David hemsoll (49 résultats)

Paperback. Etat : New. Giorgio Vasari, Florentine painter and architect, friend of Michelangelo and intimate of the Medici, is best known for his Lives of the Most Excellent Painters, Sculptors and Architects, published in 1550 and in an enlarged edition in 1568. With more than two hundred biographies, it has for centuries been recognised as a seminal text in art history and one of the most important sources on the Italian Renaissance. It is to Vasari that we owe much of our knowledge of Raphael (1483-1520), who in his day was considered perhaps the greatest painter of all time. This edition, introduced by the scholar Jill Burke, includes 22 pages of colour illustrations covering the full span of Raphael's oeuvre.…

Etat : As New. Unread book in perfect condition.

Etat : New.

Paperback. Etat : New. The fame and influence of Michelangelo Buonarroti (1475-1564) were as immediate as they were unprecedented. It is not surprising, therefore, that he was the only living artist Giorgio Vasari included in the first edition of "Lives of the Most Excellent Painters, Sculptors and Architects", published in 1550. Revised and expanded in 1568, Vasari's monumental work comprises more than two hundred biographies; for centuries it has been recognised as a seminal text in art history and one of the most important sources on the Italian Renaissance. Vasari tells the grand story of the artist's expansive career, profiling his working habits; describing the creation of countless masterpieces, from the David to the Sistine Chapel ceiling; and illuminating his relationships with popes and other illustrious patrons. A lifelong friend, Vasari also quotes generously from the correspondence between the two men; the narrative is further enhanced by an abundance of colourful anecdotes. The volume's 40 illustrations convey the range and richness of Michelangelo's art.An introduction by the scholar David Hemsoll traces the textual development of Vasari's "Lives" and situates his biography of Michelangelo in the broader context of Renaissance art history.…

Paperback. Etat : Brand New. 128 pages. 5.75x4.50x4.53 inches. In Stock.

Hardcover. Etat : Good. (Volume Two only). Good condition. COVER (hardcover with dust jacket)- minor stains, generally clean; moderate wear including slight tears on corners; barcode label on back. PAGES- outside edge has minor stains, interior has occasional slight stains, generally clean; no writing; no tears. Not ex-library. Book.…

Paperback. Etat : Brand New. 255 pages. 6.00x4.75x0.75 inches. In Stock.

Soft cover. Etat : Near Fine. None. First Edition. 377 pages, illustrated in black and white and colour. Amongst other significant articles is 'The Hammer-beam Roof of Westminster Hall and the Structural Rationale of Hugh Harland'. Not available as a back issue.

Etat : New. 2019. Hardcover. . . . . .

Etat : New.

Hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Etat : new.

Hardback. Etat : New. A revelatory account of the complex and evolving relationship of Renaissance architects to classical antiquity Focusing on the work of architects such as Brunelleschi, Bramante, Raphael, and Michelangelo, this extensively illustrated volume explores how the understanding of the antique changed over the course of the Renaissance. David Hemsoll reveals the ways in which significant differences in imitative strategy distinguished the period's leading architects from each other and argues for a more nuanced understanding of the widely accepted trope-first articulated by Giorgio Vasari in the 16th century-that Renaissance architecture evolved through a linear step-by-step assimilation of antiquity. Offering an in-depth examination of the complex, sometimes contradictory, and often contentious ways that Renaissance architects approached the antique, this meticulously researched study brings to life a cacophony of voices and opinions that have been lost in the simplified Vasarian narrative and presents a fresh and comprehensive account of Renaissance architecture in both Florence and Rome.…

Etat : New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : Very Good. Dust jacket is fully intact, only lightly rubbed at edges. Internally, clean and fresh, with unmarked and uncreased pages. Overall, very sound and presentable. Publisher's note: A revelatory account of the complex and evolving relationship of Renaissance architects to classical antiquity Focusing on the work of architects such as Brunelleschi, Bramante, Raphael, and Michelangelo, this extensively illustrated volume explores how the understanding of the antique changed over the course of the Renaissance. David Hemsoll reveals the ways in which significant differences in imitative strategy distinguished the period's leading architects from each other and argues for a more nuanced understanding of the widely accepted trope--first articulated by Giorgio Vasari in the 16th century--that Renaissance architecture evolved through a linear step-by-step assimilation of antiquity. Offering an in-depth examination of the complex, sometimes contradictory, and often contentious ways that Renaissance architects approached the antique, this meticulously researched study brings to life a cacophony of voices and opinions that have been lost in the simplified Vasarian narrative and presents a fresh and comprehensive account of Renaissance architecture in both Florence and Rome. Size: 26.3 x 18.9 x 3 cm. 352 pp. Shipped Weight: 1-2 kilos. Category: Architecture; Architecture, Renaissance -- Italy; Classicism in architecture -- Italy -- History -- 15th century; Classicism in architecture -- Italy -- History -- 16th century; Architects -- Italy -- History -- 15th century; Architects -- Italy -- History -- 16th century; ISBN: 0300225768. ISBN/EAN: 9780300225761. Add. Inventory No: 250901RE2746.…

Etat : New.

Etat : New. In English.

Hardcover. Etat : Brand New. 352 pages. 10.00x7.50x1.25 inches. In Stock.

Hardcover. Etat : new. Hardcover. A revelatory account of the complex and evolving relationship of Renaissance architects to classical antiquity Focusing on the work of architects such as Brunelleschi, Bramante, Raphael, and Michelangelo, this extensively illustrated volume explores how the understanding of the antique changed over the course of the Renaissance. David Hemsoll reveals the ways in which significant differences in imitative strategy distinguished the periods leading architects from each other and argues for a more nuanced understanding of the widely accepted tropefirst articulated by Giorgio Vasari in the 16th centurythat Renaissance architecture evolved through a linear step-by-step assimilation of antiquity. Offering an in-depth examination of the complex, sometimes contradictory, and often contentious ways that Renaissance architects approached the antique, this meticulously researched study brings to life a cacophony of voices and opinions that have been lost in the simplified Vasarian narrative and presents a fresh and comprehensive account of Renaissance architecture in both Florence and Rome. A revelatory account of the complex and evolving relationship of Renaissance architects to classical antiquity Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Etat : Fine. First Edition. This edition of the annual publication contains articles on Palladio's Architectural Orders, Holkham Hall, Brighton Dome, Balmoral Castle and several other items. 291 pages + v prelims. Many b/w & colour photographs, plans and other illustrations. Every book is sent in a rigid cardboard posting box. Size: 24.5 Cm x 17.5 Cm.…

Etat : As New. Unread book in perfect condition.

Etat : New.

Paperback. Etat : New. Giorgio Vasari, Florentine painter and architect, friend of Michelangelo and intimate of the Medici, is best known for his Lives of the Most Excellent Painters, Sculptors and Architects, published in 1550 and in an enlarged edition in 1568. With more than two hundred biographies, it has for centuries been recognised as a seminal text in art history and one of the most important sources on the Italian Renaissance. It is to Vasari that we owe much of our knowledge of Raphael (1483-1520), who in his day was considered perhaps the greatest painter of all time. This edition, introduced by the scholar Jill Burke, includes 22 pages of colour illustrations covering the full span of Raphael's oeuvre.…

Hardback. Etat : New. New copy - Usually dispatched within 4 working days.

Paperback. Etat : New. The fame and influence of Michelangelo Buonarroti (1475-1564) were as immediate as they were unprecedented. It is not surprising, therefore, that he was the only living artist Giorgio Vasari included in the first edition of "Lives of the Most Excellent Painters, Sculptors and Architects", published in 1550. Revised and expanded in 1568, Vasari's monumental work comprises more than two hundred biographies; for centuries it has been recognised as a seminal text in art history and one of the most important sources on the Italian Renaissance. Vasari tells the grand story of the artist's expansive career, profiling his working habits; describing the creation of countless masterpieces, from the David to the Sistine Chapel ceiling; and illuminating his relationships with popes and other illustrious patrons. A lifelong friend, Vasari also quotes generously from the correspondence between the two men; the narrative is further enhanced by an abundance of colourful anecdotes. The volume's 40 illustrations convey the range and richness of Michelangelo's art.An introduction by the scholar David Hemsoll traces the textual development of Vasari's "Lives" and situates his biography of Michelangelo in the broader context of Renaissance art history.…

Hardcover. Etat : Fine. Etat de la jaquette : Fine. Fine copy. No inscriptions. Fine dustwrapper. Extra mailing will requested for dispatch outside the UK.