Constant puyo (36 résultats)

Etat : As New. Unread book in perfect condition.

Paperback or Softback. Etat : New. Pour les d�butants. Book.

Etat : New.

Etat : New.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Hardcover. Etat : VG Cover has minor wear. Frenh language text. Black boards, white title lettering. 146 pages, 42 unnumbered leaves of plates : illustrations. Reprint of the 1906 ed. published by Photo-Club de Paris, Paris.

Paperback. Etat : New. Print on Demand. This book analyzes a niche school of photography and printing that emerged in the early 20th century. The artists of this sub-genre took the then-new and widely available mediums of photography and printing and elevated them to high art by introducing subjective, handcrafted elements to their work. This book explores the techniques of photography, focusing on technical choices and their impact on the final piece of art. The author also discusses the materiality of pigment, suggesting that a work of art's physicality and aesthetic impact are inseparable. This book has particular interest for advanced photographers seeking a deep dive into the history, techniques, and aesthetics of this unique sub-genre of photography and art. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

First edition. Small 8vo., 68 pp. Printed stiff wrappers. Pencil underlining and notations; else very good. Constant Puyo, 1857 - 1933, was a prominent French Pictorialist and leading member of the Photo Club de Paris. He wrote several instructional manuals and published his work in Camera Notes and other leading journals. Published in the series Bibliothèque de "La revue française de photographie." The underlining and notations appear to be those of a reviewer. Roosens and Salu No. 8749. Of the seven copies listed in OCLC, only George Eastman House and Getty Research Institute are North American holders. Puyo, C. (illustrateur).…

PF. Etat : New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PF. Etat : New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Second edition. 8vo, xii, 132 pp., 2 leaves of b&w photo plates, other illustrations in text, (8) adverts. Publisher's red cloth, titled in black ink. Lightly rubbed, else very good. C. Puyo's text was translated into the German by Dr. C. Stürenburg. Favored by the Pictorialists, this is a manual of the bromoil and transfer methods. Roosens and Salu No. 1177. OCLC locates only five copies.…

PAP. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Couverture souple. Etat : Bon. Photo-Club de Paris, 1906, in-4, broché, 146 pages. Illustré de 41 planches hors texte en taille-douce et simili-gravure et d'une planche en couleurs ( reproductions photographiques contrecollées et légendées). ÉDITION ORIGINALE. C'est à partir de cet ouvrage que la photographie, considérée jusqu'à présent comme un simple mode de reproduction du réel, devint, sous les auspices du Photo-Club de Paris, (fondé par les deux auteurs eux-mêmes photographes de talent), un art.…

Paperback. Etat : New.

In-4° pp. 50 con 10 tav. f.t. e il frontespizio illustrato oltre a 28 foto n.t. Legatura in cartonato coevo priva del dorso. Stampato su carta patinata ben conseervato salvo alcune segnature ai margini.

Un volume in-4° ( 28 x 23cm), demi-reliure cuir vert à coins couleur idem, couverture initiale conservée, avant-propos des auteurs (pp.I-II) et 146 pages dont une table des matières et une table des 41 planches (il s'agit de reproductions photographiques hors-texte, toutes contre-collées et légendées, oeuvres de photographes de grand talent et de toutes origines: Cadby, Grimprel, Henneberg, Kasebier, Lacroix, Laguarde, Steichen, Steiglitz, Rawlins, Demachy, Puyo. L'une d'entre elles est en couleurs (de C. PUYO). L'ouvrage de DEMACHY et PUYO est fortement inspiré par le Pictorialisme, mouvement qui, vers les années 1890, revendiquait que la photographie fût considérée comme un art (alors qu'elle avait été jusque là plutôt considérée comme une sorte de procédé neutre, impersonnel, capable d'enregistrer la réalité, certe, mais non pas de l'interprêter). DEMACHY et PUYO, auteurs de superbes photos, dont certaines sont d'ailleurs reproduites dans cet ouvrage (16 pour DEMACHY et 13 pour PUYO) furent notamment les fondateurs du Photo-Club de Paris, lequel Club contribua fortement à répandre les idées pictorialistes.Edition originale. Exemplaire en EXCELLENT ETAT.…

Etat : Good. Folio. First edition, one of 470 numbered copies on papier blanc du Marais from the total edition of 500, folio (40.2 x 28.2cm), original wrappers, [10] pp., 66 heliogravures on 56 sheets, printed in various colour tints, with captioned tissue-guards tipped in.Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality. This overview of their first exhibition includes photographs by leading figures including Alfred Stieglitz, James Craig Annan and Rudolf Eickemeyer Jr, and numerous others. Printers incluce L'Imprimerie Chaix, Georges Petit Gallery (supplied, of Paris), T. Fillon/LeMercier & Cie (Paris), Richard Paulussen (Vienna), James Craig Annan (Glasgow), Paul Dujardin (Paris), J. Blechinger (Austria).t69 of the photographers accepted for this first exposition were from France but the material included was highly international. There were 30 photographers from Great Britain including Scotland and the Isle of Wight; Austria had 17 followed by Belgium and Holland with ten. Nine were from America: including Emilie Clarkson, John Bullock, John Dumont, Rudolph Eickemeyer, Emma Farnsworth, Clarence Moore, William Post, Robert Redfield and Alfred Stieglitz. Works from Germany, Italy, Spain, Russia and Switzerland were hung. Algeria was represented by at least one photograph by the Frenchman Emile Frechon. The work of the deceased, but influential, British photographer Julia Margaret Cameron (1815-1879) was acknowledged by the exposition committee members and she had an unknown number of works accepted for hanging.OCLC number 889431269; Met Watsonline record number b12671320. .…

Couverture rigide. Etat : Bon. 68 pp. Paris, Paul Montel, 1925, in-8, 68 pp, Broché, couverture imprimée, Édition originale publiée dans la Bibliothèque de "La Revue Française de Photographie". Elle est illustrée de quelques figures dans le texte. Son auteur, Constant Puyo (1857-1933) est l'auteur de plusieurs traités de technique photographique mais également un photographe de la mouvance pictorialiste française. Petites rousseurs, adresse éditeur corrigée au stylo.…

LeatherBound. Etat : New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 84. A perfect gift for your loved ones. Reprinted from 1907 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French Pages: 84. …

Couverture rigide. Etat : Bon. 141-[2] pp. Paris, Publications photographiques Paul Montel, 1925, in-8, 141-[2] pp, Broché, couverture imprimée en bleu, Édition originale de ce traité de composition photographique illustré de 28 figures en noir dans le texte. Il appartient à la collection de la Bibliothèque de "La Revue Française de Photographie". Très bon état.…

Couverture rigide. Etat : Bon. 81 pp. 3 pl. Paris, Paul Monteil, 1923, in-12, 81 pp. 3 pl, Broché, couverture imprimée, Édition originale de ce manuel illustré de 3 planches en noir par Constant Puyo. Il s'intéresse aux procédés au report, à l'huile, Oléobromie ou Bromoil. Il en expose la théorie et les opérations nécessaires à ces pratiques. Constant Puyo (1857-1933) était un photographe pictorialiste, notamment associé au fondateur de ce courant, Robert Demachy (1859-1936). Il se consacre à la photographie dès la fin du XIXe siècle et rejoint de Photo-Club de Paris en 1894. Il est l'auteur de nombreux écrits théoriques dans l'objectif de transmettre ses méthodes et recherches aux amateurs, et contribuer à la légitimation de la photographie au sein des Beaux-arts. Petites déchirures marginales à la couverture.…

LeatherBound. Etat : New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1902 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 258 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 258 Language: French.…

Softcover. Etat : New. Reprint. Langue : Français. Environ 62 pages. Français : Réimpression à la demande. Édition originale : 1907. Ouvrage en français. Cet ouvrage technique décrit en détail le procédé Rawlins appliqué à l'huile, une méthode innovante pour le traitement des surfaces. Destiné aux professionnels et aux chercheurs, il offre des explications claires et des illustrations techniques. Images du livre non contractuelles English: Print-on-demand reprint. Original edition : 1907. Text in French. This technical work provides a detailed description of the Rawlins process applied to oil, an innovative method for surface treatment. Aimed at professionals and researchers, it offers clear explanations and technical illustrations. Book images are non-contractual. Cet article est imprimé à la demande et expédié depuis l'atelier de nos partenaires d'impression le plus proche de la destination. Ces ateliers se trouvent principalement aux États-Unis, au Royaume-Uni et au Canada.…

Leather Bound. Etat : New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1907. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages:- 84, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 84 84.…