Close beth (7 résultats)

Etat : very_good. Item may have minor cosmetic defects marks, wears, cuts, bends, crushes on the cover, spine, pages or dust cover. Shrink wrap, dust covers, or boxed set case may be missing. Item may contain remainder marks on outside edges, which should be noted in Product Details. Item may be missing bundled media.…

Soft cover. Etat : VG+. 1st Edition. A VGF or better 4-page screening program. Screening programs were distributed to attendees of special, often pre-release screenings and contain film credits as well as assorted other information. They can often be harder to find than other paper from the same film. Size: 11" X 14". Book.…

dvd. Etat : Used - Good.

No Binding. Etat : Good. A VG or better original release 27" x 41" one sheet. Size: 27" x 41". Poster.

Hardcover. Etat : Fine. Etat de la jaquette : Very Good. xvi, 203 pages, [16] pages of plates : illustrations ; 24 cm ; ISBN: 0231059043 (alk. paper); 9780231059046 (alk. paper); National Library: 023-10590; B85-27177; GB8-52717 LCCN: 84-5834 ; LC: PN1998.A3; Dewey: 791.43/0233/0924 ; OCLC: 10558799 ; Filmography: pages 177-183 ; foreword by Paul Newman ; lack cloth in nicked photographic dustjacket ; "Traces the career of the American director, examines each of his films, and discusses the themes and style of his work In this fascinating and entertaining book Andrew Horton provides the first comprehensive portrait of Hill's entire career " ; "As late as 1976, George Roy Hill was the first and only director to have two films on the all-time top ten box office hits: Butch Cassidy and the Sundance Kid and The Sting (both starring Robert Redford and Paul Newman). A filmmaker with a diverse background in music, drama and television, Hill proved to be a popular storyteller in a variety of genres. His films are tied to important American themes and reflect an ironic, bittersweet vision of life. The book begins with a discussion of the way Hill's films often make their most important statements on the subtextual level. The stories entertain, but the subtext is often disturbing, contradictory, unresolved. Hill felt that all of his major characters create an environment, a fantasy, an illusion, and then go on to make it happen. It continues by tracing the thematic characteristics that are consistent with Hill's depiction of protagonists who create their own environments and then attempt to inhabit them. Then, individual chapters study in detail the art, craft and style of each of his films, including Period of Adjustment, Toys in the Attic, The World of Henry Orient, Hawaii, Thoroughly Modern Millie, Slaughterhouse Five, The Great Waldo Pepper, Slap Shot, A Little Romance, The World According to Garp, The Little Drummer Girl, Funny Farm, Butch Cassidy and the Sundance Kid, The Sting" ; Andrew Horton is the Jeanne H. Smith Professor of Film and Video Studies at the University of Oklahoma. He is an award-winning screenwriter who has written for American, Greek, New Zealand, Russian, Hungarian, and Norwegian productions. ; "As I get older, I get more didactic. I say what I really think. I don't hide ideas like Easter eggs for people to find. Now, if I have an idea, when something becomes clear to me, I don't embed it in a novel; I simply write it out in an essay as clearly as I can?"--George Roy Hill ; photos of Robin Williams, Paul Newman, Jane Fonda, Jim Hutton, Tony Franciosa, Dean Martin, Yvette Mimieux, Geraldine Page, Peter Sellers, Tippy Walker Marie Spaeth, Max von Sydow, Julie Andrews, Robert Redford, Michael Sacks, Michael Ontkean, Laurence Olivier, Diane Lane, Thelonius Bernard, John Lithgow, Glenn Close, Mary Beth Hurt ; FINE/VG. Book.…

Final Draft script for the 1982 film. Rainbow copy, with a manuscript ink annotation on the title page, noting copy No. 209. Based on the 1978 novel by John Irving. One of the best literary adaptations of the 1980s, a great example of a successful and uncompromised translation of a novel's idiosyncrasies directly to the screen, and a triumph of ensemble acting. Nominated for two Academy Awards for Best Supporting Actor and Best Supporting Actress for John Lithgow and Glenn Close, respectively. Shot on location in New York and New Jersey. Blue titled PanArts/Warner Brothers wrappers. Title page present, dated January 1981, noted as Final Draft, with credits for screenwriter Steve Tesich and novelist John Irving. 170 leaves, with last page of text numbered 139. Xerographic duplication, rectos only, with pink, blue, and yellow undated revision pages throughout. Pages Very Good plus, with soil on the fore-edge of the title page, wrapper Very Good, slightly yapped at the edges and lightly soiled, bound internally with three gold brads.…

Vintage borderless oversize reference photograph from the 1982 film, showing director George Roy Hill with actor Robin Williams on the set. Mimeo snipe on the verso. Based on the 1978 novel by John Irving. One of the best literary adaptations of the 1980s, a great example of a successful and uncompromised translation of a novel's idiosyncrasies directly to the screen, and a triumph of ensemble acting. Nominated for two Academy Awards for Best Supporting Actor and Best Supporting Actress for John Lithgow and Glenn Close, respectively. 11.75 x 8.75 inches. About Fine.…