Caps john john caps (87 résultats)

Etat : Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Etat : Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Very Good. Etat de la jaquette : Includes dust jacket.

paperback. Etat : As New. 2000 paperback. Minor shelf wear to covers and edges. Pages are unmarked. Name written inside.

Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Etat : As New. Like New condition. Very Good dust jacket. A near perfect copy that may have very minor cosmetic defects.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : new. Paperback. Through film composer Henry Mancini, mere background music in movies became part of pop culture--an expression of sophistication and wit with a modern sense of cool and a lasting lyricism that has not dated. The first comprehensive study of Mancini's music, Henry Mancini: Reinventing Film Music describes how the composer served as a bridge between the Big Band period of World War II and the impatient eclecticism of the Baby Boomer generation, between the grand formal orchestral film scores of the past and a modern American minimalist approach. Mancini's sound seemed to capture the bright, confident, welcoming voice of the middle class's new efficient life: interested in pop songs and jazz, in movie and television, in outreach politics but also conventional stay-at-home comforts. As John Caps shows, Mancini easily combined it all in his music. Mancini wielded influence in Hollywood and around the world with his iconic scores: dynamic jazz for the noirish detective TV show Peter Gunn, the sly theme from The Pink Panther, and his wistful folk song "Moon River" from Breakfast at Tiffany's. Through insightful close readings of key films, Caps traces Mancini's collaborations with important directors and shows how he homed in on specific dramatic or comic aspects of the film to create musical effects through clever instrumentation, eloquent musical gestures, and meaningful resonances and continuities in his scores. Accessible and engaging, this fresh view of Mancini's oeuvre and influence will delight and inform fans of film and popular music. John Caps is an award-winning writer and producer of documentaries. He served as producer, writer, and host for four seasons of the National Public Radio syndicated series The Cinema Soundtrack, featuring interviews with and music of film composers. He lives in Baltimore, Maryland. A volume in the series Music in American Life Henry Mancini, the first publicly successful and personally recognizable film composer in history, has practically become a Hollywood brand name. In his lifetime, he sold thirty million albums and won four Oscars and twenty Grammy awards. Through Mancini, mere background music in movies became part of pop culture--an expression of sophistication and wit with a modern sense of cool and a lasting lyricism that has not dated. The first comprehensive study of Mancini's music, Henry Mancini: Reinventing Film Music describes how the composer served as a bridge between the Big Band period of World War II and the impatient eclecticism of the Baby Boomer generation, between the grand formal orchestral film scores of the past and a modern American minimalist approach. Mancini's sound seemed to capture the bright, confident, welcoming voice of the middle class's new efficient life: interested in pop songs and jazz, in movies and television, in outreach politics but also conventional stay-at-home comforts. As John Caps shows, Mancini easily combined it all in his music. Mancini wrote his first dramatic music for a radio series in 1950. By the mid-1960s, he wielded influence in Hollywood and around the world with his iconic scores: dynamic jazz for the noirish detective TV show Peter Gunn, the sly theme from The Pink Panther, and his wistful folk song "Moon River" from Breakfast at Tiffany's. Following the evolution of Mancini's style, Caps traces the history of movie scoring in general: from the jazz-pop of the 1960s to the edgier, electro-funk harmonies of the Watergate 1970s, from the revisionist 1980s marked by New Age trends and new jazz chords to the frustrating New Hollywood of the 1990s when films were made by committees of lawyers rather than by artisans. Through insightful close readings of key films, Caps traces Mancini's collaborations with important directors and shows how he homed in on specific dra Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : As New. Unread book in perfect condition.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Etat : Good. First Edition. Size: 8vo 7 3/4 - 9 3/4". xii + 278pp. Internally clean. Binding firm, spine cocked and creased. Edges slightly marked. Covers slightly marked and creased. Illustrated. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Music; United States; Modern; Film, Radio & Television. ISBN/EAN: 9780252081248. Pictures of this item not already displayed here available upon request. Inventory No: 65509. …

Paperback. Etat : New. Three generations of famous movie soundtrack composers reveal the secrets of their art and success.Beginning with a quick history of film scoring and then taking the reader backstage to interview a dozen major screen composers, Overhearing Film Music represents three generations of movie soundtrack music. Ranging from groundbreaking composers who scored classic 1940s melodramas such as Laura and the Thief of Bagdad, to the jazz-influenced modernists who worked on Rebel Without a Cause and The Pink Panther, and into the symphonic renaissance represented by films like Star Wars and Harry Potter, Caps asks the seminal questions: How did this kind of active movie scoring evolve from silent films-and where is it headed? These interviews provide a master class in how and why to score a film. Interspersed among the interviews, Caps's single-subject essays provide concise histories of the use of choral music in films, African American and female film composers, and digital composing software for a new era.…

Paperback. Etat : New. Three generations of famous movie soundtrack composers reveal the secrets of their art and success.Beginning with a quick history of film scoring and then taking the reader backstage to interview a dozen major screen composers, Overhearing Film Music represents three generations of movie soundtrack music. Ranging from groundbreaking composers who scored classic 1940s melodramas such as Laura and the Thief of Bagdad, to the jazz-influenced modernists who worked on Rebel Without a Cause and The Pink Panther, and into the symphonic renaissance represented by films like Star Wars and Harry Potter, Caps asks the seminal questions: How did this kind of active movie scoring evolve from silent films-and where is it headed? These interviews provide a master class in how and why to score a film. Interspersed among the interviews, Caps's single-subject essays provide concise histories of the use of choral music in films, African American and female film composers, and digital composing software for a new era.…

Paperback. Etat : Very Good. 1st. stapled wraps; 124 clean, unmarked pages; items by/about: Poetry (Eavan Boland, W.S. Merwin, Sherod Santos); Mitchell Kriegman ("The Best Possible Me"); Peter Gordon ("The Curfew"); Kennedy Fraser (PROFILES: Miriam Rothschild) Milton Viorst (Reporter at Large: Iraq, pt 11); George Steiner (Books); Talk of the Town; Cinema, Theater, Arts, Music, Book Reviews, Etc. Grant Anderson, Scotland's Highland Games in full page DeWars ad on back cover. John O'Brien "Call Caps & Big Screen" " cover art; also, drawings by Roz Chast, Charles Addams, James Stevenson, Donald RFeilly, Mick Stevens, Arnie Levin, Lee Lorenz, Edward Koren, , etc. (illustrateur). …

Paperback. Etat : new. Paperback. Three generations of famous movie soundtrack composers reveal the secrets of their art and success.Beginning with a quick history of film scoring and then taking the reader backstage to interview a dozen major screen composers, Overhearing Film Music represents three generations of movie soundtrack music. Ranging from groundbreaking composers who scored classic 1940s melodramas such as Laura and the Thief of Bagdad, to the jazz-influenced modernists who worked on Rebel Without a Cause and The Pink Panther, and into the symphonic renaissance represented by films like Star Wars and Harry Potter, Caps asks the seminal questions: How did this kind of active movie scoring evolve from silent films-and where is it headed? These interviews provide a master class in how and why to score a film. Interspersed among the interviews, Caps's single-subject essays provide concise histories of the use of choral music in films, African American and female film composers, and digital composing software for a new era. Three generations of famous movie soundtrack composers reveal the secrets of their art and success. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : new.

paperback. Etat : New.

Etat : New.

paperback. Etat : Fine.

Etat : As New. Unread book in perfect condition.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : As New. Unread book in perfect condition.

Etat : New.

Paperback. Etat : New. Story-like chapters profile six twentieth-century reactive composers; not the most famous pillars of the period but lesser-known, perhaps more approachable, characters whose stories span that 1900-2000 period from decadent fin-de-siècle Vienna (Alban Berg, Alexander Zemlinsky) to war-torn Paris (Olivier Messiaen, Arthur Honegger) to the Cold War tensions of East vs. West (Toru Takemitsu) and late-century Communism (Arvo Pärt). Their stories were all very different crises, and they produced very different kinds of music; each very telling of their composers life and times. Crisis Music presents each brief biography almost like a detective story looking for motives, then spotlights one particular piece of music from each composer that emerged directly out of hard times maybe a political crisis at the time of composition (Hitler marching into Paris or later Communist crack-downs); or some personal angst such as illness or scandal and how that music contains and expresses crisis. In short, the subject for discussion is how context influences content. Such troubled and especially vivid composition, crisis music, can often be most compelling and meaningful for its composer and for its time. Indeed, their music also seems to have a special resonance to share with our own crisis-prone times. And meanwhile, Western music history played-out its own story from late-romantic style to Serialism and Minimalism to the anything-goes Pluralism we hear today. Crisis Music sparks the discussion about how history, biography and music intersects. At the behest of music teachers at secondary and tertiary levels, Crisis Music contains substantive Discussion Questions geared for classroom use. …