Defiant (12 résultats)

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Kramer, Stanley (director). The Defiant Ones, 1958, situates Sidney Poitier within a pivotal Civil Rights-era narrative that foregrounds interracial cooperation under coercive conditions, advancing one of the earliest Hollywood treatments of racial prejudice and mutual dependence between Black and white protagonists. The film follows two escaped prisoners, one Black and one white, physically chained together, forcing confrontation with entrenched racism while dramatizing the necessity of collaboration for survival. Released during a period of intensifying civil rights activism in the United States, the production contributed to Poitier's emergence as a leading figure who consistently rejected roles grounded in racial caricature, instead shaping a screen presence aligned with dignity, moral authority, and social critique. Contemporary reception identified the film as provocative for its direct engagement with racism and its explicit appeal to racial understanding. The Defiant Ones. United Artists Corporation: United States, 1958. Archive of eleven original promotional items, consisting of ten black and white photographs measuring approximately 10 x 8 inches and one color lobby card measuring approximately 14 x 11 inches. Sidney Poitier appears in ten of the eleven images, frequently depicted alongside co-star Tony Curtis in scenes emphasizing their physical bondage and shared flight. One image shows the two men bound together by rope, while the color lobby card presents them running through a swamp landscape, visually contrasting confinement and escape. Additional scenes include Poitier reclining on a table as Cara Williams moves to wake him, and another showing him partially submerged in water. Verso of one photograph bears a "Central Press Association Mar 17 1959" stamp and penciled annotations; all items retain printed captions identifying the film title and principal actors. Produced at a moment when American film began to engage more directly with racial conflict, The Defiant Ones participates in a broader shift toward socially conscious cinema that paralleled legal and grassroots challenges to segregation in the late 1950s. Poitier's performance contributed to a redefinition of Black representation in Hollywood, establishing a model that influenced subsequent generations of actors navigating an industry structured by racial hierarchy. Promotional materials such as these lobby cards and photographs document how studios framed interracial narratives for public audiences, balancing dramatic tension with emergent calls for integration and empathy. Minor handling wear overall, with one photograph showing waviness from prior liquid exposure; otherwise very good condition.…

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