Bruton gallery (53 résultats)

Paper. Etat : Fine. Fine copy paper ex. cat. unpaginated trilingual (3 column) catalogue of 36 Rodin bronzed w/ descriptions.

paperback. Etat : Good. . Posted within 1 working day. Royal Mail Tracked 24 to UK. Tracked Airmail worldwide. Robust recyclable packaging. Picture is the actual item.

Paperback. Etat : Very Good. Curving to text block. Creasing to tips of wrapper. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery.

Paperback. Etat : Used: Good. Richmond Burton. Mario Diacono Gallery. [Exhibition held from May 3 to June 1 1991 at Boston, Mass.]. Good to VG with minor shelfwear; binding is tight and pages crisp.

Etat : Very Good. Etat de la jaquette : 48883226. 1792956340. 10/25/2026 7:25:40 PM.

65, (1)pp. Prof. illus. Lrg. sq. 8vo. Wraps.

paperback. Etat : Good. The copy shows minor external wear, but is in otherwise good, readable condition.

Etat : Very Good.

Couverture souple. Etat : Bon. Anglais.Sans date,circa 1978.Photos couleur et n & b.63 p.Poids 400 gr.Format 30 x 21 cm.

Soft cover. Etat : Very Good. No Jacket. 1st Edition. A very good copy of the presumed first edition of this catalogue of an exhibition of the graphic works of Michael Ayrton, from Spring 1977. The Bruton Gallery represented the Ayrton Estate and housed these unpublished etchings and aquatints, completed in the last year of the artist's life, after the exhibition closed. No Dust Jacket (as issued). Cover: matt white card with black and white images of art works and lettering to front and rear; bright and fairly clean; sunning to spine and slight age marking but little other sign of shelf wear. Internally: very clean and tightly bound; no markings inscriptions or book plates but top fore-corner of page 1 is clipped; overall in very good condition. Illustrated throughout in black and white. Unpaginated but a substantial catalogue. …

Paperback. Etat : As New. Near fine. Softcover. Good binding and cover. Clean, unmarked pages.

Soft cover. Etat : Good. 1st Edition. 1997 1st edition, Bruton Street Gallery, sm.4to., 22pp., coloured illustrations, small nick on fore-edge of front wrapper & 1st 2 pages, else very good, wrappers.

Softcover. Etat : VG. Beige wraps. 72 pp. Numerous color and bw plates.

Burton, Johanna. ELLSWORTH KELLY: Diagonal. Unpaginated, roughly 25 color plates. 4to, cloth. New York, Matthew Marks Gallery, 2009.

Soft cover. Etat : New. 28 unnumbered pages : colour illustrations ; 24 cm. First published in March 2008 to coincide with the launch of the Stanley & Audrey Burton Gallery, formerly the University Gallery Leeds.

Paperback, 21x20cm, 66pp. Very good condition. Light wear and creases.

Etat : Good. Wraps. Introductory text by the Artist. 30 works, illustrated in color and black & white. Water damage on open end. 8x8".

Hardcover. Etat : Very Good. Very good condition hard cover, Ex library copy with all the usual markings, otherwise in a very good readable condition, barely noticeable wear to cover and spine, tan cloth bound with gold lettering to spine.

Soft cover. Etat : Very Good. No Jacket. 1st Edition. A very good copy of the presumed first edition of this catalogue of a touring exhibition of works of Michael Ayrton entitled Recurring Themes and Images, in1981. No Dust Jacket (as issued). Cover: laminated card with black and white images of art works to front and rear; very bright and clean; slight creasing to top fore corner but little other sign of shelf wear. Internally: very clean and tightly bound; no markings inscriptions or book plates; overall in very good condition. Illustrated throughout in black and white. 66 pp.…

Stapled Booklet. Etat : Very Good. No Jacket. 1st Edition. A very good copy of the presumed first edition of this catalogue of a touring exhibition of works of Michael Ayrton on the theme of the Minotaur, in1973 . No Dust Jacket (as issued). Cover: laminated card with black and white images of art works to front and rear; very bright and clean; slight creasing to spine edge but little other sign of shelf wear. Internally: very clean and tightly bound; no markings inscriptions or book plates; overall in very good condition. Illustrated throughout in black and white. Unpaginated. Also includes 3 black and white postcards of Ayrton art works.…

Etat : Good. 8vo. 83 pp., Soft Covers, Very Good. Color Plates.

Ed. Bruton Gallery. Bruton Somerset. 1982. Fot. en sepia y 36 en color. Texto en ingl. alem. y francés. 30 x 21 cm. Rústica. ARTE.(3.727).

Soft cover. Etat : New. 31 pages : illustrations (black and white, and colour) ; 28 cm. Published to accompany an exhibition held at The Stanley & Audrey Burton Gallery, University of Leeds, 9th Mar.-9th July, 2016.

Etat : Good. Catalogue for exhibition by appointment. Oblong 4to. 66 pp.; color and black & white illus. Exhibition announcement loosely inserted. Very good in wraps.

Soft cover. Etat : New. 99 pages. illustrations (black and white, and colour), portraits (black and white, and colour) ; 27 cm. Published to accompany an exhibition held The Stanley & Audrey Burton Gallery, University of Leeds, Leeds, 17th March-11th July, 2015.

Soft cover. Etat : New. 30 pages : illustrations (some colour) ; 28 cm. Summary:Published to coincide with the 60th anniversary of Mitzi Cunliffe's Man-Made Fibres sculpture for the Man-Made Fibres Building (now Clothworkers' South) at the University of Leeds.

Soft cover. Etat : New. 1st Edition. 12 unnumbered pages : illustrations (chiefly colour), portrait ; 21 cm. Published to accompany an exhibition held at The Stanley & Audrey Burton Gallery, University of Leeds, 15th Mar.-15th July, 2017. The exhibition brings Armitage's sculptures and drawings of the 1950s together, at the time when he undertook the prestigious and pioneering Gregory Fellowship in Leeds.…

Soft cover. Etat : New. 55 pages : illustrations (colour) ; 27 cm. Published to accompany an exhibition held at The Stanley & Audrey Burton Gallery, University of Leeds, Leeds, November 17, 2021 - April 2, 2022. This exhibition celebrates the work of British artists in the second half of the 20th century. Discover a crucial moment in the history of British art, a period where the influence of Abstract Expressionism in America was filtering across the Atlantic. The inspired British artists produced works on a new scale that embraced the possibilities of abstraction. They also developed new signature mark-making techniques. Explore the shared dialogue and formal concerns of these artists and trace their significant contribution to the development and history of British post-war art. The exhibition highlights paintings from the University of Leeds own outstanding collection. Alongside these examples of British abstract art are loans from across the country. Artists on display include Peter Lanyon, Roger Hilton, Gillian Ayres and Albert Irvin. The Expressive Mark is guest-curated by independent curator Anne Goodchild.…

Soft cover. Etat : New. 1st Edition. 69 pages : illustrations (black and white, and colour) ; 24 cm. Published in conjunction with the exhibition of the same name held at the Stanley & Audrey Burton Gallery, 26 October 2021-5 March 2022. Sir William Henry Bragg, and his son Lawrence, changed the way we understand the world around us, all from a laboratory at the University of Leeds. Coinciding with the development of the new Sir William Henry Bragg building, and as part of the Bragg Cultural Programme, this exhibition reveals the story of Bragg's Nobel Prize winning work. Sir W.H. Bragg joined the University of Leeds in 1909 as the Cavendish Professor of Physics. It was here in Leeds where he undertook his pioneering research on X-rays and crystals, with his son Lawrence. They became the first, and so far only, father and son duo to be awarded the joint Nobel Prize for Physics in 1915. The prize was awarded for their work at Leeds, which involved the proposal of an equation which allowed the position of atoms within crystals to be determined from X-ray photographs. The equation is also known as Bragg's Law. Through outstanding objects from the University's Special Collections discover Bragg's pioneering work, and his continued legacy.…

Softcover. Etat : VG. White wraps. [40] pp. 16 color, 17 bw plates. Brief introduction by the artist, selection of beautiful paintings and tapestries, many reproduced in full color, excerpted criticism, and a loose promotional card with a color plate on it tucked into the back of the catalogue.