Cox merlin (18 résultats)

8vo Softcover. Etat : Acceptable. 1st Printing. 264p. Bright pages are heavily underlined and highlighted. Wraps are glossy with bumped corners and a tear on outer bottom joint. Binding is intact, hinges are secure. Bookstore stamp and previous owner's name penned on FEP. Still, a good reading copy.

viii, 208 pages. Paperback: H 22.75cm x L 15cm. White paper covers lightly toned/foxed with some soiling; vertical crease to spine; curling to front cover's fore-edge corners with early leaves affected likewise. Light foxing/soiling to text block edges. Interior leaves mostly remain clean. Binding is firm.…

Etat : Very Good. Bon état. Sans date. Very Good.

Soft cover. Etat : Near Fine. 1st Edition. Florida. 1st edition. Book issued in a white soft cover. No dust jacket, as issued. 208 pages with photographs. Florida history! Selling quality books for 40 years.

Soft cover. Etat : Fine. 1st Edition. Florida. 1st edition. Book issued in wraps. No dust jacket, as issued. 208 pages. Inscribed by Merlin G. Cox on the front flyleaf. Selling quality books for 40 years. Inscribed by Author(s).

Hardcover. Etat : Fine. 1st Edition. Florida. 1st printing. A beautiful copy! Book has brown cloth boards with blue stamped titles. 201 pages + index. No dust jacket. Selling quality books for 35 years.

Soft cover. Etat : Near Fine. 1st Edition. Florida. 8vo. Book issued in wraps with green titles. 208 pages with photographs, maps. No dust jacket, as issued. Tight, clean copy! Signed by Merlin G. Cox on the flyleaf. Selling quality books for 35 years. Signed by Author(s).

Hardcover. No Dust Jacket. First Edition. Beige cover with blue lettering; No marks; or writing, clean tight binding; Very Good or writing, clean tight binding.

Signed and inscribed by the author. Octavo, softbound (stiff white wrappers), 208 pp. Fine. Florida, Floridiana, Florida History, Americana, U.S.-iana, United States History, American History. islic.

8Vo Softcover. Etat : Good. Signed. 208pp. Signed by Cox on title page. Text is unmarked on bright pages. Wraps are glossy with a gently bumped bottom corner and lightly creased front hinge. Binding is tight and square, spine is unbroken. Foxing present along text-block.

8Vo Hardcover. Etat : Good. 264pp. Tan boards, brown lettering on spine and front board. Text is clean on unmarked, uncreased pages. Hinges are secure, textblock is square with pointed corners. Moderate overall shelf/timewear, boardwear, foxing on textblock edges and first/last signatures.

Hardcover. Etat : New. Breton's late treatise on magic and art appears for the first time in English, complete with citations, commentaries and a bibliography What is "Magic Art"? In 1953, André Breton, founder of the Surrealist movement, was invited by a prestigious French publisher to explore answers to this question. His resulting analysis is wide-ranging and evocative. Beginning with a literary review of magic and art, Breton draws upon Novalis and Baudelaire before considering the prehistoric rock art of Spain and France, the native art of the Pacific Northwest, the magical grimoires and alchemical symbolism of the Middle Ages, and the work of Hieronymus Bosch, Antoine Caron, Paolo Uccello, Gustav Moreau, Paul Gauguin and the Surrealists. Through these and other diverse sources, Breton traces a mystery that lies at the heart of our timeless fascination with otherness and seeks to place Surrealism as a successor to a magical sensibility that began with art itself. First published in 1957 as L'Art magique, this important text is offered here as an English translation for the first time. Working from manuscript notes for the original project, this edition presents the iconographic content as Breton intended, together with more than 300 new citations and a comprehensive bibliography that emphasizes sources found in Breton's own library. André Breton (1896-1966) was one of the founders and most controversial exponents of Surrealism, defining the movement in his first Surrealist Manifesto as "pure psychic automatism." Fleeing from Europe during World War II, Breton traveled throughout North America staging Surrealist exhibitions and lending his voice to several political movements.…

limited edition, 8°, 194 S. mit 63 Farb- und 13 s/w-Abbildungen, Text: englisch, schwarzer original Seidentafteinband mit glänzend-schwarzer Rückenbeschriftung und dem illustr. original Schutzumschlag, sehr schönes, sauberes Exemplar ohne nennenswerte Mängel, noch in der schützen Klarsichthülle (diese aber nicht auf unserer Abbildung) Introduction (Judith Noble, Dominic Shepherd and Jesse Bransford) / Ingestion and Descent: The Chthonic Realms of Leonora Carrington (Susan L. Aberth) / The Dark Mark: Tattoo as Ritual of Transformation (Natan Alexander) / The Empress, 2015 (Lindsey Bull) / Self-Obliteration through Self-Love (David Burrows) / The Sitters (Tom Butler) / Etruscan Monochromes (Gean Moreno) / Transformation of the Everyday Material Magic in Jan vankmajer's Art and Films (Kristoffer Noheden) / Le Bal: Bewitching the Classical Body (Katerina Pantelides) / Abject Bodies and Places of Enchantment (Deanna Petherbridge) / Embodying the Androgyne: Psychoanalysis and Alchemical Desire in Max Ernst's Men Shall Know Nothing of This - 1923 (Daniel Zamani) Abholung im Ladengeschäft in Frankfurt am Main (Nordend ggü. Musterschule) möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main (Nordend, close to Musterschule) is possible. It saves the shipping costs.…

Hardcover. Etat : Near fine. Second Edition. Second Edition. Hardcover. 12.5" x 9.5". 158pp. Hardcover paper over boards with cloth spine lettered in red gilt. Very mild shelf wear, else like new. From the publisher: A full-color facsimile of an 18th-century black-magic compendium. Touch Me Not is an Austrian manuscript compendium of the black magical arts, completed c. 1795. Unique and otherworldly, it evokes a realm of visceral dark magic. As the co-editor of this volume Hereward Tilton notes, the manuscript "appears at first sight to be a 'grimoire' or magician's manual intended for noviciates of black magic. Psychedelic drug use, animal sacrifice, sigillary body art, masturbation fantasy and the necromantic manipulation of gallows-corpses count among the transgressive procedures it depicts. With their aid hidden treasures are wrested from guardian spirits, and the black magician's highest ambition-an infernal transfiguration and union with the Devil-can be fulfilled." Hidden for decades within the Wellcome Library collection, Touch Me Not is published here as a full-color facsimile. The German and Latin texts have been translated by Hereward Tilton and Merlin Cox, scholars who have explored the sources for the various elements and provided copious references. Tilton provides an introduction that lays out the context for the survival of this extraordinary manuscript. 12.5" x 9.5". 158pp. Hardcover paper over boards with cloth spine lettered in red gilt. Very mild shelf wear, else like new. From the publisher: A full-color facsimile of an 18th-century black-magic compendium. Touch Me Not is an Austrian manuscript compendium of the black magical arts, completed c. 1795. Unique and otherworldly, it evokes a realm of visceral dark magic. As the co-editor of this volume Hereward Tilton notes, the manuscript "appears at first sight to be a 'grimoire' or magician's manual intended for noviciates of black magic. Psychedelic drug use, animal sacrifice, sigillary body art, masturbation fantasy and the necromantic manipulation of gallows-corpses count among the transgressive procedures it depicts. With their aid hidden treasures are wrested from guardian spirits, and the black magician's highest ambition-an infernal transfiguration and union with the Devil-can be fulfilled." Hidden for decades within the Wellcome Library collection, Touch Me Not is published here as a full-color facsimile. The German and Latin texts have been translated by Hereward Tilton and Merlin Cox, scholars who have explored the sources for the various elements and provided copious references. Tilton provides an introduction that lays out the context for the survival of this extraordinary manuscript.…

Hardcover. Etat : VG. No Dust Jacket. Hardback first edition bound in blue-lettered tan cloth covers that remain clean, bright; endpapers and contents clean, bright, white. No DJ. 208 pages; illustrations; index. Not a library discard. .

Hardcover. Etat : As new. dj. First thus. When we acquired these two Folio Society volumes, in as-new condition, it only made sense to market them together. After all, both the authors are noted English wits separated by less than a generation, both gained fame as playwrights but also worked in other literary forms, and both of them are gay icons. More particularly to these books, they are bound in such a way that they look like they belong together as parts of a series (even if they weren't officially published as such), and are edited in such a way as to provide an overview of the authors' careers in the form of extracts. They were published in 1997 and 1996, respectively. "The Wit of Oscar Wilde" is edited by Merlin Holland, Wilde's own grandson, who is widely respected as a sympathetic, but not uncritical, authority on Wilde. He created chapters according to genre and wrote an introduction to each one: essays, stories, "The Picture of Dorian Gray" (Wilde's only novel), the plays, and a final chapter of works written while Wilde was in prison and immediately upon release that Holland titles "De Profundis" after the name of the first work. Each chapter begins with an introduction by Holland, an epigram by Wilde, and except for the last chapter, ends with one of Wilde's short poems. There are many black-and-white woodblock-like illustrations throughout by Ian Archie Beck, with more illustrations covering the binding. "The Cream of Noel Coward," edited by Michael Cox, with a preface by Graham Payn and Sheridan Morley, follows much the same pattern. Cox arranged his book chronologically instead of by topic, with most chapters dedicated to decades from the 1920s through the 1970s. He mostly includes acts and speeches from plays and films Cowards wrote and the lyrics of songs, but there are also some essays, poems, and bits of biography. The complete script of the play "Private Lives," still one of Coward's most popular pieces of theater, is included. Whereas the illustrations for the Wilde book were many and small, the illustrations by Helen Smithson here are fewer but in the form of full-page prints and seem to have something of a surrealist bent. Again, they carry over to the book cover. As new, unread. Both are bound in gold-colored cloth and show no signs of wear or damage to the boards or spine. All is tight and square. Illustrations wrap around the covers and spine, printed in black. Spine lettering is also printed in black. The books do not have dust jackets but instead have sturdy slipcases which also show no wear or damage, covered in paper the same color as the book cloth. The text blocks are impeccably clean and undamaged, printed on fine paper in Dante with Gill Sans Extra Condensed. These would be fine gifts for those who are already fans, or a good introduction for those who have wondered what all the fuss is about. Beck, Ian Archie; Smithson, Helen (illustrateur).…

Hardcover. Etat : Neu. 1. Auflage, Limitierte Ausgabe. What is 'Magic Art'? In 1953, André Breton, founder of the surrealist movement, was invited by a prestigious French publisher to explore answers to this question. His resulting analysis is wide-ranging and evocative. Beginning with a literary review of magic and art, Breton draws upon Novalis and Baudelaire before considering the prehistoric rock art of Spain and France, the native art of the Pacific Northwest, the magical grimoires and alchemical symbolism of the Middle Ages, and the work of Hieronymus Bosch, Antoine Caron, Paolo Uccello, Gustav Moreau, Paul Gauguin and the Surrealists. Through these and other diverse sources, Breton traces a mystery that lies at the heart of our timeless fascination with otherness and seeks to place surrealism as a successor to a magical sensibility that began with art itself. First published in 1957 as L'Art magique, this important text is offered here as an English translation for the first time. Working from manuscript notes for the original project, this edition presents the iconographic content as Breton intended, together with more than 300 new citations and a comprehensive bibliography that emphasizes sources found in Breton's own library. This deluxe edition is limited to 88 hand-numbered copies signed by André Breton's daughter, Aube Elléouët Breton. It contains a supplementary volume of additional texts: 32 modern responses from artists, scholars, poets, and esotericists providing contemporary insights into Breton's 1955 Enquiry on 'magic art'; reviews of L'Art magique when it first appeared in 1957; an interview with Breton concerning the work; and an essay from surrealist scholar Will Atkin that explores the relevancy of Breton's project today. Bound in full morocco by the acclaimed artisan bindery, Ludlow Bookbinding, this deluxe takes inspiration from the surrealist bookbinder, Paul Bonet. His custom binding of Breton's Second manifeste du Surréalisme (commissioned in 1934) draws upon the recurring surrealist preoccupation of the hand, presented as a photograph, and augmented with gilt tooling and morocco onlays. It was purchased for the Bibliothèque nationale in 2019. Due to the sheer weight (4,3kg!) of this tome, extra postage needs to be added. Widmung des Verfassers.…

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. 194pp. Clean, tight copy in mylar-protected dust jacket. Book.