Ed weiner editor (4 résultats)

Single Issue Magazine. Etat : Very Good. Good cover w/ a bit of wear in back, very good inside tight binding, clean text Prompt, reliable service, shipped next business day. Int'l mailed via first class or priority.

Soft Cover. Etat : Very Good. January 1987, Volume 19, No. 143. 63 + pp. January 1987, Vol. 19, Number 143 only! Over-sized and/or over weight book; extra postage required. Please note that large and/or heavy items may incur an additional shipping charge. Solidly bound copy with moderate external wear, crisp pages and clean text. Light foxing on page edges, not affecting text. Joe Griffith (Photos) (illustrateur).…

Paperback. Etat : New. In shrink wrap. Looks like an interesting title.

Hardcover. Etat : Fine. Etat de la jaquette : No dust jacket as issued. 1st Edition. First edition, first printing. Hardcover. Fine gray cloth-covered boards, with title stamped in silver on cover and spine, no dust jacket as issued; contained in a heavy gray cardboard slipcase with title stamped in silver on both sides. Paintings and text by Edward Ruscha. Essays by Robert Dean, Dave Hickey and Larence Weiner. Edited by Robert Dean, with Erin Wright. Includes comprehensive catalogue entries, chronology, exhibition history and bibliography. Designed by Bruce Mau, Bruce Mau Design, Inc., Toronto, with Breanne Woods, Carolina Söderholm and Judith McKay. 564 pp., including 3 two-page gatefolds, profusely illustrated with four-color plates and additional black-and-white reference illustrations, beautifully printed by Steidl on Scheufelen Job Parilux paper. Book 11-5/8 x 9-5/8 inches; slipcase 12-1/8 x 10 inches. Fine. From the publisher: "This is the third volume in the ongoing series documenting Ruscha's entire corpus of paintings. As in the previous two volumes, each painting is given a double-page spread with exhibition and bibliographic history, and is reproduced in color. The artist's notebook sketches for paintings are reproduced in facsimile. This volume contains 165 paintings and, in addition, includes a major public commission for the Philip Johnson-designed Miami-Dade Public Library, which was a watershed mark for Ruscha. Paintings done immediately prior to this commission can be seen as a summation of the artist's earlier preoccupations and techniques, while those done after the commission show a major shift in Ruscha's direction occasioned by the artist's use of airbrush techniques to produce dark, atmospheric canvases that correspond to film noir and such Los Angeles writers as Raymond Chandler. The book includes an introductory essay by the editor, Robert Dean, and a personal tribute by artist Lawrence Weiner. It contains a chronology to 1987, as well as a comprehensive bibliography and list of exhibitions.".…