Dan rees (41 résultats)

Etat : As New. Unread book in perfect condition. Schaefer, Dan (illustrateur).

Etat : New. Schaefer, Dan (illustrateur).

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. Schaefer, Dan (illustrateur).

paperback. Etat : New. Priority Mail is available on this item. No international shipping.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. Schaefer, Dan (illustrateur).

Etat : New. Schaefer, Dan (illustrateur).

Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Etat : New. Mousse Publishing, 2018. Trade paperback in Fine condition; this is a new book still in shrink wrap.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. Schaefer, Dan (illustrateur).

Soft cover. Etat : Very Good. 97 pages. William Sansom, Robert Nisbet, Golo Mann, Gavin Ewart, Norman MacCaig, Roy Fuller, Stephen Miller, Dan Davis, Goronwy Rees, Doris Lessing, Robert Greacen, Paul Lendvai.

Etat : As New. Unread book in perfect condition.

No Binding. Etat : VG+. ALS-121. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. Schaefer, Dan (illustrateur).

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. Published on the occasion of the eponymous exhibition at Nomas Foundation, Rome, Road Back to Relevance gives insight into the last decade of Dan Rees's (b. Swansea, UK, 1982) practice. It brings together groups of works-paintings, videos, installations, and photography-that have never before been viewed simultaneously, and reveals the complex nature of the artist's research. The title refers to a slide presentation made by the artist in collaboration with an advertising strategist and designer that, by charting the course of a specific solidarity campaign between Wales and Nicaragua started in the 1980s, questions how pre-"clicktivist" modes of social engagement, activism, and international solidarity can remain relevant today. As Dieter Roelstraete writes in his essay contribution: "The work of Dan Rees touches upon a wide range of topics, subjects, and issues, but one dominant, recurring preoccupation doubtlessly concerns the politics of taste. 'Taste'-its cultural corollaries, its political over- and undertones, and most importantly its social sources-is one of Rees's preferred problems. And where it is addressed most directly and unapologetically-that is to say, in the so-called Artex paintings-is exactly where his work becomes most willingly, egregiously 'problematic. '"Texts by Dieter Roelstraete, Saim Demircan, Ben Gregory.…

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : new. Paperback. Published on the occasion of the eponymous exhibition at Nomas Foundation, Rome, Road Back to Relevance gives insight into the last decade of Dan Reess (b. Swansea, UK, 1982) practice. It brings together groups of workspaintings, videos, installations, and photographythat have never before been viewed simultaneously, and reveals the complex nature of the artists research. The title refers to a slide presentation made by the artist in collaboration with an advertising strategist and designer that, by charting the course of a specific solidarity campaign between Wales and Nicaragua started in the 1980s, questions how pre-clicktivist modes of social engagement, activism, and international solidarity can remain relevant today.As Dieter Roelstraete writes in his essay contribution: The work of Dan Rees touches upon a wide range of topics, subjects, and issues, but one dominant, recurring preoccupation doubtlessly concerns the politics of taste. Tasteits cultural corollaries, its political over- and undertones, and most importantly its social sourcesis one of Reess preferred problems. And where it is addressed most directly and unapologeticallythat is to say, in the so-called Artex paintingsis exactly where his work becomes most willingly, egregiously problematic. Texts by Dieter Roelstraete, Saim Demircan, Ben Gregory? Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New. Schaefer, Dan (illustrateur).

Etat : As New. Unread book in perfect condition. Schaefer, Dan (illustrateur).

Etat : New.

Paperback. Etat : New.

Etat : As New. Unread book in perfect condition.

Ancora nella plastica. Testo a cura di Dieter Roelstraete, Saim Demircan, Ben Gregory.

Paperback with Card Sleeve. Etat : Very Good. Etat de la jaquette : Very Good. Paperback Edition. 265 x 205mm. pp. 139. English and Italian text. Paperback edition of 'Road Back to Relevance'. Published to accompany an exhibition at the Nomas Foundation in Rome from March to July, 2016. Colour illustrations. Bound in original pictorial card covers. Housed in card pictorial dust jacket. Book and dust jacket clean. Binding strong. No ownership inscription or underlining. Dust jacket protected with removable mylar cover. See images.…

Etat : New. Etat de la jaquette : New. Enviamos a todo el mundo. 100% garant'a. Libro nuevo.

1. Auflage. 26 x 20 cm. 136 S. OKarton mit OUmschlag. Sehr gutes Exemplar. Texte in Englisch und Italienisch. Mit Beiträgen von Dieter Roelstraete, Saim Demircan und Ben Gregory. Durchgehend mit farbigen Abbildungen versehen. Sprache: Englisch und Italienisc.

Softcover. Etat : Fine. First edition. Blue wrappers. cvi, 309-468pp. Fine. Poetry by Neal Bowers, Frank Gaspar, Richard Gillman, Robert Bernard Hass, Frederick Morgan, Michael Mott, Dan Masterson. Fiction by Sarah Rossiter. Essays by George Watson, Lionel Basney, Christopher Clausen, Daniel Hoffman. Arts and Letters by J.T. Barbarese, Sam Pickering, John Rees Moore, Stuart Wright, J.A. Bryant, Jr., Edward L. Galligan. The State of Letters by D.W. Faulkner, Louis D. Rubin, Jr., and Russell Kirk.…

Paperback. Etat : new. Paperback. Published on the occasion of the eponymous exhibition at Nomas Foundation, Rome, Road Back to Relevance gives insight into the last decade of Dan Reess (b. Swansea, UK, 1982) practice. It brings together groups of workspaintings, videos, installations, and photographythat have never before been viewed simultaneously, and reveals the complex nature of the artists research. The title refers to a slide presentation made by the artist in collaboration with an advertising strategist and designer that, by charting the course of a specific solidarity campaign between Wales and Nicaragua started in the 1980s, questions how pre-clicktivist modes of social engagement, activism, and international solidarity can remain relevant today.As Dieter Roelstraete writes in his essay contribution: The work of Dan Rees touches upon a wide range of topics, subjects, and issues, but one dominant, recurring preoccupation doubtlessly concerns the politics of taste. Tasteits cultural corollaries, its political over- and undertones, and most importantly its social sourcesis one of Reess preferred problems. And where it is addressed most directly and unapologeticallythat is to say, in the so-called Artex paintingsis exactly where his work becomes most willingly, egregiously problematic. Texts by Dieter Roelstraete, Saim Demircan, Ben Gregory? Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

56 pp.; 41 x 29 cm.; loose leaves; black-and-white & color; edition size 1000; unsigned and unnumbered; offset-printed; Faux periodical / artist's publication published by Aleksandra Mir on September 11, 2002, on the occasion of her 35th birthday and the first anniversary of 9/11 in order to reclaim the day, featuring contributions from over 100 friends and colleagues. Contents include: "Editorial," by Aleksandra Mir; "Happy Birthday from the Lighthouse," by Peter Hill; "To the Editor," by Tim Griffin; "Emergency Love," by Adam McEwen; "Nobody Gives a Shit," comic by Dan Perjovsch; "How to Ride the Bus," by Jennifer Bronstein; "Bike Wreck," by Dan Wilken; "Artists'' Shocking 9/11 Predictions Bring Laughs to New York Celebs at Christie''s ''Central Asian Furniture Show'' and Charity Fundraiser! 700 People in Attendance!;" "Inventory list of my father''s compulsive collection of airline silverware between 1989 - 1997," by Cornelia Schbleck; "B irthday," by Raimar Stange; "Bring in the Clowns: Andy Smith of The Moscow State Circus interviewed by Polly Staple;" "Sydney in September," by Simon Rees; "Long Photographs," by Emil Goh; "Pink Tank;" "The Usher," by Cedar Lewisohn; "The best thing that happened to me in 2002 was that Theo my cousin became a goth and his mate Corrin became a punk," by Tasha Amini; "The World Still Turns," by Kathy Temin; "Alien Sighting," by Samuel Blum; "McCartney & Narcissus," by Gabriel Fowler; "Punching Through the Clouds," Miles Boyce after Mies Van der Rohe; "Crash America," by Ken Hollings; "The World''s Greatest Rebel - at 88," by Andrew Wilson; "Structure Kills," text and photos by hobbypopMUSEUM; "First Woman Takes North Pole!," by I. Hope Halperin; "Cities, Holiday Hotspots and Commerce Zones Rethink Slogans," by Jarrett Mitchell; "Advertisement," by Cecily Brown; "Family Takes Break," by Michelle Grabner; "Tire on Fire," by Brad Killam; "The Housitter''s Club in More Trouble with the Law than Oak Park Homeowners," by Amy Park Saxe; "I read ''Big Asteroid Leaves Scientists Unruffled'', Was Ruffled," by Curtis Whaley; "Abstract Sculpture from Park to Somewhere Else," by Wade Guyton; "September 11 Memorial," by Jeffry Vallance; "The Event Forces Us to Think," by Roger Cook; "11th September," by Kathrin Boehm; a drawing by Claude Closky; "You Deserve to Break Something; "Virulent Images," by Leif Elggren; "QRU (Wuick Response Unit)," by Gavin Wade & Garrick Jones; newspaper clipping submission by Piotr Uklanski; an image by Richard Kern; "Holiday Column," by Aleksandra Mir; a text by Andy Stillpass; "I Remember," by Kaethe Cherney; a text by James Angus; "That Horoscope," by Onome Ekeh; "Skyjack Sunday Over Europe;" "The Long Haul," by Russel Storer; "Strategic Questions," curated by Gavin Wade; "What is Negative? Why?," by Alexsandra Mir for Gavin Wade; "Top Tips," by Kate Fowle; "The Masterpiece," comic by Olivia Plender; "Aldous Eveleigh''s exhibition.;" Image with caption by Harry Staple; image by Milos Manetas; "Re: FWD: A Statement of Conscience," signed by multiple artists including Laurie Anderson, Ida Applebroog, Noam Chomsky, Eve Ensler, Leon Golub and many others; "A Cockney Poem," by Matthew Arnatt; "Curtain," by Paul Noble; "Kisses Honeywagon - The Novel;" "Page Twenty-Six," by Wallace Robertson; "Guarding the dog and the cows," by Antje Majewski and Ingo Niermann; photograph by Gurvan Madec; "woman is." by Dave Beech; "Barman Joe Latimore chronicles the underbelly of New York''s nitelife;" "Ubiquitous Recluse Revives the Eternal," by Johnny Gato; "In Memoriam: Katri Vala," by Cecilia Stenbom and Minna L. Henriksson; "Chalk Circles," by Katri Vala; "Book Review: The Selected Letters of Marianne Moore," by IB; "Suicide Note," by Nanogod; comic by Roberto Cuoghi; "Beware of Windows!," by Stefan Saffer; texts by Jonas Maria Schul; "Recipes," by Coeinna Durland; "My Friend Najla''s Babaganoush," by Jennifer Higgie; "Eulogy for the Living," by Christian Holstad; "Oh Superman," Karl Holmquist after Laurie Anderson; "Birthday Party part III," by Mika Hannula and more. Backcover: "I (Bomb) NY," by Bernadette Corporation. "September 11, 2002. Enjoying my hot-off-the-press Daily on Avenue B with a cup of burned deli coffee. New York''s Hometown Newspaper was printed in an edition of 1,000 on the first anniversary of 9-11, to reclaim my birthday on the same day The newspaper contains articles, poems, drawings, ads, and all sorts of stupid beautiful shit solicited from over 100 physical artist friends and univocally accepted under the open editorial policy as birthday gifts. The back I BOMB NY logo is by the Bernadette Corporation. Looking back though, it is interesting how certain mainstream politicians have taken all our avant-garde strategies, DADA, Punk, Fiction, Surrealism, Performance, Wigs, even FAKE NEWS (homage: Yves Klein), squeezed the dear soul out of them, and weaponized them for their delinquent purposes. If that is really the case of our times, then what is the role of an artist today? Discuss." -- Artist's statement Very Good / Fine. Light yellowing of covers, light bumping of bottom edge and slight curl to spine. Otherwise clean and unmarked. Due to large size of this publication additional shipping charges will be required for international orders.…