Daniel binns (97 résultats)

Etat : As New. Unread book in perfect condition. McCouid-Carr, Daniel (illustrateur).

Etat : New. McCouid-Carr, Daniel (illustrateur).

Paperback or Softback. Etat : New. The Gum Chums in Decay in the Fruit Garden. McCouid-Carr, Daniel (illustrateur). Book.

Etat : New. In English. McCouid-Carr, Daniel (illustrateur).

PF. Etat : New. McCouid-Carr, Daniel (illustrateur).

paperback. Etat : Very Good.

Etat : New. McCouid-Carr, Daniel (illustrateur).

paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Etat : As New. Unread book in perfect condition. McCouid-Carr, Daniel (illustrateur).

Paperback. Etat : new. Paperback. An accessible guide to the wealth of media-making tools and processes in our contemporary world. Today's world offers no shortage of media for us to consume, and the ever-expanding array of available media has changed the way scholars think about its production and reception. Missing from these conversations about new media, however, is the makerthe one with the power to produce media from their own pocket. In Material Media-Making in the Digital Age, Daniel Binns looks at the current media landscape in order to understand his own media practice. The result is a personal journey through media theory, history, and technology, furnished with practical lessons on the digital form for teachers, students, professionals, and enthusiasts. A refreshing combination of theory and practice written in a personal, engaging style, this book will enable readers to understand how a personal creative practice might unlock deeper thinking about media and its place in the world. A journey through a variety of tools and technologies from vlogging to drone cinematography to considerations of time, editing and sound design, Material Media-Making in the Digital Age offers professionals, scholars and students alike the chance to re-think how they engage with new media technology, about media and its place in the world. 17 b/w illus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : As New. Unread book in perfect condition.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Etat : Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Etat : New. Brand New.

Paperback. Etat : New. There is now no shortage of media for us to consume, from streaming services and video-on-demand to social media and everything else besides. This has changed the way media scholars think about the production and reception of media. Missing from these conversations, though, is the maker: in particular, the maker who has the power to produce media in their pocket. How might one craft a personal media-making practice that is thoughtful and considerate of the tools and materials at one's disposal? This is the core question of this original new book. Exploring a number of media-making tools and processes like drones and vlogging, as well as thinking through time, editing, sound and the stream, Binns looks out over the current media landscape in order to understand his own media practice. The result is a personal journey through media theory, history and technology, furnished with practical exercises for teachers, students, professionals and enthusiasts: a unique combination of theory and practice written in a highly personal and personable style that is engaging and refreshing.This book will enable readers to understand how a personal creative practice might unlock deeper thinking about media and its place in the world. The primary readership will be among academics, researchers and students in the creative arts, as well as practitioners of creative arts including sound designers, cinematographers and social media content producers. Designed for classroom use, this will be of particular importance for undergraduate students of film production, and may also be of interest to students at MA level, particularly on the growing number of courses that specifically offer a blend of theory and practice. The highly accessible writing style may also mean that it can be taken up for high school courses on film and production.It will also be of interest to academics delivering these courses, and to researchers and scholars of new media and digital cinema.…

paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Etat : New.

Paperback. Etat : New. Considering selected films representing three periods in history - World Wars I and II and their interim, the Vietnam War, and the major conflicts in the Middle East - The Hollywood War Film reflects on Hollywood's representations of war and conflict, in order to map some cinematic discourses therein. This results in an understanding of the Hollywood genre not just as a categorising tool, but rather as a dynamic, inscriptive, iterative cultural phenomenon. Broadly, the thesis of the book is twofold: Firstly, that there are commonalities in Hollywood films representing distinct conflicts and eras, and that recent war films more closely echo early war films in terms of their nationalistic and idealistic perspectives. Secondly, the work proposes a reconfiguring of genre as less concrete and classificatory, and more dynamic and iterative. In doing so, The Hollywood War Film analyses some of the most important war films from the past century, including All Quiet on the Western Front (1930), Full Metal Jacket (1987) and The Hurt Locker (2009).…

Paperback. Etat : New. There is now no shortage of media for us to consume, from streaming services and video-on-demand to social media and everything else besides. This has changed the way media scholars think about the production and reception of media. Missing from these conversations, though, is the maker: in particular, the maker who has the power to produce media in their pocket. How might one craft a personal media-making practice that is thoughtful and considerate of the tools and materials at one's disposal? This is the core question of this original new book. Exploring a number of media-making tools and processes like drones and vlogging, as well as thinking through time, editing, sound and the stream, Binns looks out over the current media landscape in order to understand his own media practice. The result is a personal journey through media theory, history and technology, furnished with practical exercises for teachers, students, professionals and enthusiasts: a unique combination of theory and practice written in a highly personal and personable style that is engaging and refreshing.This book will enable readers to understand how a personal creative practice might unlock deeper thinking about media and its place in the world. The primary readership will be among academics, researchers and students in the creative arts, as well as practitioners of creative arts including sound designers, cinematographers and social media content producers. Designed for classroom use, this will be of particular importance for undergraduate students of film production, and may also be of interest to students at MA level, particularly on the growing number of courses that specifically offer a blend of theory and practice. The highly accessible writing style may also mean that it can be taken up for high school courses on film and production.It will also be of interest to academics delivering these courses, and to researchers and scholars of new media and digital cinema.…

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New. In English.

Paperback. Etat : New.

Paperback. Etat : new. Paperback. Combining action, violence, and deeply conflicted emotions, war has always been a topic made for the big screen. In The Hollywood War Film, Daniel Binns considers how war has been depicted throughout the history of cinema. Looking at depictions of both World Wars, the Vietnam War, and the major conflicts in the Middle East, Binns reflects on representations of war and conflict, revealing how Hollywood has made the war film not just a genre, but a dynamic cultural phenomenon. Looking closely at films such as All Quiet on the Western Front, Full Metal Jacket, and The Hurt Locker, Binns reveals the commonalities in Hollywood films despite the distinct conflicts and eras they represent, and he shows how contemporary war films closely echo earlier films in their nationalistic and idealistic depictions. Offering a trenchant analysis of some of the most important war films from the past century, this book will be of interest to anyone who has been captivated by how film has dealt with one of humanitys most difficult, but far too common, realities. Considering selected films representing three periods in history - World Wars I and II, the Vietnam War, and major conflicts in the Middle East, The Hollywood War Film maps cinematic discourses within Hollywood's representations of war and conflict. This results in an understanding of the Hollywood genre as both a tool and a cultural phenomenon. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Etat : New.

Etat : New.