Edité par Crown Publishers, Inc., New York, 1969
Vendeur : Top Notch Books, Tolar, TX, Etats-Unis
Edition originale
EUR 7,16
Quantité disponible : 1 disponible(s)
Ajouter au panierHard Cover. Etat : Good. No Jacket. Second Printing. Light red cloth boards are sunned on spinecover and edges. Pages are clean, text has no markings, binding is sound. Size: 4to - over 9¾" - 12" tall.
Edité par Crown Publishers, New York, 1966
Vendeur : Willis Monie-Books, ABAA, Cooperstown, NY, Etats-Unis
EUR 8,06
Quantité disponible : 1 disponible(s)
Ajouter au panierHardcover. Etat : Very Good. Etat de la jaquette : Very Good-. Second Printing. Light wear DJ extremities.
Edité par Crown, 1966, 1966
Vendeur : Longhouse, Publishers & Booksellers, Brattleboro, VT, Etats-Unis
Edition originale
EUR 11,59
Quantité disponible : 1 disponible(s)
Ajouter au panierFirst edition 300 illustrations in full color and black and white. Near fine red boards with gilt lettering in like dustjacket with trifle wear to top of spine. Text beautifully realized and profusely illustrated throughout in black and white and color. Runs the spectrum of modern art. Unique.
Edité par Crown Publishers, Inc., New York, 1966
Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
EUR 21,94
Quantité disponible : 1 disponible(s)
Ajouter au panierHardcover. Etat : Very Good. Etat de la jaquette : Good. Cloth, 320 pages, illustrations (some colour); 24 cm. First published, Argentina, under title: Nuevas tendencias en la pintura. Translated from the Spanish. Firm binding, clean inside copy. Light foxing/endpapers, age toning. Dust jacket, with moderate edgewear, protected in a mylar cover. *** Aside from the identification of "Informalism as an international tendency," covering American Abstract Expressionism and its European counterpart (Tachism), this book contains important information on European and Latin American "Concrete Art." *** CONTENTS: The directions of modern art; Chapter one: The avant-garde at the end of the second world war; Chapter two: Reaction against concrete art; Chapter three: Informalism as the dominant international tendency; Chapter four: Informalism in the United States; Chapter five: The reaction against informalism; Chapter six: Currents opposed to informalism and strict visuality; Chapter seven: The synthesis of neodadaism and strict visuality; Chapter eight: Sociological aspects of postwar art. Size: 8vo.