Brett guy ed (17 résultats)

168 pp.; 25.7 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue no. 42 of Parkett, edited by Bice Curiger. Contents include: "Robert Frank: From Compromise to Collaboration," by Vince Leo; "Weiner's Werkatätte," by Brooks Adams; "Providing Metaphor Needs: Lawrence Weiner's Specific & General Works," by Frances Richard; "Public Freehold," by Dieter Schwarz; "The Meaning that Comes Away from the Work of Art," by Daniela Salvioni; "The Public Reacts to Smashed To Pieces (In The Still Of The Night)," by unattributed artists; "But Can She Bake a Cherry Pie?," by Lane Relyea; "& Vers les Etoiles," by Edward Leffingwell; "Rachel Whiteread: Separation Anxiety and the Art of Release," by Neville Wakefield; "Whiteread's Ghost," by Trevor Fairbrother; "The Curbed Monumentality of the Invisible," by Rudolf Schmitz; "About the House," by Simon Watney; "Cursive," by Ingrid Schaffner; "Les Infos Du Paradis: Claude Ritschard on Markus Raetz," by Claude Ritschard; "Cumulus Aus Europa," by Guy Brett; "Cumulus From America," by Martha Fleming and "Balkon," by Robert Ohrt. Insert by Nan Goldin. Text in German and English. Very Good. Sun bleaching to covers. Light rubbing of cover edges and bumping of top right corner of recto. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders. …

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:9781854377364.

Paperback. Etat : Very Good. Paperback exhibition catalogue in very good condition, 189pp. Minor edgewear to covers, otherwise like new. AD. Used.

Etat : New. 2019. Paperback. . . . . .

Etat : New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Couverture souple. Etat : Comme neuf. Edition originale. London , 2008. 1 Volume:1. -- As New -- Softbound -- 27,5 x 22 cm ( 938 gr ). ------- 192 pages. ****************** Brazilian artist Cildo Meireles, born in 1948, has made some of the most politically telling and aesthetically seductive works in recent art. An important theme in the Brazilian postwar avant-garde, from which Meireles emerged at the end of the 1960s, was the relationship between the sensual and the cerebral, the body and the mind. Meireles, now acknowledged as a key instigator of international Conceptual art, has remained true to these concerns--and to a political and ethical viewpoint formed outside the cultures of plenty. At the same time, he has become a global artist, making work that deals with issues and experiences that affect us all--whatever our country of origin. Under the repressive military regime of the late 1960s and early 1970s, which controlled the Brazilian media, Meireles found different ways of reaching the public--stamping bank notes with seditious slogans and returning them into circulation, or stenciling Coke bottles with slogans before sending them back to the bottling plant. Other works play with the sense of space or scale, varying in size from that of a finger ring to an installation covering almost 750 square feet. His installations are always designed to heighten the awareness of his audience, sometimes by inducing fear, as in "Volatile" (1980/94), which includes the presence of a naked candle and the smell of natural gas. "Babel" (2001) is a contemporary take on the myth of the tower that confounded the world's languages. Lavishly illustrated, this volume includes 10 short thematic essays by leading scholars--including Moacir dos Anjos, Guy Brett, Okwui Enwezor, Maaretta Jaukkuri, Bartomeu Mar', Lu Menezes, Suely Rolnik, Sônia Salzstein and Lynn Zelevansky--as well as previously unpublished commentaries on each work by the artist.…

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Very Good+. Card cover stiff, gilt lettering bright; Pages crisp, full-page B&W and coloured plates, text in Spanish; Binding tight. This edition was published to accompany the Feb/April exhibition at the Museu d'Art Contemporani de Barcelona, among others published for other musuems worldwide.; 8.75 x 11"; 192 pages.…

Softcover, 408 pages, very good condition; light rubbing wear to covers; no internal marks. An invaluable reference work on performance art, hundreds of photos. Foreign shipping may be extra.

Softcover. Etat : Sehr gut. 1. Auflage. Z/B : 128 pages - This monograph would seem to be long overdue in view of the fact that the artist has already taken part in innumerable group exhibitions, such as the Biennials in Venice (2001 and 2003), Sydney (2004) or the Whitney Biennial (2008), as well as Manifesta 7. Javier Téllez, whose work oscillates between fiction and documentation, reinterprets classic material from the stage and screen, and deconstructs accustomed socio-cultural boundaries.…

1st edition softback with stiff wrappers As New quarto 190pp., colour & b/w plates, index, Exhibition catalogue. Uncommon.

Hardcover with dustjacket, 292 pages; in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Etat : Fine. Near Fine. Book. A complete set of the facsimile edition of 'Signals Magazine, Newsbulletin of Signals London', bound in a green slipcase with printed gold bellyband (350 x 263 mm, unpaginated). Edition size 1000. Off-set printed in a newspaper folded broadsheet format in black-and-white and color. Includes an index by by Julian Zinovieff. Originally published between August 1964 and March 1966 in ten issues by Signals director Paul Keeler, and edited by David Medalla, this avant-garde periodical often presented the ideas of the Kinetic and South American artists who exhibited at the gallery. Specific issues focusing on the work of: David Medalla, Marcello Salvadori, Roberto Ganzo, Constantine Takis, Sergio de Camarg, Lygia Clark, Carlos Cruz-Diez, Jesus-Raphael Soto, and Alejandro Otero. Also featuring: Sinclair Beiles, Alexander Calder, Antonio Calderara, Eduardo Chillida, Jose Maria Cruxent, Naum Gabo, Mathias Goeritz, Dom Sylvester Houedard, Yves Klein, Liliane Lijn, Helio Oiticica, Mira Schendel, John Sharkey. Condition: slipcase fresh and unmarked but with bowed edges (as is usual due to shrink wrap packaging) , all issues fine. Excellent resource.…

Etat : Very Good +. 1st Edition. Signals London was a short-lived yet highly influential British venue dedicated to 1960s avant-garde artists from Europe and Latin America. Through their exhibitions, events and publications, they established fruitful cross-border networks between these regions and introduced early manifestations of Fluxus, Kinetic and Op art to Britain. Having evolved from the Centre for Advanced Creative Study, Signals London was situated in London's West End between 19641966. Very rare set of 1960s newsbulletins. Facsimile editions have been produced - this listing is for the original 1st edition newsbulletins. We also have a signals archive complete with brochures, ephemera, and related publications. Please enquire for further information. Vol.1, No.1, Aug 1964. 507 x 342mm. 4pp. Featuring: Takis, Yves Klein, Marcello Salvadori, Camargo. Condition: Folded as issued. 85 mm nibble to bottom edge (not affecting text), 5mm nibble to top left corner, slight toning, no writing or tears. Overall VG. Vol.1, No.2, Sep 1964. 507 x 342mm. 16pp. Featuring: Alejandro Otero, Mathias Goeritz, Victor Vasarely, David Medalla et.al. Condition: Folded as issued. Echo of one horizontal and one vertical fold, slight edge wear. Overall clean and fresh, VG+.Vol.1, Nos. 3-4, Oct-Nov 1964. 507 x 342mm. 24pp. Special Takis Issue. Condition: No chipping to edges, a fresh copy, NFVol.1, No.5, Dec-Jan 1965. 507 x 342mm. 12pp. Special Sergio de Camargo Issue. Condition: Folded as issued. 35mm loss to top left margin/corner of outer page, some wear to fold of outer page, but intact. Otherwise VG++. Overall VG.Vol.1, No.6, Feb-Mar 1965. 507 x 342mm. 12pp. Featuring: Marcello Salvadori, Lygia Clark, Condition: Folded as issued. With a vertical fold. Some light handling marks, no chipping to edges. VG+.Vol.1, No.7, April May 1965. Special Lygia Clark Issue. Screenprint cover, lithograph on newsprint. 507 x 342mm. 12pp. Condition: Folded as issued. NF/F.Vol.1, No.8, Jun-Jul 1965. 507 x 342mm. 16pp. Featuring: Takis, Carlos Cruz-Diez, Sergio de Camargo, Eduardo Chillida, Alberto Guzman. Condition: Folded as issued. Vertical fold. A fresh copy, no chips or edge wear. VG++.Vol.1, No.9, April Aug-Sep-Oct 1965. 507 x 342mm. 16pp. Special Carlos Cruz-Diez Issue. Condition: Folded as issued. Minor handling, no chips. NF.Vol.1, No.10, April Nov-Dec 1965. 507 x 342mm. 24pp. Special Maximo Soto issue. Condition: Folded as issued. Some wear to folded edge of outer cover, minor wear to some edges, an echo of a vertical fold. Overall VG++.Vol.2, No.11, Jan-Feb-March 1966. 507 x 342mm. 24pp. Special Alejandro Otero Issue. Condition: Folded as issued. Some slight paper separation to the main fold of the outer cover, but intact. General toning and minor edge wear. VG.Overall condition of this complete run: Very good+/Near fine. Large format item, requires extra postage.…