chafe eric thomas (33 résultats)

Hardcover. Etat : Very Good. Etat de la jaquette : Good. Marking from previous owner on first blank page, otherwise an overall unmarked and undamaged copy with an intact dust jacket.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. No marks in text. Not a library book. Ships in a cardboard enclosure. Thanks in advance, from Tim's Used Books, open shop in Provincetown, Massachusetts. Since 1991 we've been buying and selling good books at fair prices in the same spot. Visit, buy or sell. Got books? Reach out!

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition. Minor shelf wear. Else a bright, clean copy. In 1714, the 29 year-old Johann Sebastian Bach was promoted to the position of concertmaster at the ducal court of Weimar. This post required him for the first time in his already established career to produce a regular stream of church cantatas-one cantata every four weeks. Among the most significant works of this period is Ich hatte viel Bekummernis in meinem Herzen (Cantata 21). Generally known in English as I had much affliction, Cantata 21 draws from several psalms and the Book of Revelations and offers a depiction of the spiritual ascent of the soul from intense tribulation to joy and exaltation. Although widely performed and loved by musicians, Cantata 21 has endured much criticism from scholars and critics who claim that the piece lacks organizational clarity and stylistic coherence. In Tears into Wine, renowned Bach scholar Eric Chafe challenges the scholarly consensus, arguing that Cantata 21 is an exceptionally carefully designed work, and that it displays a convergence of musical structure and theological purpose that is paradigmatic of Bach's sacred work as a whole. Drawing on a wide range of Lutheran theological writing, Chafe shows that Cantata 21 reaches beyond the scope of the individual liturgical occasion to voice a breadth of meaning that encompasses much of the core of Lutheran thought. Chafe artfully demonstrates that instead of simply presenting a musical depiction of the soul's journey from sorrow to bliss, Cantata 21 expresses the various stages of God's revelation and their impact on the believing soul. As a result, Chafe reveals that Cantata 21 has a formal design that mirrors Lutheran belief in unfolding revelation, with the final movement representing the work's crown--the goal toward which all of the earlier movements are directed. Complete with full text translations of the cantata and the liturgical readings that would have accompanied it at the first performance, Tears into Wine is a monumental book that is ideally suited for Bach scholars and students, as well as those generally interested in the relationship between theology and music.

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

PF. Etat : New.

Hardcover. Etat : Very good condition. Etat de la jaquette : Very good. Schirmer Books. xviii, 442 pp. LCC: 9125935.

Hardcover. Etat : Very good condition. Etat de la jaquette : Very good. Schirmer Books. xviii, 442 pp. LCC: 9125935.

Hardcover. Etat : Very good condition. Etat de la jaquette : Very good. Schirmer Books. xviii, 442 pp. LCC: 9125935.

Hardcover. Etat : New. Hardcover with DJ. An Unused, unmarked and unblemished copy.; 100% Satisfaction Guaranteed! Ships same or next business day!

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

hardcover. Etat : New. In shrink wrap. Looks like an interesting title!

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : new. New Copy. Customer Service Guaranteed.

Hardcover. Etat : Fair. Spuren von Feuchtigkeit / Nässe; Leichte Kratzer / Abnutzungen / Druckstellen. With Tonal Allegory , Eric Chafe responds to the serious need for an interpretive study that takes into account the theological content of Bach's texts and his principles of setting them to music. He sets forth a principle called "tonal allegory" as a fundamental expression of the Baroque concept of music and its relationship to spiritual life. Chafe studies cantatas from all periods of Bach's life, the two Passion s, the Christmas Oratorio , and selected secular works, all with a view towards delineating Bach's application of the principle of "tonal allegory." One result is the recognition of many patterns of tonal planning and of four basic tonal-plan "types" that appear in many works.For more than three decades Bach scholarship has been dominated by source and editing questions, stimulated by work on the New Bach Edition ( Neue Bach-Ausgabe ). Here, Chafe hopes to encourage a move toward more interpretive studies, based on a combination of Baroque music theory, historical theology, and the documents of Bach's time. His work provides a secure basis for an analysis of the development of Bach's sacred music and thus a beginning for a comprehensive reassessment of one of our greatest musical geniuses.

Hardcover. Etat : gut. 1991. Tonal Allegory in the Vocal Music of J.S. Bach pages.

Etat : new. Questo è un articolo print on demand.

Etat : New. Print on Demand pp. 344 49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam.

Etat : New. Print on Demand pp. 344.

Etat : New. PRINT ON DEMAND pp. 344.

Paperback. Etat : new. Paperback. During the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentous turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had long been central to Wagner's aesthetics, and Wagner described the entry of Schopenhauer into his life as "a gift from heaven." Chafe argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas inspired by Schopenhauer. The first part of the book covers the philosophical and literary underpinnings of the story, exploring Schopenhauer's metaphysics and Gottfried van Strassburg's Tristan poem. Chafe then turns to the events in the opera, providing tonal and harmonic analyses that reinforce his interpretation of the drama. Chafe acts as an expert guide, interpreting and illustrating most important moments for his reader. Ultimately, Chafe creates a critical account of Tristan, in which the drama is shown to develop through the music. During the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentous turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had long been central to Wagner's aesthetics, and Wagner described the entry of Schopenhauer into his life as "a gift from heaven." Chafe argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas inspired by Schopenhauer. The first part of the book covers the philosophical and literary underpinnings of the story, exploring Schopenhauer's metaphysics and Gottfried van Strassburg's Tristan poem. Chafe then turns to the events in the opera, providing tonal and harmonic analyses that reinforce his interpretation of the drama. Chafe acts as an expert guide, interpreting and illustrating most important moments for his reader. Ultimately, Chafe creates a critical account of Tristan, in which the drama is shown to develop through the music. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Etat : New. Print on Demand pp. 344 Illus.

Etat : New. Print on Demand pp. 344.

Etat : New. PRINT ON DEMAND pp. 344.

Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - During the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentous turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had long been central to Wagner's aesthetics, and Wagner described the entry of Schopenhauer into his life as 'a gift from heaven.' Chafe argues that Wagner'sTristan and Isolde is a musical and dramatic exposition of metaphysical ideas inspired by Schopenhauer. The first part of the book covers the philosophical and literary underpinnings of the story, exploring Schopenhauer's metaphysics and Gottfried van Strassburg's Tristan poem. Chafe then turns to theevents in the opera, providing tonal and harmonic analyses that reinforce his interpretation of the drama. Chafe acts as an expert guide, interpreting and illustrating the most important moments for his reader. Ultimately, Chafe creates a critical account of Tristan, in which the drama is shown to develop through the music.

Hardcover. Etat : new. Hardcover. During the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentus turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had been central to Wagner's aesthetics, and Wagner described the entry of Schopenhauer into his life as a gift from heaven. Chafe argues that Wagner's ristan and ISolde is a musical and dramatic exposition of metaphysical ideas inspired by Schopenhauer. The first part of the book covers the philosophical and literary underpinnings of the story, exploring Schopenhauer's metaphysics and Gottfried van Strassburg's Tristan poem. Chafe then turns to the events in the opera, providing tonal and harmonic analyses the reinforce his interpretation of the drama. Chafe acts as an expert guide, interpreting and illustrating most important moments for his reader. Ultimately, Chafe creates a critical account of ristan, in which the drama is shown to develop through the music. During the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentous turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had long been central to Wagner's aesthetics, and Wagner described the entry of Schopenhauer into his life as "a gift from heaven." Chafe argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas inspired by Schopenhauer. The first part of the book covers the philosophical and literary underpinnings of the story, exploring Schopenhauer's metaphysics and Gottfried van Strassburg's Tristan poem. Chafe then turns to the events in the opera, providing tonal and harmonic analyses that reinforce his interpretation of the drama. Chafe acts as an expert guide, interpreting and illustrating the most important moments for his reader. Ultimately, Chafe creates a critical account of Tristan, in which the drama is shown to develop through the music. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Taschenbuch. Etat : Neu. The Tragic and the Ecstatic | The Musical Revolution of Wagner's Tristan and Isolde | Eric Thomas Chafe (u. a.) | Taschenbuch | Buch | Englisch | 2008 | Oxford University Press | EAN 9780195343007 | Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, 70567 Stuttgart, vertrieb[at]dbg[dot]de | Anbieter: preigu Print on Demand.

Etat : New. Print on Demand.

Etat : New. Print on Demand.