carle loo (17 résultats)

Loose Leaf. Etat : New. Reproduction. Original title: Academic study of standing male nude German: Akademische Studie des Stehenden männlich nackt French: Etude académique de nu masculin debout Spanish: Estudio académico del desnudo masculino de pie High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1743). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Etat : New. Reproduction. Original title: Title print with academic study of standing male nude German: Titeldruck mit akademischer Studie des Stehenden männlich nackt French: Tirage de titre avec étude académique de nu masculin debout Spanish: Título impreso con estudio académico del desnudo masculino de pie High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1743). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Etat : New. Reproduction. Original title: Academic study of two male nudes German: Akademische Studie von zwei männlichen Akte French: Etude académique de deux nus masculins Spanish: Estudio académico de dos desnudos masculinos High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1743). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Etat : New. Reproduction. Original title: Academic study of one-legged male nude German: Akademische Studie von einbeinigen männlichen Akt French: Etude académique de nu masculin à un pattes Spanish: Estudio académico del desnudo masculino de una pierna High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1743). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Etat : New. Reproduction. Original title: Academic study of sitting male nude German: Akademische Studie von sitzenden männlichen nackt French: Etude académique de nu masculin assis Spanish: Estudio académico del desnudo masculino sentado High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1743). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Etat : New. Reproduction. Original title: Academic study of a man naked pulling a rope German: Akademische Studie eines Mannes nackt ein Seil ziehen French: Etude académique d'un homme nu tirant une corde Spanish: Estudio académico de un hombre desnudo tirando de una cuerda High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1743). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Etat : New. Reproduction. None. No.

Etat : Good. Original B&W gravure. 11 x 8 inches. Very Good. Light toning, mostly along edges. Creasing and small rips at bottom edge. Handwritten penciled notations in bottom margin.

Etat : Good. Original B&W gravure. 11 x 8 inches. Very Good. Very light foxing along edges, not affecting image. Small crease at bottom left corner. Handwritten penciled notations in bottom margin.

0. Sprache: Deutschu.

Etat : guter Zustand. Kupferstich von Ignaz Sebastian Klauber, 1785, nach Pierre Le Sueur, 1747. 39,2:29,1 cm. Le Blanc 41, II (III); Thieme/Becker XX, p. 412.- Im breiten Rand etwas stockfleckig, winzige weiße Fleckchen im dunklen Hintergrund.- Rezeptionsblatt.- Sammlung C. Naumann (Lugt 1939).

Paris, Jacques Beauvarlet, (ca. 1771). Mezzotint engraving by Jacques Beauvarlet (1731 - 1797) after a painting made in ca. 1754 by Charles-André (Carle) van Loo (1705-1765). Ca. 48,5 x 36,5 cm During the first half of the 18th century, the European nobility (and later also the wealthy bourgeoisie) developed a taste for the exotic and Oriental. The picture shows Madame Pompadour (Jeanne Antoinette Poisson, Marquise de Pompadour, 1721-1764, mistress of Louis XV) as "Sultana" in Ottoman costume seated on a cushion on the left, with long smoking pipe in her right hand, the black servant is passing her coffee. - (Small stain in left corner, under passepartout, mounted). - Fine image.

Carle Van Loo (illustrateur). 'LE TRIOMPHE DE SILENE / C. VANLOO PINX. / L. LEMPEREUR SCULP. / DEDIE A MONSIEUR LE MARQUIS DE MARIGNY. 1747'A mythological scene with Silenus, the drunken companion of Bacchus, reclining and surrounded by satyrs, maenads, and a goat. One of the classic representations of Bacchic triumphs.Made by Louis-Simon Lempereur after Carle Van Loo.Medium: Etching and engraving on hand laid (verge) paper. Watermark: lettering.Sheet size: 37.8 x 35.3 cm (14.88 x 13.9 inch). Image size: 37.8 x 35.3 cm. (14.88 x 13.9 inch).SILENUS, BACCHUS, VAN LOO, LEMPEREUR, MYTHOLOGICAL PRINT, 18TH CENTURY, FRENCH ENGRAVING, TRIUMPH, FÊTE GALANTE | PCO-B2-41BACKGROUND INFORMATIONSource: unknown, to be determined.Reference: Certosa e Museo Nazionale di San Martino, Napoli, inv. 16655.Biography engraver: Louis-Simon Lempereur (1728-1807) was a French engraver known for reproductive engravings after major French painters. Active in Paris.Biography artist: Carle Van Loo (1705-1765), also known as Charles-André Van Loo, was a leading French Rococo painter. He painted religious, historical, and mythological scenes and was court painter to Louis XV. Condition: very good, given age. Light foxing, creasing and soiling. Trimmed to the plate. Thin paper at top margin and left bottom margin. Some pinsize holes at bottom. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Natives of Holland, with their diversions during the winter season. Kopergravure vervaardigd door Henry Roberts naar een schilderij van Charles André (gen. Carle) van Loo (1705-1765). Uitgegeven rond 1782 als onderdeel van Millar's New Complete & Universal System of Geographyca. Later met de hand gekleurd. Afm. (prent): 28,5 x 17,1 cm De prent bevat alle elementen die zo kenmerkend zijn voor ijsvermaak: de schaatsers, de sledes, het kolfspel, de koek-en-zopie tenten, ze behoren tot een wereld waar met plezier naar gekeken moet zijn. Bijna 250 jaar geleden en nu nog steeds. Ook vandaag de dag beleven wij het plezier van de herkenning. Een voorstelling met ijsplezier heeft een universele waarde die niet alleen in vroeger tijd betekenis had, maar die tot op de dag van vandaag haar geldigheid heeft behouden. Over de Nederlanders schrijft een 18e-eeuwse reiziger, dat die anders langzame en onbuigzame schepselen in de winter plotseling een en al levendigheid vertonen. Lomp en log zijn ze, maar zodra hun voeten het ijsvlak raken, blijken ze "snel als een bliksemstraal en zo licht als een vogel."' Prijs: 650,- (incl. lijst).

Etat : guter Zustand. Kupferstich und Roulette in Rotdruck, von Jean-Baptiste Lucien (um 1748-Paris 1806), auf Bütten. 44,5:38 cm. Mit Verlagsadresse: A Paris chés (sic!) J. Fr. Chereau rue St. Jacques aux 2 Piliers d'Or. No. 100" (rechte obere Ecke). - Mit leichtem Wasserrand in der rechten Blatthälfte, Falte in der linken unteren Ecke. Guter Abdruck mit Rändchen rundum.

Etat : sehr guter Zustand. Kupferstich in Crayonmanier, in Rotdruck, von G. Demarteau (1722-1776), nach einem Selbstbildnis. 46,8:34,4 cm. Le Blanc 31; Thieme/Becker IX, p. 48. - Auf die Plattenkante geschnitten, verso Reste alter Verklelbung.

Kupferstich a.a. China v. Ignace Klauber n. Pierre le Sueur (1747), dat. 1785, 35 x 25 (H) Seine steile Karierre machte ihn 1749 zum Leiter der "Ecole Royal des eleves proteges" Es folgten 1754 der Posten als Rektor, 1763 als Direktor der Akademie. 1750 geadelt, dann Ernennung (1751) zum Chevalier de l'ordre de Saint-Michel. Ab 1762 1. könglicher Maler.