Devine erin c (30 résultats)

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Paperback or Softback. Etat : New. Translation and Transgression in the Art of Shirin Neshat. Book.

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Paperback. Etat : Brand New. 130 pages. 8.50x5.43x8.50 inches. In Stock.

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Hardback. Etat : New. New copy - Usually dispatched within 4 working days.

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Hardcover. Etat : Brand New. 160 pages. 8.50x5.44x0.49 inches. In Stock.

PAP. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Etat : new. Paperback. Precisely 30 years after the debut of her provocative photo-portraits, this book chronicles the early career of Iranian-American artist Shirin Neshat. In its first 20 years, Neshats work weaved viewers into complex readings of women and power in Iran. Yet her images also drew criticisms of exoticizing Muslim women, and later video installations were accused of lacking political assertion during stormy relations between the West and the Islamic world.Now broadly recognized as a social justice artist, this volume chronicles Neshats evolution from photography to film, from personal to political expression, and expands existing scholarship to investigate underserved contexts for her work, including the cinematic turn and emergent theories of globality in contemporary art. Neshats hyphenated identity was often attenuated by reductive and exoticizing discourses; therefore, this volume draws attention to her transnational methodologies, informed by strategies of appropriation, performativity, and embodiment while articulating Persian visual and literary traditions. Complicating simplistic ethnographies, her disruption of neo-Orientalist paradigms and representations has led audiences to reconsider Islamophobic, Islamism, and gender repressions that are political, psychological, and above all cross-cultural.This book will be of interest to scholars working in art history, photography, cinema studies, performance, transnational and global studies, womens studies, and Iranian studies. Thirty years after the debut of her photo-portraits, this book chronicles the early career of Iranian-American artist Shirin Neshat. In its first twenty years, Neshats work weaved viewers into complex readings of women and power in Iran. Yet her images also drew criticisms of exoticizing Muslim women. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Thirty years after the debut of her photo-portraits, this book chronicles the early career of Iranian-American artist Shirin Neshat. In its first twenty years, Neshat's work weaved viewers into complex readings of women and power in Iran. Yet her images also drew criticisms of exoticizing Muslim women.…

HRD. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Precisely 30 years after the debut of her provocative photo-portraits, this book chronicles the early career of Iranian-American artist Shirin Neshat. In its first 20 years, Neshat's work weaved viewers into complex readings of women and power in Iran. Yet her images also drew criticisms of exoticizing Muslim women, and later video installations were accused of lacking political assertion during stormy relations between the West and the Islamic world.Now broadly recognized as a social justice artist, this volume chronicles Neshat's evolution from photography to film, from personal to political expression, and expands existing scholarship to investigate underserved contexts for her work, including the cinematic turn and emergent theories of globality in contemporary art. Neshat's hyphenated identity was often attenuated by reductive and exoticizing discourses; therefore, this volume draws attention to her transnational methodologies, informed by strategies of appropriation, performativity, and embodiment while articulating Persian visual and literary traditions. Complicating simplistic ethnographies, her disruption of neo-Orientalist paradigms and representations has led audiences to reconsider Islamophobic, Islamism, and gender repressions that are political, psychological, and above all cross-cultural.This book will be of interest to scholars working in art history, photography, cinema studies, performance, transnational and global studies, women's studies, and Iranian studies. 132 pp. Englisch.…

Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Erin Devine is an artist and writer based in Washington, DC and Cologne, Germany. She exhibits installation and performance-based works internationally, contributes criticism to multiple publications, curates exhibitions for spaces in th.…

Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Precisely 30 years after the debut of her provocative photo-portraits, this book chronicles the early career of Iranian-American artist Shirin Neshat. In its first 20 years, Neshat's work weaved viewers into complex readings of women and power in Iran. Yet her images also drew criticisms of exoticizing Muslim women, and later video installations were accused of lacking political assertion during stormy relations between the West and the Islamic world.Now broadly recognized as a social justice artist, this volume chronicles Neshat's evolution from photography to film, from personal to political expression, and expands existing scholarship to investigate underserved contexts for her work, including the cinematic turn and emergent theories of globality in contemporary art. Neshat's hyphenated identity was often attenuated by reductive and exoticizing discourses; therefore, this volume draws attention to her transnational methodologies, informed by strategies of appropriation, performativity, and embodiment while articulating Persian visual and literary traditions. Complicating simplistic ethnographies, her disruption of neo-Orientalist paradigms and representations has led audiences to reconsider Islamophobic, Islamism, and gender repressions that are political, psychological, and above all cross-cultural.This book will be of interest to scholars working in art history, photography, cinema studies, performance, transnational and global studies, women's studies, and Iranian studies.…