Brink dan (25 résultats)

Hardcover. Etat : Very Good+. Etat de la jaquette : Very Good-. First US Edition. Nice shape. No markings.; 8.90 X 6.50 X 1.80 inches; 768 pages.

Hardcover. Etat : Good. RELIABLE library withdrawal in the plastic, protective cover. Stamped at the page edge with a card pocket page on the inside RIPPED out by the library leaving a jagged edge to that page. Light scuff to the plastic cover. This edition remains useful and PRESENTABLE! Super extra clean.…

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. A nice, fine copy in a fine, mylar protected DJ. Translated from the Afrikaans; The story of the first fifty years of the Dutch settlement at Cape of Good Hope in the late 17th and early 18th century. 1st U. S. edition. 8vo., 758 pages., 0.0 0.0 0.0.…

Original hardcover binding with gilt lettering on the spine. Lacks dustjacket, some minor traces of use, else a (very) good copy. Please see description or ask for photos.

Hardcover. Etat : Fair. Etat de la jaquette : As New. First Edition/First Printing. As new copy. (see picture) First Great Britain Edition. Cover is in Brodart.Not price clipped.

Etat : New.

Paperback. Etat : New. Accompanying an exhibition at the Barber Institute of Fine Arts - only the second exhibition ever devoted to the artist - this noteworthy publication considers De Beer's work and career, working methods, and traces the history of De Beer's paintings in British collections. The Antwerp painter Jan de Beer (c.1475-1527/28) was highly esteemed in his lifetime and still famous a couple of generations after his death, but then fell into oblivion until the early twentieth century. Only recently have his achievements been fully recognized and documented. The artist's known oeuvre consists of forty works, mainly devotional paintings and triptychs but also a dozen drawings and a stained glass window, after a lost design. De Beer's stylish and elegant art appealed to patrons and collectors, churches abroad, and copyists. His work is typically associated with that of the Antwerp Mannerists, a prominent group of mostly anonymous painters active in the city during his lifetime. This publication will accompany an exhibition at the Barber Institute of Fine Arts, University of Birmingham (25 October 2019 to 19 January 2020) that focuses on one of its and De Beer's acknowledged masterpieces: the double-sided Joseph and the Suitors/ The Nativity. This is the only surviving fragment from what must have been a major altarpiece. It will be accompanied by a half-dozen key loans of paintings and drawings by De Beer and his workshop including all the attributed paintings in UK collections. These will provide both an instructive context for the Barber painting and for De Beer's art more generally, with the whole chronological range of his career represented. It will be only the second ever exhibition devoted to De Beer, and the first to show the broad range of his work. The fully-illustrated catalog will feature extended entries for all the exhibited works and three essays exploring the core themes of the show, written by Robert Wenley, Head of Collections at the Barber Institute and the lead curator of the exhibition, and two leading De Beer specialists. Professor Dan Ewing (Barry University, Miami Shores, Florida) will consider De Beer's work and career; while Peter van den Brink (Director, Suermondt-Ludwig-Museum, Aachen) will explore De Beer's working methods, in particular as revealed by the underdrawings of his pictures. Robert Wenley's essay will survey the history of De Beer's paintings in British collections.…

Etat : As New. Unread book in perfect condition.

Etat : New. pp. 84.

Paperback. Etat : Brand New. 95 pages. 8.00x7.00x0.25 inches. In Stock.

First U. S. 8 vo; clay colored boards with gilt spine lettering; 758 pp; dj is detail from "Cape Town and Table Bay" by Aernout Smit. Author's first novel. very good; as unread. Clean, tight, & attractive. very good; clean & attractive; dj protected by new Mylar wrap.

Etat : New. pp. 84 Illustrated edition NO-PA16APR2015-KAP.

Etat : New. In English.

Etat : New.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : As New. Etat de la jaquette : As New. 1st Edition. Harcourt, New York, 2005. First U.S. edition, first printing. Very Fine in a very fine dust jacket. A tight, clean copy, new and unread. Comes with archival-quality mylar dust jacket protector. NOT price clipped. Shipped in well padded box. A novel, translated from the Afrikaans. CLS.…

Softcover. xxviii, 882 pp. Softcover. LCC: 9513775 Very good condition; touches of wear on edges of covers and on bottom edges of papers.

Kartoniert / Broschiert. Etat : New. &Uumlber den AutorRobert Wenley is head of collections and deputy director of the Barber Institute of Fine Arts in Birmingham, UK.KlappentextrnrnAccompanying an exhibition at the Barber Institute of Fine Arts .

paperback. Etat : Very Good. Black and white cover; name on cover; some small marks.

Softcover/Paperback. Etat : Very Good. In zeer goede staat. Paperback. Geà llustreerd. Shelfwear.

Softcover/Paperback. Etat : Good. In goede staat. Paperback. Geà llustreerd. Shelfwear.

Paperback. Etat : New. Accompanying an exhibition at the Barber Institute of Fine Arts - only the second exhibition ever devoted to the artist - this noteworthy publication considers De Beer's work and career, working methods, and traces the history of De Beer's paintings in British collections. The Antwerp painter Jan de Beer (c.1475-1527/28) was highly esteemed in his lifetime and still famous a couple of generations after his death, but then fell into oblivion until the early twentieth century. Only recently have his achievements been fully recognized and documented. The artist's known oeuvre consists of forty works, mainly devotional paintings and triptychs but also a dozen drawings and a stained glass window, after a lost design. De Beer's stylish and elegant art appealed to patrons and collectors, churches abroad, and copyists. His work is typically associated with that of the Antwerp Mannerists, a prominent group of mostly anonymous painters active in the city during his lifetime. This publication will accompany an exhibition at the Barber Institute of Fine Arts, University of Birmingham (25 October 2019 to 19 January 2020) that focuses on one of its and De Beer's acknowledged masterpieces: the double-sided Joseph and the Suitors/ The Nativity. This is the only surviving fragment from what must have been a major altarpiece. It will be accompanied by a half-dozen key loans of paintings and drawings by De Beer and his workshop including all the attributed paintings in UK collections. These will provide both an instructive context for the Barber painting and for De Beer's art more generally, with the whole chronological range of his career represented. It will be only the second ever exhibition devoted to De Beer, and the first to show the broad range of his work. The fully-illustrated catalogue will feature extended entries for all the exhibited works and three essays exploring the core themes of the show, written by Robert Wenley, Head of Collections at the Barber Institute and the lead curator of the exhibition, and two leading De Beer specialists. Professor Dan Ewing (Barry University, Miami Shores, Florida) will consider De Beer's work and career; while Peter van den Brink (Director, Suermondt-Aachen Museum) will explore De Beer's working methods, in particular as revealed by the underdrawings of his pictures. Robert Wenley's essay will survey the history of De Beer's paintings in British collections.…

Hardcover. Etat : Gut. 1. Aufl. 30,5x25cm; Erste Auflage, 200 S. Hardcover. zahlr. Ill. Zustand: Sehr Gut, eher ungelesen, kleiner BL-Schrifteintrag vor dem Titelblatt (Innen); Einband (Außen) hat min. Gebrauchsspuren; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

Taschenbuch. Etat : Sehr gut. Ungekürzte Ausg. Dieses Buch befindet sich in gutem Zustand, was bedeutet, dass es zwar bereits genutzt wurde, aber insgesamt noch gut gepflegt ist. Der Einband zeigt leichte Gebrauchsspuren, wie kleinere Kratzer oder leichte Abnutzung an den Ecken, ist jedoch intakt und ohne größere Beschädigungen. Der Buchrücken ist stabil und weist keine lose oder gebrochene Bindung auf, obwohl eine leichte Lesefalte sichtbar sein kann. Die Seiten des Buches sind vollständig, ohne größere Mängel wie Risse oder Flecken, und zeigen ein wenig Verfärbungen oder eine mögliche Vergilbung an den Rändern, die aufgrund des Alters normal sind. Auch die Ecken und Kanten des Buches sind leicht abgenutzt, jedoch nicht stark beschädigt. Falls ein Schutzumschlag vorhanden ist, weist dieser möglicherweise kleine Knicke oder Verfärbungen auf, ist jedoch nicht zerrissen oder stark beschädigt. Insgesamt ist das Buch in einem Zustand, der es weiterhin zu einem angenehmen Leseerlebnis macht.(mehr Informationen den Bildern entnemen---. nein.…

Etat : Very Good.