Coleridge m e (39 résultats)

hardcover. Etat : Good. No Jacket. Please note some stock images show a jacket, this copy does NOT include a jacket. Previous owner's ink inscription, dated 1925. c,1925? Posted within 1 working day. Royal Mail Tracked 24 to UK. Tracked Airmail worldwide. Robust recyclable packaging. Picture is the actual item.…

Soft cover. Etat : Good. Etat de la jaquette : Good. The North American Review Vol. 222 No. 1 September - October - November 1925. Various (illustrateur).

Softcover. A Norton Critical Edition. xiv, 401 pp. Softcover. LCC: 7728074 Good condition; on covers: touches of wear, and previous owner's signature on front; some pen underlining.

Etat : Good. No Edition Remarks. 78 pages. No dust jacket. Pictorial paper covered boards. Colour illustrated plates throughout. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning. …

Etat : Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN.

Etat : New.

Etat : New.

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN.

Etat : Fair. 1900. No Edition Stated. 214 pages. No dust jacket. Green pictorial cloth. Inscriptions to front pastedown and endpaper. Rough cut pages are lightly tanned and thumbed at the edges, with creased corners and foxing. Light cracking to hinges. Boards are a little rub worn with slight shelf wear to corners, spine and edges. Corners are a little bumped. Spine ends are a mildly crushed, with small splits and chips. Tanning to spine and edges. Boards are bowed. Book has a forward lean. Water marks to boards and spine.…

Etat : Good. 1901. No Edition Remarks. 360 pages. No dust jacket. Blue cloth. Pages are lightly tanned throughout. Some pages uncut throughout. Water marking to front pastedown. Binding remains firm. Boards have light shelf-wear with corner bumping. Slight crushing to spine ends.

Hardcover. Etat : Fair. No Jacket. Ex Library, Wear to covers and spine, mainly edges and corners, Surface of covers worn and marked, Board of back cover cracked beneath surface but not all the way through, paper inside back cover cracked, fabric wrinkled, Corners bumped and worn, edges worn, Top and bottom of spine bumped and worn, small rips on edges, Internally in reasonable condition, some wear to edges and corners, some light foxing throughout, a few pages with ink stains and a few fingerprints on edges, Webbing visible inside back cover, webbing a little ripped but still firmly attached.…

Etat : Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN.…

Hardcover. Etat : Very Good. Sixth Edition. Original fine-ribbed navy-blue cloth, lettered in gilt on spine. Minimal scuffing on corners, endpapers lightly tanned with undated signature, otherwise very good. Book.

Hardcover. Etat : Good. 1st Edition. First Edition Introduction by J.C. Levenson. Former College copy with occasional pencil marks underlines. Essays on Shakespeare's Hamlet by John Dryden; Samuel Johnson; Samuel Taylor Coleridge; A.C. Bradley; E.E. Stoll; T.S. Eliot; G. Wilson Knight; J. Dover Wilson; L.C. Knights; Maynard Mack; William Empson; M.M. Mahood. 113pp. pp. Cloth covered boards with title pastedown.…

Hardcover. Etat : Good. The King with two faces in two volumes. Collection of British authors Tauchnitz edition vol. 3272 & 3273.

Hardcover. 8vo. Original publishers blue cloth lettered gilt on spine and cover. pp viii, 360 with 32pp publishers' catalogue at rear. Pages uncut. Historical novel set in France with characters such as Balzac and de Nerval. Rare. Slight foxing to text at prelims and fore-edges, neat old names on front endpaper and half-title otherwise clean Very good plus.…

Hard. Etat : Fair. 1st Edition. 1st Edition. Pages clean and bright. Binding firm. Spotting throughout, heavy in places. Partially cracked gutters to front pastedown. Spotting and foxing to endpapers. Tanning and spotting to edges. Severe lean. Front board bowed. Moderate-heavy shelf wear. Size: 12mo. …

Hardcover. 8vo. Original publishers blue cloth lettered gilt on spine and cover. pp viii, 360 with 32pp publishers' catalogue at rear. Pages uncut. Historical novel set in France with characters such as Balzac and de Nerval. Bookplate of Kenneth Colville on pastedown very slight handling wear else sound clean very good. Decent copy.…

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : Very Good. No Jacket. 1st Edition. First edition, original blue cloth, gilt lettered. The copy of Kate Douglas Riggs (Wiggins) inscribed by her on the ffep as " Kate Douglas Riggs from Paula Schuster May 1909 London." 32 page publisher's catalog at the rear dated October, 1901. Light shelf wear. No dust jacket. …

Hardcover. Etat : Very Good. No Jacket. Inscribed "Clare Consuelo Frewen, Xmas 1907 (from Princess Margaret)".

PAPERBACK MULTI. Etat : good. General wear: chipped spine ends, foxing, soiled covers, previous owner name on cover, dog-eared page, missing rear cover corner, stray previous owner markings Illustrations, graphs, charts, small b&w photos, period ads DATE PUBLISHED: 1927, MAY 21 EDITION: 100 EST.

Hardcover. Etat : Fine. No Jacket. 1st Edition. Coleridge, M. E. The Shadow on the Wall: A Romance. London: Edward Arnold, 1904. First edition. Original navy blue cloth, front and spine panels stamped in gold, bottom edge of text-block untrimmed. Octavo, pp. [i-iv] v-ix [x: blank] xi [xii: blank] [1] 2-286 [287-288: publisher's ads] + 16-page inserted publisher's catalogue dated October 1904. Top edge a bit dusty, a bright nearly fine copy. #3309. $225. Mary Elizabeth Coleridge (1861-1907) was a great-grand niece to S. T. Coleridge and successfully published fiction and poetry. Her fiction is described as "fantastic, obscure but memorable" (Kemp, Mitchell, Trotter, Edwardian Fiction, p. 71). Sutherland (Victorian Fiction, pp. 137-138) calls her work "very extravagant," "unusually clever," "superior" and "sprightly" and remarks that her "quirky, oblique mode of narration grows on the reader." The present title is a dark, complex and elusive tale with strong hints of the fantastic and criminous. It presents a gloomy meditation on themes implicit in the imagery of shadows -- along with such cognates as portraits, mirrors, impersonations, illusions, ghosts, psychological dislocations, and guilty or bitter memories. The story's milieu is that of artists and musicians, young men and women sensitive to the competing demands of art and love. Its basic structure is tragic. The past, with its crimes and mistakes, follows each character like an inseparable but unstable shadow, or, to use the terminology of Greek myth and drama, nemesis. The present title was the only one of the author's novels to be listed in Hubin as a crime novel. But here there is no detective except for the inexorable workings of nemesis. And the very existence of a crime or crimes is only revealed with a delayed and gradual narration of the all-important back-story. Three English art students had formed a quasi-romantic triangle whose intense and jealous friendships eventually bring about the deaths of all three men. (This tragic trio also might be understood as a "shadow" or reversal of the warm trio of English art students presented in Du Maurier's enormously popular Trilby, published ten years earlier.) The densely tangled Parisian back-story is the mainspring of all the novel's subsequent events. The author makes use of elements -- structural, thematic and atmospheric -- from several popular story types of the day. A genuine ghost does make an appearance late in the novel, but it is the air of fatalism hanging over the whole thing that anchors this novel most firmly in the domain of the fantastic. …