Burri alberto (147 résultats)

Soft cover. Etat : Very Good. 1st Edition.

Softcover printed folder contains 6 unbound folded pamphlets; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Etat : Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Etat : As New. Unread book in perfect condition.

Softcover, 64 pages, good condition; covers and first few pages wavy from damp or spill; no internal marks. Foreign shipping may be extra.

Etat : New.

Tapa Blanda Con Solapa. Etat : Excelente. En Castellano. Profusamente ilustrado. Fotografía a toda página----El precio de los gastos de envío está calculado para libros con un peso máximo de1 kg superando el kg los gastos de envió serán mayores, - Los pedidos fuera de la península: Baleares ,Canarias, Ceuta y Melilla tienen un coste adicional, consúltenos antes de realizar su pedido, los libros usados pueden tener o no firma del anterior propietario---------- Size: 21X27-cm. Recopilatorio.…

Paperback. Etat : Near Fine. Near Fine. First Edition. 4to. Near Fine in Near Fine dust jacket. Slight wear to wraps. Slight wear and rubbing to jacket.

Etat : New.

Soft cover. Etat : Very Good. 1st Edition. BOX packed with padding! Size: 10.5" x 9". Pages: not written on, clean, bright, odor free, fine edges. Cover: near fine edge, a few darks spots near back bottom corner. See Photos! Ships from California. Ships same or next day (weekdays and Saturdays)! ABOUT: Combustione: Alberto Burri and America (2010) Lisa Melandri, Michael Duncan, Elsa Longhauser, with works by Alberto Burri Exhibition Catalogue — Santa Monica Museum of Art, Sept. 11-Dec. 18, 2010 This catalogue documents a focused exhibition exploring Alberto Burri's "Combustione" (Combustion) works and their deep, often under‑recognized connection to American postwar art. Rather than a broad retrospective, the book concentrates on the period when Burri's experiments with burning, melting, and transforming materials resonated with—and influenced—American avant‑garde movements. Scope and Purpose The volume positions Burri not simply as an Italian postwar master but as a transatlantic figure, whose innovations in material destruction and transformation paralleled developments in American art from the 1950s through the 1970s. It argues that Burri's combustions anticipated or intersected with: - Abstract Expressionism - Neo‑Dada and assemblage - Process art and material‑based practices - The California art scene's interest in industrial materials The catalogue serves both as an art‑historical study and as a visual record of the exhibition. Key Themes 1. Material as Event Burri's combustions—burned plastics, charred wood, melted industrial compounds—are presented as acts, not just objects. The essays emphasize: - The tension between destruction and creation - The transformation of humble materials into painterly surfaces - The performative dimension of burning as a technique 2. Burri's Dialogue with America 3. Historical and Cultural Context 4. Exhibition Plates and Documentation. …

Hardcover without dustjacket as issued, 42 pages, in English; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

softcover. Etat : Collectible; Like New. First Edition; First Printing. As New. Tight, clean and crisp. Appears unread and looks New. No inscriptions. No remainder mark. Not ex-library. In excellent condition. As New. ; 26 full page color plates plus many text illustrations. Foreword by Elsa Longhauser. With essays by Lisa Melandri and Michael Duncan. Published on the occasion of the exhibition at the Santa Monica Museum of Art, September 11 - December 18, 2010. ; As New.…

Soft cover. Etat : Good. Paperback in good condition. Pages clean, no notes or highlights. First page is partially torn, glue in the hinge at spine. Last 'about the artist' page torn out, but included. A couple scratches to front cover. Minor wear top and bottom of spine as well as fore edge corners.…

Soft cover. Etat : Very Good. 1st Edition. Softcover exhibition catalogue in stiff black wraps. With color photo illustrations. Unpaginated. Clean, internally unmarked, well bound. Published on the occasion of a 2013 exhibition of the same name at Luxembourg & Dayan, New York. With essay by Antonio Sapone. "Nero cellotex" is a cycle of 10 paintings by Italian matterist painter Alberto Burri, which he considered "among the most important testimonies to his artistic will". Cellotex, a "poor, indestructible" material consisting of glue and particleboard, was essential to postwar building reconstruction. The painting cycle sees Burri's most elemental use of this material. Near indiscernible shelfwear to book, pages bright and crisp. Scarce edition in excellent condition.…

Unknown. Etat : Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Former owner's stamp, otherwise unmarked. Secure packaging for safe delivery.

Paperback. Etat : Brand New. 264 pages. 11.50x9.75x1.00 inches. In Stock.

Softcover with dustjacket, 30 pages, in Italian, very good condition, no internal marks, clean and crisp. A series of black paintings. Foreign shipping may be extra.

Hardcover. Etat : Very Good. Well-illustrated guide book to the Italian artist Alberto Burri's Collections at Citta di Castello. English edition. [144] pages, ill. (some col.) ; 28 cm. Illustrated boards, minimal shelf wear to edges, no inscriptions, tight and square binding. Two leaflets loosely inserted. Photographs available on request. All books dispatched same or next working day in robust packaging.…

First Edition. First edition. Softcover. Exhibition catalog for a show that ran October 16 through December 1, 1963. Text by James Johnson Sweeney. Includes 16 black and white illustrations. A near fine copy in stapled wrappers with some very light wear and from the library of the Marlborough Gallery with their marks. An attractive catalog designed by Herbert Matter.…

Paperback. Etat : As New. Publisher: Frederick S. Wight Art Gallery, Los Angeles, 1977 FINE in illustrated wraps, as issued. First Softcover Edition, Printing Unstated. As new.

Etat : NEW.

Softcover, 96 pages, very good condition, light rubbing and edgewear to covers; owner s name; no other internal marks. Foreign shipping may be extra.

Softcover, 30 pages, in French; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, 118 pages, in Italian; very good condition; except sticker taped around bottom of spine; owner's stamp on title page; no other internal marks. Checklist of works laid in. Foreign shipping may be extra.

Etat : Gut. 49 S., Ill. Guter Zustand. Einband mit leichten Gebrauchsspuren. Seiten sauber. Sprache: Deutsch Gewicht in Gramm: 310 Softcover/Paperback mit Schutzumschlag.

Softcover, 66 pages, as new condition; clean and crisp; no internal marks. (Blank black spine). Foreign shipping may be extra.

Softcover, 32 pages, in French; very good condition; except small crease to upper left corner of all pages; no internal marks. Foreign shipping may be extra.

Etat : Good. 2 page brochure. Illustrated in black and white. 8vo. Wraps.

SOFTCOVER. Etat : As New. 1st Edition. Large heavy 4to. in colour printed stiff card covers, 165pp on thick glossy art paper, colour plates, illustrations in text, etc. Dual text in English and Italian . [CONDITION: A well preserved AS NEW unmarked copy (faint tanning to covers) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

paperback. Etat : Fine. Catalogo di mostra. Con 12 tavole a colori. Nota biografica, attività espositiva, bibliografia . 8vo. pp. 48. . Ottimo (Fine). . . . Alberto Burri (Città di Castello, 1915 - Nizza, 1995), è stato uno dei più importanti artisti italiani del dopoguerra. Laureato in medicina, durante la seconda guerra mondiale fu chirurgo militare in Africa. Nel 1944 trascorse un periodo di prigionia in un campo di ufficiali italiani del Texas, dove scopri la pittura, dapprima come svago, poi come passione. Tornato in Italia nel 1946, decise di rinunciare alla professione medica per dedicarsi interamente all'attività artistica. Tra il 1946 e il 1948 compose quadri figurativi, per passare poi, con i Catrami e le Muffe, a composizioni astratte nelle quali già il problema della materia si faceva urgente. Tra il 1950 e il 1955 apparvero i famosi Sacchi, nei quali la tela grezza del sacco, cucita, lacerata o bruciata, formava insieme l'oggetto e il soggetto dell'opera, la sua concreta sostanza e il suo significato. Alle tele si sono sostituiti i Legni, dal 1955, e i Ferri dal 1958. Negli anni Sessanta è stata la volta delle combustioni plastiche.Fra le sue mostre più importanti si ricordano le diverse partecipazioni alla  Biennale di Venezia;  alla Triennale di Milano;  a Documenta; alla Biennale di  San Paolo; la mostra antologica del 1996 al Palazzo delle Esposizioni di Roma; la mostra alle Scuderie del Quirinale nel 2005, decimo anniversario della morte, ed infine la retrospettiva al Solomon R. Guggenheim Museum di New York nel 2015Le collezioni permanenti più significative si trovano presso: Fondazione Palazzo Albizzini Collezione Burri, Città di Castello; Solomon R. Guggenheim Museum, New York; Tate Modern, London; Centre Pompidou, Paris; Museo del Novecento, Milano. Book. …