cloud gerald (10 résultats)

Soft cover. Etat : Near Fine. 1st Edition. 4to. (26 cm.) v, 60p. Profusely (!) illustrated with black and white captioned photos, graphs and maps. Stapled booklet in blue wrappers printed in black. Wrappers very slightly darkened around the edges, corners square and flat, no rust on the staples, else near fine to fine with no internal markings. "This report is a preliminary interpretation of seismological data from permanent seismograph stations throughout the world, temporary seismograph and strong-motion seismograph stations established in the epiccentral area, seismoscopes, intensity reports, and inspection of the epicentral area." [From the front matter].

Paperback. Etat : Near Fine. Brown & yellow striped stapled wraps, very slight rubbing. Native American issue. From the collection of Oregon Poet Laureate William Stafford.

6.75 x 8.5 inches. Smythe sewn, letterpress printed wrapper. 144 pages. The inaugural issue of The CODEX Papers, an annual journal dedicated to bibliographic and art historical research and opinion in the field of contemporary book arts. The journal is edited by Gerald Cloud and Peter Koch, and the editorial brief is to publish articles that promote a clear understanding of the enormously complex and historically rich field of the book arts, including scholarly articles, artists perspectives, photo essays, interviews and profiles, reviews, letters and opinion. Contributors to this issue include: Robert Bringhurst, Gerald W. Cloud, Kate Contakos, Johanna Drucker, Crispin Elsted, Jerry Kelly, Peter Rutledge Koch, Mark Livingston, Kitty Maryatt, Marcia Reed, Gaylord Schanilec, Veronika Schäpers, Paul Van Capelleveen, Richard Wagener, and Lesya Westerman. From the Editor's Note: "As the Codex Foundation prepares to celebrate its fourteenth year and host its seventh biennial book fair and symposium it was determined that a journal of some sort was due. As an organization dedicated to promoting the book as a work of art, CODEX has made regular formal efforts to document and disseminate the content it has generated over the years, including Book Art Object and Book Art Object 2; a monograph series, CODE(x)+1, which recently published its fifteenth title; and our assemblings Alchimie du Verbe and Mapping the Cosmos, two carefully curated collections of printed works from some of the finest book artists and printers in the world. Yet, there was a sense among the Directors that the Foundation could do more, that it could generate a periodical that would offer a more frequent occasion for CODEX to engage in dialog with its supporters, collaborators, and fellow travelers. "The inaugural number of the CODEX Papers is a first shot over the bow, a clarion call for members of the book arts world to put pen to paper with an aim to articulate their observations, opinions, and critical analysis of the book, the artist book, and the book arts as they are practiced today, and perhaps, as they ought to be practiced in the future. "The CODEX Papers will give its readers an informed view on whats happening with the CODEX Foundation, and all that it seeks to support. We hope that our readers and members of the book arts community will consider submitting proposals for future articles; our interests include: scholarly, bibliographical, and historical perspectives; research, reports, and critical articles on contemporary book arts; photographic essays documenting studios, ateliers, bookshops and libraries; interviews and profiles; book and exhibition reviews and publishing perspectives; collecting contemporary book arts; letters to the editors, opinion, and travel, and other dispatches from the global perspective." Smythe sewn, letterpress printed wrapper.

CODEX (illustrateur). 6.75 x 8.5 inches. Smythe sewn, letterpress printed wrapper. 144 pages. First edition. A fine copy. The inaugural issue of The CODEX Papers, an annual journal dedicated to bibliographic and art historical research and opinion in the field of contemporary book arts. The journal is edited by Gerald Cloud and Peter Koch, and the editorial brief is to publish articles that promote a clear understanding of the enormously complex and historically rich field of the book arts, including scholarly articles, artists perspectives, photo essays, interviews and profiles, reviews, letters and opinion. Contributors to this issue include: Robert Bringhurst, Gerald W. Cloud, Kate Contakos, Johanna Drucker, Crispin Elsted, Jerry Kelly, Peter Rutledge Koch, Mark Livingston, Kitty Maryatt, Marcia Reed, Gaylord Schanilec, Veronika Schäpers, Paul Van Capelleveen, Richard Wagener, and Lesya Westerman. From the Editor's Note: "As the Codex Foundation prepares to celebrate its fourteenth year and host its seventh biennial book fair and symposium it was determined that a journal of some sort was due. As an organization dedicated to promoting the book as a work of art, CODEX has made regular formal efforts to document and disseminate the content it has generated over the years, including Book Art Object and Book Art Object 2; a monograph series, CODE(x)+1, which recently published its fifteenth title; and our assemblings Alchimie du Verbe and Mapping the Cosmos, two carefully curated collections of printed works from some of the finest book artists and printers in the world. Yet, there was a sense among the Directors that the Foundation could do more, that it could generate a periodical that would offer a more frequent occasion for CODEX to engage in dialog with its supporters, collaborators, and fellow travelers. "The inaugural number of the CODEX Papers is a first shot over the bow, a clarion call for members of the book arts world to put pen to paper with an aim to articulate their observations, opinions, and critical analysis of the book, the artist book, and the book arts as they are practiced today, and perhaps, as they ought to be practiced in the future. "The CODEX Papers will give its readers an informed view on whats happening with the CODEX Foundation, and all that it seeks to support. We hope that our readers and members of the book arts community will consider submitting proposals for future articles; our interests include: scholarly, bibliographical, and historical perspectives; research, reports, and critical articles on contemporary book arts; photographic essays documenting studios, ateliers, bookshops and libraries; interviews and profiles; book and exhibition reviews and publishing perspectives; collecting contemporary book arts; letters to the editors, opinion, and travel, and other dispatches from the global perspective." Smythe sewn, letterpress printed wrapper.

6.75 x 8.5 inches. Smythe sewn, Letterpress printed wrapper. 120 pages. This issue features: - An Interview With In Cahoots Director Macy Chadwick. - Mastery and Making: craft in support of concept the third stream, with essays by Veronika Schäpers, Russell Maret, Tobias Lange, and Didier Mutel [Transcripts from the talks at the CODEX Effect Symposium panel] - Excavation, Metamorphosis, and Eternity: Artists as Global Ambassadors of the Book. By Ruth Rogers. - Printer. By David Jury. - Extraction: The Art of the Book on the Edge of the Abyss. By Sam Pelts. - A Photo Essay of the Library of Lisa Baskin, with photos by Annie Schlechter. - MCBA Prize 2020: Traverse the starry vault. By Betty Bright (a feature on the Minnesota Center for Book Arts and the MCBA Prize). - A film review of The Booksellers and The Book Makers. By Gerald W. Cloud. Smythe sewn, Letterpress printed wrapper.

6.75 x 8.5 inches. Smythe sewn, letterpress printed wrapper. 144 pages. This issue features reviews of books and exhibitions, a profile on the French bookbinder Louise Bescond, a photo essay on the Bixler Typefoundry, book shopping in Paris, an artist's insights to her own process, a curators favorite artists books, and a booksellers perspective on book collecting. With contributions from: Megan Adie, Tatjana Bergelt, Michael Bixler, Deirdre Brollo, Carolee Campbell, Gerald Cloud, Helen Cole, Des Cowley, Marian Crawford, Caren Florance, Noreen Grahame, Amelia Grounds, Eva Hejdström, Russell Maret, Tim Mosely, Monica Oppen, Susanne Padberg, Aaron Parrett, Juan Pascoe, Vicki Reynolds, Felicia Rice, Annie Schlechter, Doug Spowart, Alicia Stevenson, Paul Thompson, Pierre Walusinski. Smythe sewn, letterpress printed wrapper.

2010, VIII,138pp. Illustrated. Hardcover, with dust jacket. In very good condition. "A bibliographical study of all known works printed and published by John Rodker at the Ovid Press and associated projects connected to his second imprint, the Cassanova Society, including collations, notes, and institutional locations. An introduction provides a biographical account of Rodker's life. Indexed and illustrated" -- Provided by publisher.".

Hardcover. Etat : New. Etat de la jaquette : new. First edition. 138pp. Small quarto [26 cm] Black cloth over boards. From the Publisher- "This book is primarily a bibliographical study of all the known works printed and published by John Rodker (1894-1955) at the Ovid Press, London, 1919-1922, and the associated projects connected to his second imprint, the Casanova Society. The Ovid Press's output was not prolific - 17 known items were produced - but the nature of the works and the context in which they were created reveals a great deal about both Rodker and several central figures of modernist literature and art, including T.S. Eliot, Henri Gaudier-Brzeska, James Joyce, Wyndham Lewis, Ezra Pound, and Edward Wadsworth. The book's introduction includes a biographical account of Rodker's life, focusing especially on his early life and his printing activities at the Ovid Press, which he operated with some participation from his then wife, the British novelist Mary Butts (1890-1937). Relying heavily on correspondence and other archival sources, such as Rodker's personal and professional papers and his diary, the introduction documents the production of many of the Ovid Press titles and Rodker's interaction with his authors. The descriptive bibliography, which follows the introductory matter, includes full collations, detailed, copy-specific notes on each item, institutional locations for Ovid Press publications, and attempts to reconcile the discrepancies between Rodker's colophon statements and the books he actually printed-based on careful analysis of extant copies of Ovid Press titles. The book accounts for a number of unrecorded bibliographical details in these works and clarifies Rodker's role in the production of Ezra Pound's 'Bel Esprit' and the errata sheets for Joyce's Ulysses (Egoist Press/John Rodker, 1922). Gerald W. Cloud is Curator for Literature in Columbia University's Rare Book & Manuscript Library and Lecturer in English and Comparative Literature at Columbia where he teaches Bibliography and the History of the Book. He earned his Ph.D. at the University of Delaware (2005) and has served as a lab instructor for "Introduction to the Principles of Bibliographical Description" at Rare Book School, University of Virginia since 2004.".

hardcover, dust jacket. Ovid Press (illustrateur). 7 x 10 inches. hardcover, dust jacket. 152 pages. This book is primarily a bibliographical study of all the known works printed and published by John Rodker (1894-1955) at the Ovid Press, London, 1919-1922, and the associated projects connected to his second imprint, the Casanova Society. The Ovid Press's output was not prolific - 17 known items were produced - but the nature of the works and the context in which they were created reveals a great deal about both Rodker and several central figures of modernist literature and art, including T.S. Eliot, Henri Gaudier-Brzeska, James Joyce, Wyndham Lewis, Ezra Pound, and Edward Wadsworth. The book's introduction includes a biographical account of Rodker's life, focusing especially on his early life and his printing activities at the Ovid Press, which he operated with some participation from his then wife, the British novelist Mary Butts (1890-1937). Relying heavily on correspondence and other archival sources, such as Rodker's personal and professional papers and his diary, the introduction documents the production of many of the Ovid Press titles and Rodker's interaction with his authors. The descriptive bibliography, which follows the introductory matter, includes full collations, detailed, copy-specific notes on each item, institutional locations for Ovid Press publications, and attempts to reconcile the discrepancies between Rodker's colophon statements and the books he actually printed-based on careful analysis of extant copies of Ovid Press titles. The book accounts for a number of unrecorded bibliographical details in these works and clarifies Rodker's role in the production of Ezra Pound's "Bel Esprit" and the errata sheets for Joyce's Ulysses (Egoist Press/John Rodker, 1922). Gerald W. Cloud is Curator for Literature in Columbia University's Rare Book & Manuscript Library and Lecturer in English and Comparative Literature at Columbia where he teaches Bibliography and the History of the Book. He earned his Ph.D. at the University of Delaware (2005) and has served as a lab instructor for "Introduction to the Principles of Bibliographical Description" at Rare Book School, University of Virginia since 2004.

Etat : Very good.