Debra singer (60 résultats)

Etat : Very Good. First Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : New.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Etat : Very Good. Number of Volumes: 2 Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

hardcover. Etat : Very Good. No dust jacket as issued No dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Hardcover without dustjacket as issued, 52 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Etat : Good.

Hardcover. Etat : Very Good.

Hardcover. Etat : Used - Like New. Jennifer Pastor (b. 1966) reinterprets common yet curiously unexpected subjects in her sculpture and drawings, which reflect influences as varied as Claes Oldenburg and pop cultural phenomena. Accompanying an exhibition at the Whitney Museum, this book explores Pastor's installation The Perfect Ride, which comprises a large sculpture inspired by the Hoover Dam; a sculptural rendering of the human ear; and a line-drawn animation of a cowboy on a bucking bull. Pastor's style lies somewhere between kitsch and Pop art, but without the ironic intention. The products of meticulous research and painstaking craftsmanship, her pieces evoke an improbable sense of enchantment, relating both to the physical world and the surreal world of dreams. 'Jennifer Pastor: The Perfect Ride' sheds new light on the work of this intriguing young artist. Very nice clean, tight copy free of any marks.…

Hardcover. Etat : Used - Very Good. No Jacket. Featuring the latest work by emerging and established American artists, the 2004 Biennial Exhibition accompanies the Whitney Museum of American Art's signature survey of contemporary American art. This biennial is organized by a team of three Whitney curators: Chrissie Iles, Shamim M. Momin, and Debra Singer. More than 100 artists and collaborative teams are included in the exhibition, which explores the idea of an intergenerational conversation reflecting a number of overlapping trends: an engagement with the art, popular culture, and politics of the late 1960s and early 1970s; the construction of fantastic worlds, uncanny spaces, and new narrative forms; and paintings, drawings, and handmade films that show an obsessive working of line, surface, and image. The Biennial is consistently one of the most exciting exhibitions of contemporary art in the United States; as always, it will garner attention around the world. Open copy, clean pages, tight binding, felt cover - very slight marks and wear.…

First edition Fine and bright illustrated boards with disc tipped into front cover, as issued. Also "Soundworks" booklet fixed to the inside back cover as issued. Profusely illustrated in grand manor. A high style production.

hardcover. Etat : Collectible; Like New. First Edition; First Printing. As New. ; Illustrated boards. Issued without dustjacket. Numerous full page color plates. Introduction by Debra Singer. With an essay by Jan Tumlir. Published on the occasion of the exhibition at the Whitney Museum of American Art, New York, October 6, 2004 - January 2, 2005. ; As New. Tight, clean and crisp. The book appears unread and looks New.…

Hardcover. Etat : Very Good. Felt cover with light markings. The binding is strong and pages are in very good condition. The 2004 Whitney Biennial presented a snapshot of the artistic landscape at that particular moment in American culture. It featured various forms of art, including paintings, sculptures, installations, photographs, videos, and performance art. The exhibition aimed to reflect the current social, political, and cultural issues that artists were exploring and responding to during that time. …

Hardback catalog, 292 with inset CD on cover which features work of 13 sound artists, and inset pamphlet oninside rear cover. Very good, almost new condition; no internal marks. Priority and foreign shipping may be extra.

Hardcover. Etat : Near Fine. No Jacket. 1st Edition. Folio size volume in grey suede boards. 268 pages with no markings.

Etat : New.

Etat : New. 1st edition NO-PA29JULT2014-KAP.

hardcover. Etat : Collectible; Very Good. First Edition; First Printing. SIGNED and inscribed on the title page by Jennifer Pastor. ; Illustrated boards. Issued without dustjacket. Numerous full page color plates. Introduction by Debra Singer. With an essay by Jan Tumlir. Published on the occasion of the exhibition at the Whitney Museum of American Art, New York, October 6, 2004 - January 2, 2005. ; Tight, clean and crisp. A gently read book in excellent condition. No remainder mark. Not ex-library. Signed.…

Hardcover. Etat : Used - Very Good. Featuring the latest work by emerging and established American artists, the 2004 Biennial Exhibition accompanies the Whitney Museum of American Art's signature survey of contemporary American art. This biennial is organized by a team of three Whitney curators: Chrissie Iles, Shamim M. Momin, and Debra Singer. More than 100 artists and collaborative teams are included in the exhibition, which explores the idea of an intergenerational conversation reflecting a number of overlapping trends: an engagement with the art, popular culture, and politics of the late 1960s and early 1970s; the construction of fantastic worlds, uncanny spaces, and new narrative forms; and paintings, drawings, and handmade films that show an obsessive working of line, surface, and image. The Biennial is consistently one of the most exciting exhibitions of contemporary art in the United States; as always, it will garner attention around the world. Very nice clean, tight copy free of any marks. No dj as published. …

Paperback. First edition. Fine paperback/booklet. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. Essay by Debra Singer. Staple-bound, stiff wraps; 12 pages; 9 color illustrations; 5 x 10 inches. Bio/exhibition history. The catalogue for an installation by the artist Lee Boroson, held at the Whitney Museum of American Art at Philip Morris, NYC, October 29, 1999, - March 17, 2000.…

Hardcover. Etat : Fine. No Jacket. 1st Edition. US1ST.EDITION.1ST.PRINTING.FINE HARDBACK WITH NO DUSTWRAPPER AS PUBLISHED.42 & &39/91 &88.18 /55/81.Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng Language: eng.

Soft cover. Etat : Near Fine. Catalogue for "The Material Image", a Group Show curated by Debra Singer at the Marianne Boesky Gallery September 13 - October 25, 2014. Softcover in NEAR FINE condition. Actual book is pictured. See images provided. Tight binding. All pages clean without any markings, notations or folds. The Material Image, an exhibition organized by curator Debra Singer that brings together eighteen contemporary artists whose work reflects renewed engagements with photography through continued exploration of its earliest forms while expanding its traditional limits. The exhibition celebrates the medium's materials and processes, drawing on historical perspectives that align photography's fundamentals with formal properties, genres, and conventions more associated with other media such as painting, drawing, sculpture, and film. The artists included are: Michele Abeles, Lucas Blalock, Sam Falls, Ryan Foerster, Amy Granat, Rachel Harrison, Leslie Hewitt, John Houck, Barbara Kasten, Jason Loebs, Nick Mauss, Ken Okiishi, Arthur Ou, Anthony Pearson, Marina Pinsky, Mariah Robertson, Matt Saunders, and Chris Wiley. …

Hardcover. Etat : Like New. First Edition. First Edition, First Printing. Published by Whitney Museum of American Art/Harry N. Abrams, 2004. Quart. Gray cloth boards stamped in gray endpapers. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Covers have very light shelf wear. 270 pages. ISBN: 0874271398. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell.…

hardcover. Etat : As New. First Edition. Publisher: Whitney Museum of Art, New York, 2004. FINE Hardcover in grey suede-like, cloth-covered boards, as issued. First Edition. Printing unstated.

Hardcover. Etat : Very Good. Includes both exhibition book and box with invividual commissioned printed works by each artist (bumper stickers, small booklets, etc.). Book itself has just mild shelfwear. Box with other items looks intact and has no signficant wear. ***Shipped within 24 hours from the beautiful Baltimore inner harbor area. First class service; accurate descriptions. Most items packed in boxes, not envelopes.***.…

Etat : As New. Unread book in perfect condition.

hardcover. Etat : Very Good. Number of Volumes: 2 Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Pamphlet. This is not a book. The booklet catalogue/gallery guide for an exhibition of work by Paul Pfeiffer--the culmination of his 2000-2001 residency at the Whitney Museum of American Art--held December 13, 2001 - February 24, 2002. Essay by Debra Singer. C-fold, card stock; 6 pages; 7 color illustrations; 6.75 x 9.5 inches. Condition: Fine pamphlet. LAID-IN is a review of a 2005 exhibition of Pfeiffer's work and three advertisements for other shows of work by the artist. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

Etat : New.