Christopher hohler (20 résultats)

Pamphlet. Etat : Very Good. pp. 49-70, Color Illus Plts, 4to, Extracted from orig vol, begins with title page, trimmed & stapled, thus is like a pamphlet, VG.

hardcover. Etat : Good. Satisfaction 100% guaranteed.

Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Etat : Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft Cover. Etat : Very Good. Volume 38. 354 pp. Essentially flawless copy with minimal external wear. Solid binding with clean text. Over-Sized/Over Weight Book. Please note that large or heavy items may incur an additional shipping charge.

Etat : Good. Academic offprint (softcover). 4to (31cm by 25cm), pp155-191. Original printed grey card wrappers. Light creasing of the covers; overall, this book is in good to very good condition.

Soft Cover. Etat : Good. Volume 37. 397 pp. Volume 37 only! Solidly bound copy with moderate external wear, crisp pages and clean text. Bottom right corner of front cover is creased. Over-Sized/Over Weight Book. Please note that large or heavy items may incur an additional shipping charge.

Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. Large hardback in near fine to fine condition with a very good dust jacket.

Hardcover. Etat : Very Good. First Edition. 4to. Red and gilt pictorial cloth. 135 pp. Colour and b/w plates and illustrations. Very clean. No inscriptions. VG+.

Encuadernación de tapa dura. Etat : Bien. 1� Edición. Tapa dura. Buen estado. Dep. Legal: B. 25235-1968. 654 ilustraciones de ellas 192 en color. 462 fotografías, dibujos, mapas, planos y cuadros cronológicos. Dirigida por Joan Evans. Gran formato. Historia. Historia del arte. VV.AA. (illustrateur).

Hardcover. Etat : Gut bis sehr gut. 1. Auflage. B : 28 x 32 cm, 120 pages, 87 color illustrations - This book commemorates the one-hundredth anniversary of the artist s death. With over eighty color illustrations of forty major works, the publication presents the essence of Rousseau s art of depiction. At its core is his fascination with the contradictory qualities of the tamed Western world and untamed, increasingly imaginary nature. Encounters with his works that have never before been presented make it possible to see Rousseau in an entirely new light. Going beyond the cliché of the great naïve painter, we discover a unique artist who opened up entirely new possibilities for modernity.…

Etat : Fine. First edition hard back binding in publisher's original deep scarlet buckram covers, gilt title lettering to the spine, elaborate gilt scallop design covering the whole front cover, colour photographic end papers. 4to 11½'' x 8¼''. Contains [vi] 135 pp with colour illustrations and photographs throughout. In Fine condition. Member of the P.B.F.A. PALAEONTOLOGY.…

Etat : Fine. First edition hard back binding in publisher's original deep scarlet buckram covers, gilt title lettering to the spine, elaborate gilt scallop design covering the whole front cover, colour photographic end papers. 4to 11½'' x 8¼''. Contains [vi] 135 pp with colour illustrations and photographs throughout. In Fine condition. Member of the P.B.F.A. PALAEONTOLOGY.…

Etat : Wie neu. 1. Aufl. 120 S. Geschenkqualität. Sehr schönes Exemplar - wie neu. Mit Schutzumschlag. The catalogue accompanying the exhibition at the Fondation Beyeler Commemorating the one-hundredth anniversary of the artist's death. - Wir versenden aus unserem deutschen Lager heraus in plastikfreien oder wiederverwendeten Polstertaschen. Sprache: Englisch Gewicht in Gramm: 1202 Gebundene Ausgabe, Maße: 28.2 cm x 1.5 cm x 31.5 cm.…

Hardcover. Etat : New. 424 pages : Illustrations, maps : 24 cm. This book sheds light on early Latin book culture and book production in Norway. The establishment of Latin writing in Norway predates writing of the Old Norse vernacular (with the exception of runic inscriptions) and was an important prerequisite for vernacular book culture in medieval Norway. When an Old Norse book culture was established in the twelfth and thirteenth centuries, it appears that the scribes usually wrote in both languages. The arrival of the Latin alphabet and Latin books from the eleventh and twelfth centuries on had a revolutionary effect on Norwegian culture. Yet, very few of the Latin manuscripts from the Middle Ages remain intact today. As a consequence of the arrival of printed service books in 1519 and the introduction of Lutheranism in 153637, the service books of the medieval church in Norway went out of current use. However, as many were written on substantial parchment, the manuscripts were reused for binding purposes, especially in public account books after the Reformation. Thus, the medieval books partially survived in the form of fragments. In this book a large number of extant Latin manuscripts and manuscript fragments of Norwegian origin or provenance are presented for the first time in print, to demonstrate the range and the extent of the material. The date and the origin of the manuscripts are central issues of interest, particular whether they are imported or produced locally in Norway. The establishment of an early local production of liturgical books happened in the eleventh century. Many of the liturgical manuscripts contain musical notation and are important sources of medieval music. The twelfth century was the age of importation as well as local production of Latin manuscripts in Norway. The earliest evidence of patristic and theological literature stems from around 1100. Several of the contributions in the volume concern English influence in particular. The primary material is found in different archives and libraries in Norway and the rest of Scandinavia. The largest collection of fragments in Norway is found in the National Archives in Oslo. These fragments are connected with the collection in the National Library (Oslo), which contains fragments of some of the same manuscripts, as well as the earliest book produced in Norway still extant in its original form (the Kvikne psalter, from the late twelfth/early thirteenth century). For the first time the collection of Norwegian fragments of Latin manuscripts in the Swedish National Archives (Stockholm) is presented in print. This collection contains, inter alia, previously unknown material concerning St Olav. The Latin manuscripts of medieval Norway have been largely neglected, with the notable exception of the masterly studies of Lilli Gjerløw (19101998) to whose memory the present volume is dedicated. However, the last ten years have seen intensified study and research on the remains of early Latin book culture in Norway by scholars from different disciplines (medieval Latinists, musicologists, palaeographers, Old Norse philologists, historians) and different countries (America, England, Scandinavia and Iceland). Several of these scholars contribute to the present volume.…

Hardcover. Etat : New. Nicknamed "Le Douanier" ("the customs officer"), Henri Rousseau (1844-1910) was in his early forties when he finally embraced his metier in painting, arriving with his independently achieved realism fully formed. Like Erik Satie, whom he resembles in what Roger Shattuck memorably called "tranquil self-confidence," Rousseau straddles the Parisian avant gardes at the turn of the century, admired by Redon, Gauguin, Jarry and Degas at the outset of his career, and championed by Picasso, Apollinaire and Delaunay towards its close. Rousseau's style was derisively dubbed "Primitivism" by the press, but its lucid unity of limpid color and eerily serene definition was sophisticated in its simplicity, as his early advocates knew. Happily, Rousseau was so steeped in his vision that he could not be diverted from it--Apollinaire wrote that "Rousseau had so strong a sense of reality that when he painted a fantastic subject, he sometimes took fright and, trembling all over, had to open the window." With 80 color illustrations, this book commemorates the hundredth anniversary of the artist's death, placing at its core Rousseau's fascination with the frictions between a domesticated West and an untamed imaginary natural world. Previously unpublished records of early encounters with his works dimensionalize Rousseau within the lively milieu of his time, and show him to have been, from the start, a much beloved artist.…

hardcover. Etat : Sehr gut. 120 Seiten; Natà 1/4 rlich mit Schutzumschlag! Sprache: Deutsch Gewicht in Gramm: 980.

Hardcover. 119 S. Wie neu. Innen sehr sauberes ungelesenes Ex. Äußerlich minimale Lagerspuren vorhanden. --- 9783775725361 Sprache: Deutsch Gewicht in Gramm: 1179.

Etat : gut. 2010. Henri Rousseau In deutscher Sprache. pages.