X 1.31 X 11.31 inches; 288 pages.

Hardback. Etat : New.

In 4°, piena tela edit. + sovrac. ill. e custodia, pp.267. Vol. corredato da 80 tavv. a col. a p.p. con schede a fronte + 60 in b/n. n.t. Ediz. fuori commercio a cura della Riunione Adriatica di Sicurtà. Ottimo es. SOTTO STUDIO BABBO.

Hardcover. Etat : New. Qto., 82 pages, illustrated with large colour plates. A New copy.

Soft Cover. Etat : Near Fine. First Edition. staple-bound softcover, as issued., minor rubbing to exterior. no other flaws or wear. no markings. no bumps, tears.; english text.; 32pp., 10 color plates and 12 b/w illustrations. introduction/essay. detailed checklist. 20th century american artist who divided his time between new york and gloucester. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.…

Hardback. Etat : New.

Hardcover. pictorial boards w/ goldenrod cloth spine, black printing. 156 pgs, color illustrations. Back board has mounted, publisher's correction of book description. "It is well known that the advent of the printed image in the Renaissance transformed the content, appearance, and function of art in the following centuries. As rapidly producible multiples, prints could broadcast visual motifs, compositions, subjects, and styles with unprecedented speed and to an ever-expanding audience. The print, more than any other medium, created an artistic canon that went beyond geographic and medial boundaries. The two art forms most directly and dramatically influenced by prints in the Renaissance were ceramics and bronze plaquettes. Brightly painted maiolica and minutely crafted bronze reliefs are among the most beautiful and intriguing objects produced in the period. Sharing Images: Renaissance Prints into Maiolica and Bronze documents the National Gallery of Art exhibition that brings prints, istoriato maiolica, and plaquettes into the same space, addressing the impact prints had on the decorative arts but also the modalities of their reception, highlighting the remarkably creative engagement artists and craftsmen had with their models."--Provided by publisher. Like New (bump to upper edge of spine).…

Etat : New.

paperback. Etat : Very Good.

Etat : New. In English.