Cava john (111 résultats)

Etat : good. USED book in GOOD condition. Great binding, pages and cover show normal signs of wear from use.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. First edition copy. . Good dust jacket.

paperback. Etat : Good. Bruise/tear to cover.

Etat : acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

paperback. Etat : Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Hardcover. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Etat : Good. 1st Edition. A lovely, tight, unmarked softcover in good plus condition; rubbing and edge wear to cover. We are a brick-and-mortar store and sell our own inventory. We will refuse any orders from book brokers and drop shippers.

Paperback. Etat : New.

Etat : acceptable.

Hardcover. Etat : Fair. First Edition. With dust jacket. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : New.

Etat : New.

Hardback. Etat : Good. Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present.Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture. Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton--the focus on architecture as a constructional craft--constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form.Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past.Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as avant-garde.A copublication of the Graham Foundation for Advanced Studies and The MIT Press.…

Soft cover. Etat : VG+. A VGF or better 5" X 8" four-page local theater herald. Also includes ads for "Holiday", "You and Me" and "Men are Such Fools". Scarce. Book.

Hardback. Etat : Good. Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present.Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture. Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton--the focus on architecture as a constructional craft--constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form.Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past.Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as avant-garde.A copublication of the Graham Foundation for Advanced Studies and The MIT Press.…

Hardcover. Etat : Good. Etat de la jaquette : Poor. 1st Edition. 336pp hardback, black cloth gilt in wrapper, good in a torn wrapper with loss wrapper.

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : New.

Paperback. Etat : new. Paperback. Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present.Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture. Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton-the focus on architecture as a constructional craft-constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form.Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past.Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde."A copublication of the Graham Foundation for Advanced Studies and The MIT Press. Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Softcover, staple-bound, 8 pages; very good condition; inscribed and signed by "Paul" on inside front cover; no other internal marks.

Paperback. Etat : As New. ARCHADE: City of Ideas Summer 2004 Don Fels, Guest Editor. A magazine of Architecture / Design In The Northwest. Pieces by Fels, Don; van der Veen, Ron; Cheng, Karen; Cava, John; Bixby, Chris; Kleinberg, J.I.; Tusa, Patricia; Schipper, Lee; Sher, Ron; Low, Setha; Fels, Benjamin; Barbara Goldstein and Lisa Richmond and others. 48 pages, paper with stiff cover. Black and white reproductions. 15" x 10 1/2". Like new. …

Hardcover. Etat : Near Fine. Etat de la jaquette : Fine. 1st Edition. First edition. A near fine copy with a slight separation in the gutter at the half title page in a fine DJ, protected by a removable mylar cover. See my photos of the book you will receive, not stock photos. More available upon request. This book is in my possession and will be packed in bubble wrap and shipped in a cardboard box. USPS tracking provided. #197.…

Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. 1st Edition. This is a fine, as new, hardcover first edition, second printing copy in gray binding, 403 pages with index, in a near fine DJ, white spine. MEDIA SHIPPING ONLY, extra for airmail or international shipping.

Paperback. Etat : new. New Copy. Customer Service Guaranteed.

First Edition. First edition and first printing. Hardcover. 430 pages. Edited by John Cava. The follow up to Frampton's classic "A Critical History of of Modern Architecture." Includes numerous black and white illustrations. A tight very good copy in cloth boards with some sunning to the bottom edge of the boards and some slight foxing in an about very good dust jacket with some minor wear and some soiling/foxing. Still a solid reference copy.…

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Cloth, dj. Clean copy with minimal shelf-wear.