Danielle levitt (24 résultats)

Etat : As New. Unread book in perfect condition.

Etat : New.

Magazine. First edition. Fine magazine with a hint of handling/shelving. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The July 4, 2004, issue of the Sunday New York Times Magazine, with: the Chinese economy, on the verge of supplanting the US as the capitalist engine of the world, by Ted C. Fishman and photographs by Edward Burtynsky; a fashion portfolio featuring surfing stars, photographed by Robert Maxwell; an interview with Brian Wilson; a memoir/essay by Tony Hendra; on the road with Linda Brewer, a 60-year-old Bible belt sex toy saleswoman, by Jennifer Senior and photos by Danielle Levitt; a profile of Rick Steves, he of the travel guides and tours, by Sara Corbett and a portrait by Olaf Blecker; and much more. Staple-bound magazine; 54 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. …

Magazine. First edition. Near Fine magazine with light stress marks at the spine, otherwise fine. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The July 1, 2007, issue of the Sunday New York Times Magazine with: a pictorial on the renovation of a house by Thom Mayne and Michael Rotondi of Morphosis, photographed by Floto + Warner and with text by Pilar Viladas; the limited edition chairs by Naoto Fukasawa of Vitra, photographed by Daniel Stier; The Fallout, fiction by Ian Rankin, chapter 8; Watergate Sue, a graphic novel by Megan Kelso, part 13; NASA turned to garage tinkerers to revive the space program by Jack Hitt with photographs by Jeff Riedel; Jonathan Dee on how Wikipedia is becoming the leading source of daily journalism with portraits by Danielle Levitt; amateur scholars are convinced the Mayan-prophesied apocalypse will occur in 2012, by Benjamin Anastas with a portrait by Jill Greenberg; the Revolution's guilty secret is that one in five Americans remained loyal to the crown, by Maya Jasanoff; an interview with Wesley K. Clark; and much more. Staple-bound magazine; 82 pages; color and b&w reproductions throughout; 9.5 x 11.5 inches.…

Magazine. First edition. Fine magazine with a hint of handling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The February 13, 2005, issue of the Sunday New York Times Magazine with: modern professional matchmakers and the post-romantic arranged marriage, by Melanie Thernstrom with portraits by Chris Buck and a cover photo of Dame Edna by Buck; the problem with basketball is the slam-dunk, basketball players can no longer play their own game, by Michael Sokolove; David Lindsay-Abaire, a much-admired young playwright, has been asked by Broadway to write a musical, by John Hodgman with a portrait by Jeff Riedel; an architectural/interior design pictorial of the Greenwich Village apartment of Simon Doonan and Jonathan Adler, photographed by Dean Kaufman and with text by Pilar Viladas; Linda Roberts "The Beauty Queen of Nashville" by Mary Tannen with a portrait by Danielle Levitt; a tour of the objects in Roger Ebert's home, by Edward Lewine with photos by Paul D'Amato; an essay on American revulsion towards foreign aid and the elimination of global poverty, by James Traub; an interview with Triumph, the Insult Comic Dog; a series of photographs of Dresden by Jochen Zimmermann in 1945 and by his son, Harf, now; a profile of Ammar Abdulhamid by Lee Smith with a portrait by Matthew Monteith; and much more. Staple-bound magazine; 82 pages; color and b&w reproductions throughout; 9.5 x 11.5 inches.…

Etat : New.

Magazine. First edition. Near Fine magazine with a touch of pulling at one staple and a touch of shelving wear. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The June 2006 issue of the Sunday New York Times Sports Magazine, Play, with a World Cup 2006 special section with: a profile of Ronaldinho and the Brazilian team; the Americans on the rise; profiles of the teams from Argentina, the Czech Republic, England, France, Germany, Italy, the Netherlands, and Spain; Dave Sarachan on how six prominent squads will play; and more. Also in the issue: a photo-portfolio of images of the hands of athletes, by Andres Serrano, with their portraits on the contents pages; Chuck Klosterman on the N.B.A. draft; the Canadian Grand Prix; ESPN; Charles McGrath on Phil Mickelson and the U.S. Open; center-fielder Torii Hunter; Sara Corbett profiles Jarrod Petree, a 12-year-old pitcher, with a portrait by Danielle Levitt; Joe Girardi at the Florida Marlins with photos by Lyndsey Addario; and much more. Staple-bound magazine; 90 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches.…

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Magazine. First edition. Near Fine magazine with a hint of handling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The January 8, 2012, issue of the Sunday New York Times Magazine with: a profile of Stephen Colbert by Charles McGrath with photos by Todd Heisler and cover photo by Peter Yang; the story of a 1990 murder in NYC that lead to an intercontinental serial killer, by Nicholas Schmidle and photographs by Antonin Kratochvil; an interview with Carrie Fisher; extended quotes from workers laid-off when GM closed a plant in Wyoming, Mich., taken from a play by Austin Bunn based on conversations with the workers; the problem with yoga by William J. Broad and photos by Danielle Levitt; photographs of the Preservation Hall Jazz Band by Mark Peterson; and much more. Staple-bound magazine; 50 pages; color and b&w reproductions throughout; 8.75 x 10.75 inches.…

Hardback. Etat : New. Rick Owens remains one of the most daring and influential fashion designers working today. This new book of photographs describes an exceptionally fertile and transformational period in his career, one that saw him experiment with new shapes, the application of new materials, and an unprecedented use of color.Lavishly documenting men's and women's collections and featuring Owens's continuing collaboration with the photographer Danielle Levitt, this book is an unabashed love letter to one of the most devoted followings in contemporary fashion.Picking up where Rizzoli's previous monograph on Owens's work left off, looks from his critically lauded homage to the rock-and-roll designer Larry Legaspi set a frenzied visual pace that never lets up-right through the pandemic, when Owens memorably staged shows on the Lido di Venezia.Here, the continued evolution of nearly three decades of Owens's "grunge-meets-glamour" worldview is seen close up. Grace and grit are paired with an obsession with structural transformation and movement, where diaphanous, flowing shapes contrast with sharp objects. This formal invention is matched by a mania for new and exotic materials. The use of translucent bovine leathers, brightly dyed snakeskin, and the hide of the pirarucu, a massive Amazonian fish, are applied to old and new icons of the brand. Color is now firmly part of the Owens legendarium, and a profligacy of pink, orange, blue, green, and iridescent hues now vie with trademark black, oxblood, and dust that have been part of the palette since the inception of the brand.Owens's newest provocations, grounded by the portraiture of Danielle Levitt, achieves a sublime unity in this essential volume. …

Etat : New.

Hardback. Etat : New. Rick Owens remains one of the most daring and influential fashion designers working today. This new book of photographs describes an exceptionally fertile and transformational period in his career, one that saw him experiment with new shapes, the application of new materials, and an unprecedented use of color.Lavishly documenting men's and women's collections and featuring Owens's continuing collaboration with the photographer Danielle Levitt, this book is an unabashed love letter to one of the most devoted followings in contemporary fashion.Picking up where Rizzoli's previous monograph on Owens's work left off, looks from his critically lauded homage to the rock-and-roll designer Larry Legaspi set a frenzied visual pace that never lets up-right through the pandemic, when Owens memorably staged shows on the Lido di Venezia.Here, the continued evolution of nearly three decades of Owens's "grunge-meets-glamour" worldview is seen close up. Grace and grit are paired with an obsession with structural transformation and movement, where diaphanous, flowing shapes contrast with sharp objects. This formal invention is matched by a mania for new and exotic materials. The use of translucent bovine leathers, brightly dyed snakeskin, and the hide of the pirarucu, a massive Amazonian fish, are applied to old and new icons of the brand. Color is now firmly part of the Owens legendarium, and a profligacy of pink, orange, blue, green, and iridescent hues now vie with trademark black, oxblood, and dust that have been part of the palette since the inception of the brand.Owens's newest provocations, grounded by the portraiture of Danielle Levitt, achieves a sublime unity in this essential volume. …

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : New.

Hardcover. Etat : Brand New. 200 pages. 13.00x10.00x1.00 inches. In Stock.

Hardback. Etat : New. Rick Owens remains one of the most daring and influential fashion designers working today. This new book of photographs describes an exceptionally fertile and transformational period in his career, one that saw him experiment with new shapes, the application of new materials, and an unprecedented use of color.Lavishly documenting men's and women's collections and featuring Owens's continuing collaboration with the photographer Danielle Levitt, this book is an unabashed love letter to one of the most devoted followings in contemporary fashion.Picking up where Rizzoli's previous monograph on Owens's work left off, looks from his critically lauded homage to the rock-and-roll designer Larry Legaspi set a frenzied visual pace that never lets up-right through the pandemic, when Owens memorably staged shows on the Lido di Venezia.Here, the continued evolution of nearly three decades of Owens's "grunge-meets-glamour" worldview is seen close up. Grace and grit are paired with an obsession with structural transformation and movement, where diaphanous, flowing shapes contrast with sharp objects. This formal invention is matched by a mania for new and exotic materials. The use of translucent bovine leathers, brightly dyed snakeskin, and the hide of the pirarucu, a massive Amazonian fish, are applied to old and new icons of the brand. Color is now firmly part of the Owens legendarium, and a profligacy of pink, orange, blue, green, and iridescent hues now vie with trademark black, oxblood, and dust that have been part of the palette since the inception of the brand.Owens's newest provocations, grounded by the portraiture of Danielle Levitt, achieves a sublime unity in this essential volume. …

Buch. Etat : Neu. More Rick Owens | Danielle Levitt (u. a.) | Buch | Einband - fest (Hardcover) | Englisch | 2023 | Rizzoli International Publications | EAN 9780847873371 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Hardback. Etat : New. Rick Owens remains one of the most daring and influential fashion designers working today. This new book of photographs describes an exceptionally fertile and transformational period in his career, one that saw him experiment with new shapes, the application of new materials, and an unprecedented use of color.Lavishly documenting men's and women's collections and featuring Owens's continuing collaboration with the photographer Danielle Levitt, this book is an unabashed love letter to one of the most devoted followings in contemporary fashion.Picking up where Rizzoli's previous monograph on Owens's work left off, looks from his critically lauded homage to the rock-and-roll designer Larry Legaspi set a frenzied visual pace that never lets up-right through the pandemic, when Owens memorably staged shows on the Lido di Venezia.Here, the continued evolution of nearly three decades of Owens's "grunge-meets-glamour" worldview is seen close up. Grace and grit are paired with an obsession with structural transformation and movement, where diaphanous, flowing shapes contrast with sharp objects. This formal invention is matched by a mania for new and exotic materials. The use of translucent bovine leathers, brightly dyed snakeskin, and the hide of the pirarucu, a massive Amazonian fish, are applied to old and new icons of the brand. Color is now firmly part of the Owens legendarium, and a profligacy of pink, orange, blue, green, and iridescent hues now vie with trademark black, oxblood, and dust that have been part of the palette since the inception of the brand.Owens's newest provocations, grounded by the portraiture of Danielle Levitt, achieves a sublime unity in this essential volume. …

Buch. Etat : Neu. Neuware - Rick Owens remains one of the most daring and influential fashion designers working today. This new book of photographs describes an exceptionally fertile and transformational period in his career, one that saw him experiment with new shapes, the application of new materials, and an unprecedented use of color.Lavishly documenting men's and women's collections and featuring Owens's continuing collaboration with the photographer Danielle Levitt, this book is an unabashed love letter to one of the most devoted followings in contemporary fashion.Picking up where Rizzoli's previous monograph on Owens's work left off, looks from his critically lauded homage to the rock-and-roll designer Larry Legaspi set a frenzied visual pace that never lets upright through the pandemic, when Owens memorably staged shows on the Lido di Venezia.Here, the continued evolution of nearly three decades of Owens's "grunge-meets-glamour" worldview is seen close up. Grace and grit are paired with an obsession with structural transformation and movement, where diaphanous, flowing shapes contrast with sharp objects. This formal invention is matched by a mania for new and exotic materials. The use of translucent bovine leathers, brightly dyed snakeskin, and the hide of the pirarucu, a massive Amazonian fish, are applied to old and new icons of the brand. Color is now firmly part of the Owens legendarium, and a profligacy of pink, orange, blue, green, and iridescent hues now vie with trademark black, oxblood, and dust that have been part of the palette since the inception of the brand.Owens's newest provocations, grounded by the portraiture of Danielle Levitt, achieves a sublime unity in this essential volume.…

Hardcover. Etat : Very Good. Near Fine. First Edition; First Printing. Briefly inscribed by Owens. Previous owner's ex libris stamp to the front free endpaper. A small bump to the top front corner. The dust jacket has a trace of soiling. Black cloth spine over gray printed boards with black endpapers. A monograph about the fashion icon, with photographs by Levitt.; 198, [23] pages; Signed by Biographee.…

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Scarce debut monography by photographer Danielle Levitt, a stunning cross section of "regular" people in their environments captured with a mixture of intensity and ease, printed richly and quite powerful in this oblong format. This copy signed and inscribed by the photographer boldly on the front page with a note of admiration for the inscribee. No other marks or damage to the interior besides, which is quite crisp and clean. Binding tight, square - very solid but there is a 1.5" split of the front endpaper, does not at all seem to effect the integrity of the book! Boards clean and firm, small bump to bottom right corner of the front. Dustjacket sharp with some wear about the edges, some creasing where the bump to board is, and a small chip to the bottom corner of the back panel - now in brodart. Scarce book and even more so signed . Signed by Author(s).…