Cross dressing (10 résultats)
The Gaskell Society Journal : 2010 Volume 24 / Fran Baker "'Intimate and trusted correspondents: the Gaskell's, Greens and Jamisons'" / Angus Easton "'We have all of us one human heart': Elizabeth Gaskell and William Wordsworth" / Carolyn Lambert ",Cross-dressing and interpretations of gender in Cranford and 'The Grey Woman's" / Aya Yatsugi "Gaskell's historical novels: Reactions to the period"
Frances Twinn (Editor) / Fran Baker "'Intimate and trusted correspondents: the Gaskell's, Greens and Jamisons'" / Angus Easton "'We have all of us one human heart': Elizabeth Gaskell and William Wordsworth" / Carolyn Lambert ",Cross-dressing and interpretations of gender in Cranford and 'The Grey Woman's" / Aya Yatsugi "Gaskell's historical novels: Reactions to the period"
Edité par The Gaskell Society,, 2010
- Couverture souple
- Périodique
Vendeur : Shore Books, London, Royaume-UniShore Books
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Assez bon
EUR 5,46
EUR 12,93 expéditionExpédition depuis Royaume-Uni vers Etats-UnisQuantité disponible : 1 disponible(s)
Soft cover. Etat : Very Good. 176 pages. Fran Baker "'Intimate and trusted correspondents: the Gaskell's, Greens and Jamisons'" / Angus Easton "'We have all of us one human heart': Elizabeth Gaskell and William Wordsworth" / Carolyn Lambert ",Cross-dressing and interpretations of gender in Cranford and 'The Grey Woman's" / Aya Y…atsugi "Gaskell's historical novels: Reactions to the period" (SL#82).
Men ! 31 Curious and Remarkable Postcards
Gardiner, James / Collector of Man on Man Gay Themed Cross Dressing MEN. Funny and Charming.
Langue : anglais
Edité par Chronicle Books Llc, San Francisco, California, U.S.A., 1991
- Couverture souple
Vendeur : GREAT PACIFIC BOOKS, Ventura, CA, Etats-UnisGREAT PACIFIC BOOKS
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Satisfaisant
EUR 54,89
EUR 9,61 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Soft cover. Etat : Good. No Dust Jacket. Paperback : soft cover edition in good used condition, some slight wear to edges, as normal for age of book. Overall good copy of this title. Excellent read. A good book to enjoy and keep on hand. Or would make a great gift for the fan / reader in your life. This is a bound book of 31 RIS…QUE / GAY POSTCARDS of men in various poses, wrestlers, fighters, brothers, bonding, lovers, nude, semi nude, all from old photographs. Back of book reads: Men, Here are 31 fabulous postcards of men in al their glory. Tall ones, short ones, skinny ones, bulging ones. Man as gymnast, wrestler, bodybuilder, and ancient Greek revivalist. These astonishing postcards were culled from an amazing collection of 1920s duotone postcards and have a pecular charm all their own. Please send us a note if you have any questions. Thank you. Fully Illustrated (illustrateur). Book.
Marlene's Transvestite Adventure
[Erotica — LBGTQ — Trans — Cross-dressing]. Keith, Marlene. "Dianne" cover illustration.
Langue : anglais
Edité par NP, ND, (but Lemoyne, PA ca. 1978, Gem books?)., Lemoyne, PA, 1978
- Couverture souple
Vendeur : Joe Maynard, Nashville, TN, Etats-UnisJoe Maynard
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Assez bon
EUR 90,05
EUR 6,82 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Soft cover. Etat : Very Good. Octavo, 36pp, including 5 half-tone photographic illustrations depicting the process of a man dressing up as a woman, in pictorial wrappers, staple-bound (minor offsetting of blue ink to white rear wrapper, else very good to near fine). " An unsuspecting young man infaturated with his beautiful new…bride agrees in writing to be "…advised in all matters pertaining to dress and garments…". Dianne (illustrateur).
Langue : anglais
Edité par New York: Wholesale Books, n.d. (ca. 1970)., New York, 1970
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Vendeur : Joe Maynard, Nashville, TN, Etats-UnisJoe Maynard
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Assez bon
EUR 157,58
EUR 6,82 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Soft cover. Etat : Very Good. Octavo, 59 numbered pages, 9 ENEG illustrations within, in pink pictorial wrappers bearing ENEG cover, staple-bound (very minor toning and wear, very good to near fine). Gene Bilbrew (illustrateur).
Autres imagesTransgender and Cross-Dressing Narratives in Mid-Century American Pulp Fiction and Memoir, 1950-1968
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- Édition originale
Vendeur : Max Rambod Inc, Woodland Hills, CA, Etats-UnisMax Rambod Inc
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion
EUR 792,42
EUR 8,74 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
First Edition. Engstrand, Stuart and Lafayette, Richard/Rachel archive documents early literary and quasi-autobiographical treatments of cross-dressing and transgender identity in American and translated pulp publishing between 1950 and 1968, when gender variance was framed through psychological, medical, and moral discourse. Pr…oduced during a period of heightened scrutiny of sexuality and identity under mid-century social norms, these works present narratives of gender nonconformity that oscillate between sympathetic portrayal and sensational framing. The archive captures evolving terminology and conceptualization of "transsexualism" prior to its wider clinical and cultural recognition, supporting research in transgender history, LGBTQ print culture, and the intersection of literature and medical discourse. Engstrand, Stuart. The Sling and the Arrow. New York: Signet Books / New American Library, 1950. First Signet printing, abridged from the 1947 edition. Lafayette, Richard/Rachel. The Transexual: The True Story of a Man Turned Woman! Canoga Park, California: Viceroy Books, 1968. First edition. Two volumes, standard mass-market paperback format. The Sling and the Arrow presents a narrative centered on a married man whose engagement with cross-dressing produces psychological conflict and social alienation, offering an early fictional treatment of gender variance within domestic life. The Transexual adopts a confessional framework, presenting a first-person account of gender transition while incorporating medicalized language and explanatory framing through translation and editorial introduction. Both works employ pulp conventions of provocative titling and marketing, while addressing themes of identity, embodiment, and social constraint. These publications emerged within a cultural and legal framework shaped by obscenity restrictions and the legacy of the Comstock Laws, as well as mid-century psychiatric classification systems that pathologized gender nonconformity. By the late 1960s, increasing visibility of transgender narratives and shifting medical discourse began to alter public understanding, coinciding with broader transformations in LGBTQ activism leading into the Stonewall Riots. Light wear consistent with age; overall good to very good condition. A focused pairing illustrating early literary and popular representations of transgender experience and cross-dressing in mid-20th century print culture.
Autres images- Couverture rigide
Vendeur : Max Rambod Inc, Woodland Hills, CA, Etats-UnisMax Rambod Inc
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion
EUR 1 125,59
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[Women's History] [Gender and Sexuality] [Photography] Cartwright, Margaret. Photograph album, circa 1914 to 1923 documents female youth culture, wartime social life, and gender nonconforming expression in Albion, Michigan during the World War I era. The album records a network of young women associated with local school and com…munity institutions and provides visual evidence of cross dressing practices among women in the 1910s and early 1920s, including staged and candid images of women adopting masculine clothing, posture, and social behaviors. These photographs establish a direct visual record of gender experimentation at a time when public documentation of such expression was limited, while also situating these practices within everyday social environments including school functions, recreational gatherings, and wartime encounters. Albion, Michigan, circa 1914 to 1923. Black cloth photograph album with ownership bookplate of Margaret Cartwright containing 157 black and silver gelatin photographs, most measuring approximately 4.5 x 3 inches, ranging from formal portraits to informal group scenes. Multiple images depict young women dressed in suits, ties, work shirts, trousers, and hats, some smoking pipes and cigarettes in group settings, while others pose individually or in pairs in masculine attire, including one photograph of a woman holding a rifle in military style dress. School related content includes a "Seniors '19" group portrait, images of a girls' basketball team identified as "Clionian," and documented events such as the "9th Annual H.S. Banquet" and the "Clionian Banquet, April 27, 1917." A "First Annual Kimona Parade" dated 1919 shows an auditorium filled with participants in Japanese style garments, indicating organized school pageantry and cultural performance. Additional photographs include wartime imagery of an amputee soldier with crutches posing alongside female companions, early motorcycles, rural labor scenes, and outdoor gatherings near large wooden structures likely used for school or community functions. The album situates female adolescence within a period marked by expanding public roles for women, including increased participation in education, athletics, and wartime support activities during and after World War I. The presence of gender nonconforming dress within peer group settings indicates that such experimentation occurred within structured social environments rather than isolated contexts, while the inclusion of injured soldiers links these social worlds to the immediate aftermath of war. The combination of school life, performative events, and gender expression provides a layered record of how young women negotiated identity, community, and visibility in the early twentieth century. Moderate handling wear to album with some edge wear and occasional creasing to photographs; images remain clear and well preserved. Overall very good condition. A substantial visual record of women's social life and gender expression in a Midwestern community during the World War I generation.
Autres images- Photo
Vendeur : Max Rambod Inc, Woodland Hills, CA, Etats-UnisMax Rambod Inc
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion
EUR 2 521,33
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World War I era photo album depicting gender play, military uniformed women, men in feminine dress, and Midwestern family life, circa 1917 to 1922, recording how wartime uniforms and early twentieth century leisure photography opened space for performative departures from prescribed dress. Roughly nine images show young adults c…rossing gendered clothing conventions: women appear in men suits, men's hats, and military garments, while men pose in dresses, skirts, and frilled hats. The album places those images among soldiers, couples, children, automobiles, domestic yards, porch scenes, and excursions, making the gender play part of ordinary social life rather than a separate theatrical or commercial setting. A probable Minnesota connection appears in an outdoor scene with several people seated before a sign reading "Minnesota," while an image of "Christensen Auto Co." points to the same regional, small town commercial environment visible throughout the album. Photo album of 190 silver gelatin photographs, various size, most approximately 3 x 4" to 3 x 5", album size is 10 x 7 inches, likely Minnesota or the Upper Midwest, circa 1917 to 1922. The photographs show Cross dressing men and women, young men in World War I uniforms posing with women, children, and family groups; couples standing in yards and before clapboard houses; children in winter coats and formal dress; men and women seated in early automobiles; groups gathered outside schools, shops, porches, and rural roads; and several outdoor scenes of soldiers assembled beside cars or on wooden platforms. The most distinctive group shows public and semi public gender experimentation: two women in masculine coats and hats standing together; women in men's suits and military style garments; even men wearing dresses, skirts, and ornate hats; and mixed groups posing with ease while borrowing the codes of male military dress and female formal wear. Other images show a storefront sign reading "Christensen Auto Co.," a historical marker for the "C.S.A.," farm and garden scenes, snowbound street views, domestic interiors, and family portraits across several generations. The album preserve repeated, deliberate, and socially situated images of gendered clothing being tested, exchanged, and displayed within a military family circle. Album covers worn and frayed with photographs generally intact; some minor fading, surface wear, and occasional creasing. Overall good to very good condition. A concentrated record of wartime domestic photography in which military service, Midwestern family life, and repeated gender nonconforming dress appear inside the same everyday social world.
Autres imagesVendeur : Max Rambod Inc, Woodland Hills, CA, Etats-UnisMax Rambod Inc
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion
EUR 1 125,59
EUR 8,74 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
[Cross dressing] [Japan] [Kabuki] Japanese Kabuki onnagata postcard archive, early 20th century, documents male actors performing female roles in the Kabuki performances, a practice formalized following the prohibition of women on stage and sustained through highly disciplined traditions of gesture, costume, and voice. The archi…ve provides direct visual evidence of gender as performed identity within Japanese theater, where onnagata actors did not imitate women but constructed an idealized femininity that influenced audience perception and broader cultural aesthetics. Repetition of individual performers across multiple images, identifiable through consistent facial structure, costume layering styles, and studio backdrops, establishes the archive as a record of named theatrical figures working across repertory roles. Archive of 50 Taish? and Early Sh?wa-era real photo postcards depicting Kabuki and onnagata performers in studio portraits, staged interiors, and on stage. Each measure approximately 4" x 6". Most with original inscriptions in Japanese en verso. Photographs include formal studio portraits and staged performance scenes, with subjects shown in elaborate kimono, layered obi, wigs, and theatrical makeup, often holding fans, swords, or props associated with specific roles. Several postcards depict the same actor in different character types, including transitions between female-role presentation and male heroic roles, reinforcing the fluidity of gendered performance within Kabuki. Verso inscriptions in Japanese include handwritten notes, as well as references to "????" (Tokyo Theater). Additional vertical inscriptions appear to list performance titles or actor names; one card includes what appears to be a play reference resembling "???" (Ch?shingura), a canonical Kabuki narrative. The onnagata tradition was a structured artistic discipline that shaped ideals of femininity in Japan through male embodiment, influencing both stage practice and broader cultural perceptions. The postcards also demonstrate the circulation of Kabuki imagery through mass-produced photographic media, contributing to the formation of actor-based celebrity and the dissemination of theatrical iconography domestically and internationally. The inclusion of repeated performers, annotated dates, and theater references strengthens the archive's value as a resource for tracking performance history, actor identity, and repertory continuity. Light edge wear, scattered spotting, and minor discoloration consistent with age. Overall very good condition. Together, the group provides sustained visual documentation of gendered performance as a formalized cultural practice within Japanese theater.
Autres images- Photo
Vendeur : Max Rambod Inc, Woodland Hills, CA, Etats-UnisMax Rambod Inc
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EUR 2 026,07
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Cross dressing and female impersonation photo archive documenting gender masquerade in postcard portraiture, club entertainment, and informal social photography from the early twentieth century through 1939, with direct relevance to LGBTQ+ visual history and the history of gendered dress outside ordinary convention. Seventeen ph…otographs by unidentified amateur and studio photographers record women posed in men's suits and hats, men posed in dresses, and performers working in female impersonation, showing how gender inversion circulated through social clubs, theatrical performance, mailed postcards, and private amusement well before modern drag culture achieved wider public visibility. The identified Billie Manders postcard places part of the group within British concert party entertainment, while the Rockridge Women's Club photographs locate another part within organized women's social life and Halloween masquerade culture. Photo archive of 18 vernacular photographs, including 7 real photo postcards, silver gelatin snapshots, ranging from approximately 3.5 x 2.5 to 3 x 6 inches, Rockridge and other unidentified locations, circa 1910s to 1940s with a small later instant-photograph subgroup. Seven real photo postcards form the earliest portion of the archive; one is captioned "Mr. Billie Manders, Female Impersonator," identifying the Rhyl performer in tailored dress and theatrical pose, while others show women adopting masculine attire in formal portrait settings. Six photographs from a single event are tied by an en verso inscription reading "Halloween masquerade Dance," "39," and "Rockridge Womens Club," establishing a 1939 club setting for costume-based gender reversal. Rockridge is a neighborhood in Oakland, near Berkeley, CA. The later instant photographs extend the same visual practice into domestic and family space: three men in dresses posed with three young children, a man and woman posed together in reversed conventional attire, and a scene in which a woman in suit and top hat pours a drink while a man in a dress stands beside her holding a glass. One verso inscription reads, "When you see this you will remember these good wines I've sent you for your birthday," linking the image to gift exchange and shared social memory. From the 1910s through the late 1930s, postcard circulation, amateur theatricals, holiday masquerades, and club entertainments created public and semi-private settings in which cross dressed performance could be staged, photographed, mailed, and preserved. This group is strongest not as a generalized survey of queer history but as direct evidence of how gender masquerade operated across distinct cultural settings: commercial performance, women's club festivity, and informal social photography. Good condition overall, with light general handling wear consistent with age. The archive offers concrete visual evidence of gender inversion as a recurring social practice rather than an isolated novelty.
- Signé
- Photo
Vendeur : Max Rambod Inc, Woodland Hills, CA, Etats-UnisMax Rambod Inc
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion
EUR 1 305,69
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[Cross-Dressing] [LGBTQ] Gender nonconforming performance and dress photo and letter archive in mid twentieth century America during a period when public expressions of gender variance were widely stigmatized and frequently criminalized. Including two identified drag performers in a personal letter and photo negative set. This c…ollection captures individuals embracing gender nonconformity through performance, celebration, and self-expression, reflecting the long-standing presence of cross-dressing in both queer and heteronormative spaces. Several photographs depict costumed events or theatrical performances, with participants dressed in elaborate wigs, dresses, and accessories. Some images appear to be from social gatherings, where individuals are confidently posing, smiling, and engaging with others in drag or nontraditional gender presentations. Archive of fifteen pieces related to gender non conformity and drag performance. Included are ten photographs in colour and black and white, three Kodachrome slides, one typed letter signed "Bob Box," and original mailing envelope addressed to Mr. and Mrs. George Heimback, 8722 South 117th Place, Seattle 88, Washington. Photo measurements range from 3" x 4" to 4" x 6". The envelope bears a stamp dated January 16, 1956 and return identification "Stevens LA [Louisiana] 6953." The typed letter reads in part: "I finally got around to getting duplicate slides made of those pictures I took of our 'performance' (?) at P.T.A. last spring. Keep them as a momento of your 'moment of glory' -- what a deal! Don't think I'd have the nerve to do it again-- how about you?" The three Kodachrome slides depict three adult men standing together in dresses and wigs inside a school stadium setting, likely the performance referenced in the letter. Additional photographs depict individuals posing in feminine attire inside domestic interiors and social gatherings, including figures wearing dresses, wigs, jewelry, and makeup. One photograph shows three individuals walking through stadium seating at what appears to be a public sporting venue while dressed in women's clothing. Several photographs show posed interior portraits of a person presenting in feminine clothing inside a home environment. A black and white photograph shows an individual seated beside another person wearing a sash and holding a newspaper while dressed in feminine clothing, suggesting a costume or social event. Another black and white image shows an individual assisting a person into feminine clothing inside a domestic room, indicating preparation for a performance or gathering. Private drag performance, masquerade events, and gender nonconforming social gatherings formed an important but poorly documented component of mid twentieth century queer life in the United States. Before the expansion of openly gay bars and organized activist groups in the 1960s, gender variant expression often occurred in private homes, costume parties, theatrical events, or informal community performances. Photographic documentation of these events was rarely preserved due to legal risks and social stigma surrounding cross dressing and homosexuality during the 1950s. The Seattle address on the envelope places the recipients within the Pacific Northwest, a region where early gay social networks existed but remain less visually documented than communities in cities such as New York or San Francisco. The presence of Kodachrome slides, domestic snapshots, and typed correspondence linking the images to a specific event provides a rare surviving visual record of gender nonconforming performance and social interaction during the postwar decade preceding the modern LGBTQ rights movement. Minor edge wear and light surface wear; letter with horizontal mailing fold; envelope with light toning and minor creasing. Overall very good condition. A visually detailed mid twentieth century archive documenting private drag performance and gender nonconforming social life in the United States, many predating the emergence of organized gay liberation movements. Signed.
