Cholcman (26 résultats)
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Paperback. Etat : new. Paperback. The ephemeral art of festival, popular in the 16th and 17th centuries, was created for public events, such as triumphal processions, weddings and court funerals. Large-scale monuments combining painting, sculpture and the performing arts were devised for the duration of the event, but as soon as… this was over, these extravagant constructions were dismantled and their individual components ultimately destroyed. Before the monuments ceased to exist, the city council would ensure their conservation in words and images, thus materializing the ephemeral art of festival into the more lasting medium of word and image on paper. One of the most celebrated such festive events was that of the 1599 Antwerp Triumphal Entry of Archduke Albert of Austria and the Infanta Isabella Clara Eugenia of Spain, the new Spanish governors of the Netherlands. No fewer than 22 monuments, composed of ephemeral materials, were devised. Construction of the monuments was entrusted not only into the hands of sculptors, painters, goldsmiths, carpenters and architects, but also to one of the leading thinkers of the time, the humanist and city secretary Johannes Bochius. This study offers a new approach to an analysis ofthe art of such events, based on Bochius' book: The Triumphal Entry of the Archdukes Albert and Isabella. Offering a unique and innovative interpretation of the ephemeral art books, a particular relation is revealed between the ephemeral event itself and its documentation in a book. Examiningthe role of the author (in this case Bochius) as the sole designer of the event, the monuments and their documentation (the book), requires an idiosyncratic reading of the text, which in turns provides more accurate and validinterpretative framework for the book, and hence also for the artwork. Such books, in uniting event and text into one coherent and long-lasting work of art, constitute a new genre of ekphrasis, formulated and conceived solely for the purpose of eternalizing the ephemeral. This book focuses on ephemeral art of festival, created for public events, such as triumphal processions, weddings and court funerals. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Etat : new. Paperback. In early modern culture, civic festivals and emblem books were amongst the more privileged genres of Early Modern culture. Although both are connected in their use of word and image, they are nonetheless separated in their very essence. The former, a public event celebrated usually at night and…involving, alongside ephemeral monuments, lights, fireworks, music, ceremonies, and theater performances, was for the spectator an all-encompassing experience. It was intended to propagate either the ruler or the city's political agenda. The latter was conceived as an intellectual pastime and intended to be read, deciphered, and discussed within the private sphere, in the company and studious ambiance of the literati. Emblems and festivals, nonetheless, maintained a kind of symbiotic exchange. Whereas public monuments of the triumphal entries found their way into the printed form of festival books, emblems migrated from their printed form into the public sphere, where they were used to adorn the ephemeral monuments of the triumphal entries. How then, do the practices of emblem reading, which require careful decryption of words and images, relate to the viewing practices of triumphal processions? The book examines this paradox and argues that the inclusion of emblems in festivals reveals the hermeneutic mechanism of the learned. By using emblems, the designers of civic festivals marked their territory within the power hierarchies and established their dignity and authority as experts in both the civic and intellectual circles. In the festival ambit, festival emblems epitomize the perfect paradoxical union of persuasion and erudition. The book examines and argues that the inclusion of emblems in festivals reveals the hermeneutic mechanism of the learned. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Etat : New. 2015. 1st Edition. paperback. . . . . .
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Paperback. Etat : new. Paperback. The ephemeral art of festival, popular in the 16th and 17th centuries, was created for public events, such as triumphal processions, weddings and court funerals. Large-scale monuments combining painting, sculpture and the performing arts were devised for the duration of the event, but as soon as… this was over, these extravagant constructions were dismantled and their individual components ultimately destroyed. Before the monuments ceased to exist, the city council would ensure their conservation in words and images, thus materializing the ephemeral art of festival into the more lasting medium of word and image on paper. One of the most celebrated such festive events was that of the 1599 Antwerp Triumphal Entry of Archduke Albert of Austria and the Infanta Isabella Clara Eugenia of Spain, the new Spanish governors of the Netherlands. No fewer than 22 monuments, composed of ephemeral materials, were devised. Construction of the monuments was entrusted not only into the hands of sculptors, painters, goldsmiths, carpenters and architects, but also to one of the leading thinkers of the time, the humanist and city secretary Johannes Bochius. This study offers a new approach to an analysis ofthe art of such events, based on Bochius' book: The Triumphal Entry of the Archdukes Albert and Isabella. Offering a unique and innovative interpretation of the ephemeral art books, a particular relation is revealed between the ephemeral event itself and its documentation in a book. Examiningthe role of the author (in this case Bochius) as the sole designer of the event, the monuments and their documentation (the book), requires an idiosyncratic reading of the text, which in turns provides more accurate and validinterpretative framework for the book, and hence also for the artwork. Such books, in uniting event and text into one coherent and long-lasting work of art, constitute a new genre of ekphrasis, formulated and conceived solely for the purpose of eternalizing the ephemeral. This book focuses on ephemeral art of festival, created for public events, such as triumphal processions, weddings and court funerals. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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kart. Etat : Neu. en. 250 Seiten, 27,7 x 21,8 x 1,3 cm, New Book. Original packaged item. 9782503543413 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Ve…rsandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Englisch Gewicht in Gramm: 788.
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Paperback. Etat : new. Paperback. In early modern culture, civic festivals and emblem books were amongst the more privileged genres of Early Modern culture. Although both are connected in their use of word and image, they are nonetheless separated in their very essence. The former, a public event celebrated usually at night and…involving, alongside ephemeral monuments, lights, fireworks, music, ceremonies, and theater performances, was for the spectator an all-encompassing experience. It was intended to propagate either the ruler or the city's political agenda. The latter was conceived as an intellectual pastime and intended to be read, deciphered, and discussed within the private sphere, in the company and studious ambiance of the literati. Emblems and festivals, nonetheless, maintained a kind of symbiotic exchange. Whereas public monuments of the triumphal entries found their way into the printed form of festival books, emblems migrated from their printed form into the public sphere, where they were used to adorn the ephemeral monuments of the triumphal entries. How then, do the practices of emblem reading, which require careful decryption of words and images, relate to the viewing practices of triumphal processions? The book examines this paradox and argues that the inclusion of emblems in festivals reveals the hermeneutic mechanism of the learned. By using emblems, the designers of civic festivals marked their territory within the power hierarchies and established their dignity and authority as experts in both the civic and intellectual circles. In the festival ambit, festival emblems epitomize the perfect paradoxical union of persuasion and erudition. The book examines and argues that the inclusion of emblems in festivals reveals the hermeneutic mechanism of the learned. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Etat : gut. Art on Paper: Ephemeral Art in the Low Countries The Triumphal Entry of the Archdukes Albert and Isabella into Antwerp, 1599 In deutscher Sprache. pages.
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Etat : gut. Festival Emblems A Paradox along the Triumphal Route In deutscher Sprache. pages.
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Hardcover. Etat : New. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened - -- with a bonus offer--.
Edité par , Brepols - Harvey Miller, 2014, 2014
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Ajouter au paniersoftcover, 157 p., 100 b/w ill., 220 x 280 mm, ILanguages: English. ISBN 9782503543413. This book focuses on ephemeral art of festival, created for public events, such as triumphal processions, weddings and court funerals. The ephemeral art of festival, popular in the 16th and 17th centuries, was created for public events, such…as triumphal processions, weddings and court funerals. Large-scale monuments combining painting, sculpture and the performing arts were devised for the duration of the event, but as soon as this was over, these extravagant constructions were dismantled and their individual components ultimately destroyed. Before the monuments ceased to exist, the city council would ensure their conservation in words and images, thus materializing the ephemeral art of festival into the more lasting medium of word and image on paper. One of the most celebrated such festive events was that of the 1599 Antwerp Triumphal Entry of Archduke Albert of Austria and the Infanta Isabella Clara Eugenia of Spain, the new Spanish governors of the Netherlands. No fewer than 22 monuments, composed of ephemeral materials, were devised. Construction of the monuments was entrusted not only into the hands of sculptors, painters, goldsmiths, carpenters and architects, but also to one of the leading thinkers of the time, the humanist and city secretary Johannes Bochius. This study offers a new approach to an analysis of the art of such events, based on Bochius? book: The Triumphal Entry of the Archdukes Albert and Isabella. Offering a unique and innovative interpretation of the ephemeral art books, a particular relation is revealed between the ephemeral event itself and its documentation in a book. Examining the role of the author (in this case Bochius) as the sole designer of the event, the monuments and their documentation (the book), requires an idiosyncratic reading of the text, which in turns provides more accurate and valid interpretative framework for the book, and hence also for the artwork. Such books, in uniting event and text into one coherent and long-lasting work of art, constitute a new genre of ekphrasis, formulated and conceived solely for the purpose of eternalizing the ephemeral. Tamar Cholcman, from Tel Aviv University, the Art History Department, specializes in Renaissance art, focusing on the ephemeral art of festivals in the Netherlands and the Iberian Peninsula, during the 16th and 17th centuries. 0 g.
Edité par , Brepols - Harvey Miller, 2025, 2025
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Ajouter au panierPaperback Pages: vi + 234 pages, Size:216 x 280 mm Illustrations:2 b/w, 127 col. Language:English *new. ISBN 9782503607214. In early modern culture, civic festivals and emblem books were amongst the more privileged genres of Early Modern culture. Although both are connected in their use of word and image, they are nonetheless se…parated in their very essence. The former, a public event celebrated usually at night and involving, alongside ephemeral monuments, lights, fireworks, music, ceremonies, and theater performances, was for the spectator an all-encompassing experience. It was intended to propagate either the ruler or the city?s political agenda. The latter was conceived as an intellectual pastime and intended to be read, deciphered, and discussed within the private sphere, in the company and studious ambiance of the literati. Emblems and festivals, nonetheless, maintained a kind of symbiotic exchange. Whereas public monuments of the triumphal entries found their way into the printed form of festival books, emblems migrated from their printed form into the public sphere, where they were used to adorn the ephemeral monuments of the triumphal entries. How then, do the practices of emblem reading, which require careful decryption of words and images, relate to the viewing practices of triumphal processions? The book examines this paradox and argues that the inclusion of emblems in festivals reveals the hermeneutic mechanism of the learned. By using emblems, the designers of civic festivals marked their territory within the power hierarchies and established their dignity and authority as experts in both the civic and intellectual circles. In the festival ambit, festival emblems epitomize the perfect paradoxical union of persuasion and erudition. TABLE OF CONTENTS Chapter One The Intermedial Festival Emblem: An Introduction Chapter Two Caught Between Two Minds: Sambucus?s Arcus aliquot triumphales et monumenta as Festival and Emblem Book Chapter Three Emblems in Triumphal Entries: From Title to Visual Footnotes Chapter Four Emblems as Text: The Academic Triumphus Chapter Five The Interactive Emblem at Festivals: The Reader/Viewer as Player Chapter Six The Emblem Turn: From Festival to Emblem Book Chapter Seven Festival Emblems for a New Elite: An Epilogue Bibliography 0 g.
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Vendeur : Libreria Studio Bosazzi, Firenze, FI, ItalieLibreria Studio Bosazzi
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Ajouter au panierBrossura. Etat : nuovo. Pages: vi + 234 p.Illustrations:2 b/w, 127 col. Language(s):English. Publication Year:2025. Brepols. ISBN: 978-2-503-60721-4. Paperback -- Summary In early modern culture, civic festivals and emblem books were amongst the more privileged genres of Early Modern culture. Although both are connected in their… use of word and image, they are nonetheless separated in their very essence. The former, a public event celebrated usually at night and involving, alongside ephemeral monuments, lights, fireworks, music, ceremonies, and theater performances, was for the spectator an all-encompassing experience. It was intended to propagate either the ruler or the city's political agenda. The latter was conceived as an intellectual pastime and intended to be read, deciphered, and discussed within the private sphere, in the company and studious ambiance of the literati. Emblems and festivals, nonetheless, maintained a kind of symbiotic exchange. Whereas public monuments of the triumphal entries found their way into the printed form of festival books, emblems migrated from their printed form into the public sphere, where they were used to adorn the ephemeral monuments of the triumphal entries. How then, do the practices of emblem reading, which require careful decryption of words and images, relate to the viewing practices of triumphal processions? The book examines this paradox and argues that the inclusion of emblems in festivals reveals the hermeneutic mechanism of the learned. By using emblems, the designers of civic festivals marked their territory within the power hierarchies and established their dignity and authority as experts in both the civic and intellectual circles. In the festival ambit, festival emblems epitomize the perfect paradoxical union of persuasion and erudition. TABLE OF CONTENTS Chapter One The Intermedial Festival Emblem: An Introduction Chapter Two Caught Between Two Minds: Sambucus's Arcus aliquot triumphales et monumenta as Festival and Emblem Book Chapter Three Emblems in Triumphal Entries: From Title to Visual Footnotes Chapter Four Emblems as Text: The Academic Triumphus Chapter Five The Interactive Emblem at Festivals: The Reader/Viewer as Player Chapter Six The Emblem Turn: From Festival to Emblem Book Chapter Seven Festival Emblems for a New Elite: An Epilogue Bibliography Index.
