Brus editors (4 résultats)

Trade Paperback. Etat : Very Good. The Almanac of Science and Technology brings the reader to the cutting edge of scientific and technological developments in the United States and around the world. 100 photographs.

Paperback. Etat : UsedGood. Softcover; fading and shelf wear to exterior; otherwise in good condition w ith clean text, firm binding.

Fourth printing. 4°. 15 p. and 80 Duotone-plates. Illustrated original cardboard cover (softcover). (An Aperture Monograph). Koetzle, Fotografen A-Z 14 (mit 9 Abb.). Parr/Badger I, 258 f. Roth, The Book of 101 Books 214 f. Roth, The Open Book 284 f. - First edition, fourth printing. - Mit Originalzeichnung (Zwillinge) und Widmung des österreichischen Aktionskünstlers Günter Brus (1938-2024) "Ketchup - Krähe my [turn] Tin-Beer brother Sqaw Walley I. II. 74 Brus". - "Diane Arbus' irritierende Fotografien von Freaks und Exzentrikern waren in der internationalen Kunstszene bereits bekannt, als sie sich 1971 das Leben nahm. Ein Jahr nach ihrem Tod wurden auf der Biennale in Venedig zehn ins Monumentale vergrößerte Aufnahmen ihrer wunderlichen Menschen gezeigt (Zwerge, Transvestiten, Nudisten), die zur `überwältigenden Sensation des amerikanischen Pavillons'; wurden. [.] Es ist durchaus möglich, dass Diane Arbus keinen solchen Bekanntheitsgrad erreicht hätte, wäre sie am Leben geblieben, obwohl allgemein anerkannt wird, dass ihr herber, fast brutaler Stil [.] großen Einfluss auf andere Fotografen ausübte. Sie änderte drastisch unser Empfinden dafür, was in der Fotografie erlaubt ist: Sie erweiterte das Spektrum von Themen, die akzeptabel sind. Und sie erforschte bewusst die visuelle Mehrdeutigkeit von Randgruppen wie auch von Menschen, die in die Gesellschaft integriert waren" (Patricia Bosworth in Koetzle). - With original drawing (twins) and dedication by the Austrian action artist Günter Brus (1938-2024) "Ketchup - Krähe my [turn] Tin-Beer brother Sqaw Walley I. II. 74 Brus". - Diane Arbus' irritating photographs of freaks and eccentrics were already well known on the international art scene when she took her own life in 1971. One year after her death, ten monumentally enlarged photographs of her strange people (dwarves, transvestites, nudists) were shown at the Venice Biennale and became the 'overwhelming sensation of the American pavilion'. [.] It is quite possible that Diane Arbus would not have achieved such notoriety had she lived, although it is generally recognized that her harsh, almost brutal style [.] had a great influence on other photographers. She drastically changed our perception of what is acceptable in photography: she broadened the range of subjects that are acceptable. And she consciously explored the visual ambiguity of marginalized groups as well as people who were integrated into society" (Patricia Bosworth in Koetzle). - Well preserved.…

Etat : Minor rubbing. VG. orig.cloth Minor rubbing. VG. 23x15cm, x,397 pp Contains 8 papers. Includes: O. Elias "General International Law in the European Court Court of Justice: From Hypothesis to Reality?"; M. Fitzmaurice & C. Redgwell "Environmental Non-Compliance Procedures & International Law"; D.M. Ong "The Legal Status of the 1998 Australia- Indonesia Timor Gap Treaty Following the End of Indonesian Rule in East Timor"; P.C. Tange "Netherlands State Practice for the Parliamentary Year 1998-1999"; D. Vleugels "Treaties & Other International Agreements to which the Kingdom of the Netherlands is a Party: Conclusions & Developments 1999" ; P.C. Tange "Netherlands Municipal Legislation Involving Questions of Public International Law 1999"; M. Filet "Dutch Literature in the Field of Public International Law & Related Matters, 1999". …