Dearinger david b edited by (1 résultats)
Langue : anglais
Edité par National Academy of Design; University Press of New England, New York and Hanover, NH, 2000
- Couverture souple
- Édition originale
Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-UnisLEFT COAST BOOKS
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Très bon
EUR 26,01
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Paperback. Etat : Fine. 1st. 302 pages, illustrations (some colour); 31 cm. Catalogue published in conjunction with an exhibition held at the National Academy of Design, New York, September 20, 2000 to December 31, 2000. With essays by Avis Berman, et al. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may… be requested for international & priority orders. *** "Few regular venues for the display of contemporary American art existed before 1826. In that year, the National Academy of Design in New York began a series of annual exhibitions featuring works by 200 to 300 artists, and for decades afterward this venerable institution led the way in introducing important new talent to the art world. Until the advent of Modernism in the early 20th century, the Academy remained one of only a few venues to regularly exhibit contemporary art. Rave Reviews explores the role that these exhibitions played in the development of American art criticism and the dissemination and marketing of American art. Rave Reviews is the first book to combine essays on the development of art criticism with illustrations of many of America's best-loved masterpieces. Works by artists such as Thomas Cole, Winslow Homer, Harriet Hosmer, John Singer Sargent, Augustus Saint-Gaudens, Thomas Eakins, Anna Hyatt Huntington, John Sloan, and Charles Hawthorne are examined through the critical commentary of their time, giving readers a fresh look at the art world between 1826 and 1925." - Publisher. *** CONTENTS: An introduction to the history of American art criticism to 1925, by David B. Dearinger; The public display of art in New York City, 1664-1914, by Kenneth John Myers; Annual exhibitions and the birth of American art criticism to 1865, by David B. Dearinger; "In the midst of an era of revolution ": the New York art press and the annual exhibitions of the National Academy of Design in the 1870s, by Margaret C. Conrads; The National Academy of Design and the Society of American Artists: rivals viewed by critics, 1878-1906, by Trudie A. Grace; A "salon of America"?: defining nationalism at the National Academy of Design, 1909-1915, by Sarah J. Moore; "As national as the National Biscuit Company": the Academy, the critics, and the Armory show, by Avis Berman; Ekphrasis: a non-critical look at early nineteenth-century portraiture through poetry, by William H. Gerdts. Catalogue of the Exhibition; Notes to the reader; Appendix A: the critics; Appendix B: National Academy of Design annual exhibitions, 1826-1925; Reviews of the annual exhibitions of the national Academy of Design, 1826-1925; Index to artists and works in the exhibition. Size: 4to. Collectible.
