Decker christof (45 résultats)

8° Festeinband. Etat : Wie neu. 1. Aufl. 271 Seiten : Illustrationen ; 22 cm Buch ist in einem sehr guten Zustand Papier in sehr gutem Zustand. B12-02-06Cb Sprache: Englisch Gewicht in Gramm: 400.

Etat : New.

Soft cover. Etat : Very Good. 1st Edition. Museo Nacional Centro de Arte Reina Sofía (Spain) 2023 First Edition. Very Good + in wraps with french flaps. 10.25 x 8.25 inches 276 pages. Illustrated with color plates and photographs.

Etat : New.

Etat : New.

Paperback. Etat : New. In American visual culture, the 1930s and 1940s were a key transitional period shaped by the era of modernism and the global confrontation of World War II. Christof Decker demonstrates that the war and its iconography of destruction challenged visual artists to find new ways of representing its consequences. Dealing with trauma and war crimes led to the emergence of complex aesthetic forms and media crossovers. Decker shows that the 1940s were a pivotal period for the creation of horrific yet also innovative representations that boosted American visual modernism and set the stage for debates about the ethics of visual culture in the post-9/11 era.…

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

hardcover. Etat : New. 1st.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Etat : New.

Etat : Neu. Negotiating Popular Culture Between Europe and the United States. Edited by Christof Decker and Astrid Böger. In the 20th and 21st centuries, American media have been continually received, adapted, and transformed by European cultures. Initially based on the competition among the early film industries and continuing with today's global dominance of American web-based companies, these productive exchanges entail complex economic, aesthetic, and cultural negotiations. The dynamic and scope of these negotiations has been ambiguous, ranging from instances of cultural imperialism to the subversion of social and cultural hierarchies. More often than not, they have furthered the exchange of creative ideas and the cross-fertilization of media and art productions. The 13 contributions to this volume highlight core arenas of transnational cultural encounters including photography, film, fashion, advertising, television, and the new media. They ask not merely how American media productions were received in different European cultural contexts but how they shaped the idea of distinct yet interconnected European identities. 271 Seiten mit 9 Abb., gebunden (American Studies - A Monograph Series; Vol. 261/Universitätsverlag Winter 2015). Früher EUR 40,00. Gewicht: 404 g - Gebunden/Gebundene Ausgabe.…

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Brand New. 288 pages. 10.25x8.25x0.75 inches. In Stock.

Hardcover. Etat : new. Hardcover. In the 20th and 21st centuries, American media have been continually received, adapted, and transformed by European cultures. Initially based on the competition among the early film industries and continuing with today's global dominance of American web-based companies, these productive exchanges entail complex economic, aesthetic, and cultural negotiations. The dynamic and scope of these negotiations has been ambiguous, ranging from instances of cultural imperialism to the subversion of social and cultural hierarchies. More often than not, they have furthered the exchange of creative ideas and the cross-fertilization of media and art productions. This publication highlights core arenas of transnational cultural encounters including photography, film, fashion, advertising, television, and the new media. It asks not merely how American media productions were received in different European cultural contexts but how they shaped the idea of distinct yet interconnected European identities. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Etat : Brand New. 288 pages. 10.25x8.25x0.75 inches. In Stock.

Paperback. Etat : Brand New. 288 pages. 10.25x8.25x0.75 inches. In Stock.

Etat : New.

Etat : New.

Taschenbuch. Etat : Neu. Neuware - In American visual culture, the 1930s and 1940s were a key transitional period shaped by the era of modernism and the global confrontation of World War II. Christof Decker demonstrates that the war and its iconography of destruction challenged visual artists to find new ways of representing its consequences. Dealing with trauma and war crimes led to the emergence of complex aesthetic forms and media crossovers. Decker shows that the 1940s were a pivotal period for the creation of horrific yet also innovative representations that boosted American visual modernism and set the stage for debates about the ethics of visual culture in the post-9/11 era.…

Etat : New.

Etat : New. 2015. Hardcover. . . . . .

Etat : New. In American visual culture, the 1930s and 1940s were a key transitional period shaped by the era of modernism and the global confrontation of World War II. Christof Decker demonstrates that the war and its iconography of destruction challenged visual artist.