dache lilly (15 résultats)

Hardcover. Etat : Very Good. Etat de la jaquette : Good. 1st Edition. Very good, clean, tight condition. First edition. Green jacket has some foxing, jacket in mylar cover. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.

Hardcover. Etat : Very Good. No Jacket. First American Edition. Very good, clean, tight condition. First American edition. Black cloth with authors name in decor on front cover. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Rare. 2nd printing. Hardbound in dust jacket. Former library copy. The dust jacket is in library Brodart cover, with the Brodart flaps glued to rear & front end papers. Call number sticker on dust jacket spine & pocket in rear. Dust jacket may be trimmed on top or bottom edges, but without removing the Brodart, it is impossible to tell. Since the book presents well in the library Brodart, we are offering it without any repair or restoration attempts. Photos available on request. Previous owner's inscription on front free end page, otherwise very good.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. DACHÉ, Lilly LEWIS, Dorothy Roe [edited by] [265] pp. Coward-McCann, Inc. 1946 8 3/8" x 5 7/8" Designed by Robert Josephy The memoirs of Lilly Daché, the French-born American milliner. Lilly Daché dominated the fashionable hat scene during the 1930s and '40s. She dressed socialites, fashion models and movie stars with her couture creations. In her autobiography, written in collaboration with Dorothy Roe Lewis, she discusses her career, her style and the vagaries of being a business owner in the fashion world. Lilly Daché. Edited by Dorothy Roe Lewis. Coward McCann, Inc. New York. 1946. First edition. Hardback, octavo; black cloth-bound boards with decorative pink and gilt titles to front board and spine, green silk covered padded slipcase with gilt Daché signature printed to spine. vi, 265 pages. Portrait photographic frontispiece. English. 220 x 155mm. 0.55kg. Very good, in fair slipcase; slight wear to boards with a couple of small marks, slight reading wear to pages, previous owner's ink signature to endpaper; significant fading to silk slipcase, some wear and rubbing to edges, small stain to corner.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. DACHE, Lilly Inscribed on FFEP [265] pp. Coward McCann 1946 8 3/8" x 5 7/8" Jacket by Constantin Alajalov Deluxe edition in cerise pink satin slipcase Lilly Daché (1898 31 December 1989) was a European-born American milliner and fashion designer. Daché began her career in New York City as a salesperson, working at Macy's and an independent hat shop on the Upper West Side. Daché and a co-coworker bought the independent hat store. A few months later, Daché bought out her coworker. Daché's major contributions to millinery were draped turbans, brimmed hats molded to the head, half hats, visored caps for war workers, cone-tipped berets, colored snoods, and romantic massed-flower shapes. Daché is reported to have said, "Glamour is what makes a man ask for your telephone number. But it also is what makes a woman ask for the name of your dressmaker." Despite the economic effects of the Depression and World War II, Daché's business flourished in the 1930s and 1940s. Daché's hats cost upwards of $20 at a time when a hat could be bought or just a few dollars, but hats were still considered a cost-effective way for a woman to update her wardrobe. She was also well known for making her visored caps and cone-tipped berets for women working in factories. In 1937, Daché moved her entire operation to a nine-story building on East 56th Street, combining her retail sales, wholesale trade, workroom and personal space. Both the designer Halston and the hair stylist Kenneth worked for her before going into business for themselves. Estimates of Daché's yearly production ran as high as 30,000 hats a year. By 1949, Daché was designing clothing accessories, perfume, and costume jewelry. Celebrity clients included Sonja Henie, Audrey Hepburn, Carole Lombard and Marlene Dietrich. Not only was her brand well known, Lilly herself became famous. She was a mystery guest on a 28 August 1955 episode of the sophisticated television game show What's My Line? (panelist Arlene Francis eventually guessed her identity). She is also referenced in the song "Tangerine" performed by the Jimmy Dorsey Orchestra. In the 1957 film, Designing Woman, Lauren Bacall's character Marilla Brown, says she would bet a Lilly Dache hat in the voice over exposition of the background of the love story. Daché's books include Lilly Daché's Glamour Book (1956) and her autobiography, Talking through My Hats (1946). When Dache retired in 1968, Loretta Young bought her last thirty hats. Lilly Daché died in Louvecienne, France at the age of 91 in 1989. Inscribed by Author(s).

Hardcover. Etat : Very Good. No Jacket. 1st Edition. Tight binding, clean interior, light wear. End papers have "Lilly Dache" repeated in a nice graphic design. Pale mauve boards with gilt on the front and spine. Corners are lightly worn, spine very slightly faded with ends bumped. Interior is clean, tight and unmarked. Tells how to achieve glamour head-to-toe in all aspects of your life. Includes an exam and helpful appendices. 315 pages including index.

Hardcover. Etat : vg.

Hardcover. Etat : Good. Etat de la jaquette : Good. First Edition. First Edition (1956.) Hardcover with dust jacket. 8vo with 315 pages. The book is in good condition with shelf wear and wear to top and bottom of spine. Interior is clean and tight. The dust jacket is in good condition with some shelf wear, slight fading to spine, minor loss to bottom of spine, creasing to top of spine and rubbing to edges. Lilly Daché (1892-1989) was a French-born American milliner and fashion merchandiser. She started her career in a small bonnet shop, advanced to being a sales lady at Macy's department store, and from there started her own hat business. She was at the peak of her business career in the 1930s and 1940s. Her contributions to millinery were well-known custom-designed fashion hats for wealthy women, celebrates, socialites, and movie stars. Her hats cost about ten times the average cost of a lady's hat. Green spine/black and white text. #031989 Size: 8vo. Fashion.

Hardcover. Etat : Fair. SIGNED by author. Front of dj detached, but old tape has kept it close, at least. Spine illegible, browned with loss top and bottom; folds very worn and chipped; top rear panel chipped. This stylish Alajalov dj has always been fragile. Paper toned. Black boards lightly soiled.; 8.1 X 5.6 X 1.0 inches; 265 pages.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition. Very Good Hardcover with Very Good dustjacket First edition.

Hardcover. Etat : Very Good. 1st Edition. NICE as pictured A First Edition, second impression a very good condition hardcover in a good condition dust jacket. fingernail chip at edge, offset shadow to endpapers, Faint rubbing, and also sunning to spine at edge , price present Gently read clean pages.

Leatherbound. Etat : NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 282. A perfect gift for your loved ones. Reprinted from 1946 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 282.

Hardcover. Etat : Good. Etat de la jaquette : Good. First Edition. Please see any and all photos connected with this listing. The dustjacket is a bit scuffed but all pages intact and legible. Clean. No store stamps. --- --- "Lilly," my husband says, "always you are talking about this glamour. And now I ask you what is it? I cannot see it, or taste it or smell it. It is not something I can feel with my hands or hear with my ears. So what is it?". . .

A largely unbroken, notably scarce, run of 40 issues of La Dépêche (September 1949 until October 1950) together with three issues of La Note de Paris (August and October 1950). This run has a key fashion association, the subscriber being renowned milliner, fashion designer, and female entrepreneur Lilly Daché (?1892-1989) during her "heyday in the 1940s and early 1950s" (ANB). Born in Bègles, France, Lilly Daché "began her millinery training with her aunt, a dressmaker in Bordeaux, but talent and ambition soon led to a four-year apprenticeship with Caroline Reboux in Paris. She later worked for both Suzanne Talbot and Georgette, also noted Parisian milliners" (ANB). Reboux and Talbot are both featured in La Dépêche: Reboux, nos. 49 and 137; Talbot, no. 116, 139, and 141. Daché moved to New York in 1924 and immediately found work in a small hat store, the Bonnet Shop, which she soon bought from her employer. By the early 1940s Daché was America's premier milliner with an "elegant New York salon in which she employed 150 milliners, shops in Chicago and Miami, wholesale designs sold to more than forty stores across the country, and more than half a million dollars in business each year, selling hats priced from $35 to $500" (ibid.). Her regular subscription to the French fashion magazines collected here, and her occasional marginal crayon marks highlighting segments of text, demonstrates her desire to stay at the cutting edge of fashion and remain connected to her early roots, allowing her to maintain her reputation as a French designer. "Her growing awareness that hats were losing their place as a vital fashion accessory, combined with her inherent ambition and energy, inspired Daché to branch out into other areas of fashion and beauty. By the mid-1950s she had completely revamped her salon and was designing, in addition to her own line of hats, dresses, accessories, jewellery, lingerie, furs, perfume, and cosmetics, plus men's shirts and ties" (ibid.). Both La Dépêche and La Note de Paris were female-directed independent fashion magazines for both a French and American audience featuring sketches of new French designs for clothes and accessories, with commentary and "gossip" in both French and English. Included in these richly illustrated magazines are designs by key couturiers such as Christian Dior, Balenciaga and Pierre Balmain, as well as by milliners such as Simone Cange and Madamme Paulette. Extensive runs of La Dépêche such as these are almost unheard of in commerce, with no such collections of this ephemeral publication traced at auction. They are equally uncommon institutionally with just two collections traced; the Bibliotheque nationale de France hold a run dating from 1954 to 1966, and the Fashion Institute of Technology hold a run of 229 also finishing in 1966. Likewise, runs of La Note de Paris are scarce, with none traced at auction and one set traced institutionally at the Bibliotheque nationale de France. La Dépêche: 40 issues, tall quarto (328/310 x 210 mm). Text in French and English. Illustrated throughout with ink sketches of designs. Original illustrated cream paper wrappers; 8 wire-stitched as issued, titles in blue to front covers; 32 staple-bound in upper left corner as issued, titles in black to front cover (of these, 2 unopened and within their franked postage bands; folded: 210 x 115 mm, a further 2 (nos 42 and 43) single, unbound, sheets). Together with 3 issues of La Note de Paris: tall quarto (310 x 215 mm). Original illustrated yellow paper wrappers, cord-bound as issued, titles printed in black to front covers. Housed in a dark blue cloth flat-back box by the Chelsea Bindery. Slight nicks and creasing to edges, horizontal creases due to folding from postage, contents faintly toned, occasional rust marks from staples; a remarkably well-preserved set of this fragile publication.

Leather Bound. Etat : New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1946. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 282, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 282 282.