Cosetta saba (42 résultats)

Etat : New. Bene, Carmelo (illustrateur).

Paperback. Etat : New. Bene, Carmelo (illustrateur).

Etat : New. In English. Bene, Carmelo (illustrateur).

Etat : NEW.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : New.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : New.

Brossura. Etat : new. A cura di Cosetta S.Milano, 2023; br., pp. 268, ill. b/n, cm 17x24. Libro.

Etat : NEW. Bene, Carmelo (illustrateur).

Soft cover. Etat : Near Fine. 1st Edition. Condition: Near Fine, unread, and excellent book, all pages and cover are excellent with no markings, no tears. Minor shelf rubbing. Language: English, one chapter in French. Out of print, rare book, collectible no. 1 from the book series "CINEMA: Cinema and Contemporary Art", edited by Simone Dotto, Vincenzo Estremo and Francesco Federici. // As Jacques Derrida stated in Archive Fever, nothing is less reliable or less clear than the word "archive." Nevertheless, it is precisely within the semantic openendedness of this notion that contemporary discursive practices of cinema and art have developed, thus reconfiguring the very idea of the archive. The single disciplines involved in this broad field - film and art history, film and art theory, aesthetics, semiotics, philology, etc. - are now beginning to question the concept of archive even in its "negative" sense: in other words, they are now starting to investigate - following Michel Foucault - what the archive is not, or does not seem to be. The archive is not the "library of libraries" or the "encyclopaedia;" it is not "memory" or a "database." In recent years, much attention has been focused on these ideas, revealing new "impulses," "turns" and specific forms of art ("art archive"), as well as highlighting how the notion of archive has gained importance on different interrelated levels (aesthetic, political, ethical and legal) across diverse disciplinary fields. // 268 pages; format: 21,0 x 14,0 x 2,0 cm; Bookweight: 435 g.…

Etat : new.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Brand New. Italian language. 7.40x5.28x0.47 inches. In Stock.

Etat : New.

Etat : New.

Etat : New. pp. 428.

Etat : As New. Unread book in perfect condition.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

paperback. Etat : Sehr gut. 428 Seiten; 9789089642912.2 Gewicht in Gramm: 2.

Etat : New.

Etat : New. pp. 428.

Etat : New. This important and first-of-its-kind collection addresses the emerging challenges in the field of media art preservation and exhibition, providing an outline for the training of professionals in this field. Since the emergence of time-based media such as film, video and digital technology, artists have used them to experiment with their potential. Editor(s): Noordegraaf, Julia; Hediger, Vinzenz; Saba, Cosetta; Le Maitre, Barbara. Series: Framing Film. Num Pages: 448 pages. BIC Classification: APFA. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 235 x 157 x 26. Weight in Grams: 940. . 2014. 1st Edition. paperback. . . . .…

Etat : New. In English.

Etat : New. pp. 428.

Paperback. Etat : New.

Paperback. Etat : Brand New. 296 pages. 9.13x6.06x1.10 inches. In Stock.

Etat : New. This important and first-of-its-kind collection addresses the emerging challenges in the field of media art preservation and exhibition, providing an outline for the training of professionals in this field. Since the emergence of time-based media such as film, video and digital technology, artists have used them to experiment with their potential. Editor(s): Noordegraaf, Julia; Hediger, Vinzenz; Saba, Cosetta; Le Maitre, Barbara. Series: Framing Film. Num Pages: 448 pages. BIC Classification: APFA. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 235 x 157 x 26. Weight in Grams: 940. . 2014. 1st Edition. paperback. . . . . Books ship from the US and Ireland.…

Etat : NEW. Milano: Postmedia Books, 2024 9788874903856 809 268 p. : ill. col. b/n, indice ; 24 cm. Con intensità diverse, l'articolata attività di Giuseppe Chiari si dissemina in concerti, performance, statement, event score, discussioni, confessioni, conferenze, lezioni, passeggiate, interventi installativi site specific, set fotografici, videografie diventando uno degli snodi fondamentali della pratica artistica in Italia (e non solo). Nel corso degli anni Settanta, in particolare, in modo inusitato e non assimilabile alla galassia Fluxux, la sua riflessione sul video mette in gioco l'elaborazione concettuale del 'suonare' nel campo incerto tra arte e non arte. Di tale riflessione il dispositivo videografico diviene, al contempo, l'oggetto e lo strumento. Il volume raccoglie gli esiti di una ricerca intervenuta a contenere il processo di dispersione materiale che aveva investito il corpus audiovisivo dell'artista, a partire dagli anni Ottanta, anche in ragione dell'obsolescenza delle attrezzature di visualizzazione. Le attività di ricerca hanno avuto infatti l'obiettivo sia di ricostruire i molteplici metodi con cui Chiari 'suona' lo strumento videografico e concettualizza l'audiovisivo, sia di supportare il lavoro di preservazione e di restauro digitale del corpus. Nel complesso, i saggi qui raccolti contribuiscono da prospettive differenti a contestualizzare la disseminazione videografica della pratica artistica di Chiari rispetto alla principale interrogazione che porta con sé: Cos'è l'arte? Cosetta,Saba.…

Paperback. Etat : New.