Edit deak (67 résultats)

Hardcover without dustjacket as issued; 48 pages, in English; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Hardcover without dustjackets as issued, 48 pages, very good condition; clean and crisp no internal marks. Foreign shipping may be extra.

Hardcover. Etat : Very Good. No Dust Jackets. First Edition. Glossy pictorial boards, gently rubbed at spine ends. Inscribed and dated by Patkin on front flyleaf. An artist's book of paintings based on Jean Genet's play "The Blacks: A Clown Show." Brief text by Herbert Muschamp.Unpaginated. A lovely copy. Size: 4to - over 9" - 12" Tall. Signed & Inscribed By Illustrator.…

Hardcover without dustjacket as issued, 48 pages, in Italian, English, and Japanese, very good condition, no internal marks, clean and crisp.

Soft Cover. Etat : Very Good. This is a very good softcover copy with just light cover wear. Completely clean. This catalog was prepared to accompany the exhibition which opened at La Jolla Museum of Contemporary Art from January 28 to March 20, 1977. Introduction by Edit deAk. Illustrated in black & white and some color with photographs. Exhibition history. Bibliography. 9"high X 8" wide. This book will be securely wrapped and shipped with tracking.…

Hardcover. Light gray and color illus. glossy boards, [42 pp.], color and BW illus. Captions are in Italian and English, with headings in Italian. Presents the colorful artwork of three Italian artists: Domenico Bianchi (b. 1955), Gianni Dessi (b. 1955), and Giuseppe Gallo (b. 1954). Minimal text. Features examples of their work as well as views of their work spaces. Uncommon. VG (small ex-gallery mark on tp, otherwise crisp and clean.). …

unpaginated; 22.8 x 20.3 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at La Jolla Museum of Contemporary Art, La Jolla, California, January 28 - March 20, 1977. Traveled to Seattle Art Museum, Seattle, Washington, November 7 - December 18, 1977 and Contemporary Arts Center, Cincinnati, Ohio, May 5 - June 18, 1978. Introduction by Edit deAk. Includes excerpts from Ireland's notebooks from 1973- 77 "arranged at random by Edit deAk," an exhibition history, and a selected bibliography. Illustrated in color and black-and-white. Very Good. Light yellowing and rubbing of covers with 3 cm. area of indentation to recto. Contents clean and unmarked. Includes a "with compliments" card from La Jolla Museum of Art.…

Etat : BUONO USATO. IED. ArtRandom INGLESE Volume brossurato in cartonato rigido plastificato, copertina ben conservata, illustrata. Ben tenute le pagine leggermente velate da tonalità brunita, cosi' come i tagli integri e segnati da fitto pulviscolo. Ricco di riproduzioni di opere pittoriche a colori, con didascalie. Il volume potrebbe contenere timbri, il materiale à stato regolarmente acquisito dalla nostra Libreria. Pagine non numerate.…

(46)pp. of color illustrations. Lrg. 4to. Boards.

Paperback. Etat : Very Good. ROPE DRAWINGS is the catalog for the 3 museum exhibition of 3 dimensional rope pieces by Patrick Ireland. Essay by Edit deAk and a text selection from Ireland's notebooks. Color and black and white reproductions. 32 pages, paper with stiff cover. 9" x 8". Very good condition.…

Softcover. square tan wraps w/ multi-color printing. approx 32 unpaginated pgs w/ bw & color plates throughout. Includes 14 black/white plates and 4 color; exhibition and bibliographical listings. Exhibition held a Jolla Museum of Contemporary Art, Jan. 28-Mar. 20, 1977 and two other locations. VG- (scuffs, scratches & tanning to wraps;concentrated foxing to front wrap. tanning to spine edge. pencil notations to listings in bibliography). …

Hardcover. Etat : Very Good. 1st Edition. Has some minor scratch like wear on the back cover. Nares, James (illustrateur).

Hardcover. Etat : Near Fine. 1st Edition. Based on Jean Gent's "The Blacks". Minor edgewear to cover. Patkin, Izhar (illustrateur).

[52] pp.; 21 x 17.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with a series of building ways shows titled "Critical Perspectives," held at P.S.1, Long Island City, Queens, January 17 - March 14, 1982, and featuring different curators throughout the building. Foreword by Alanna Heiss. Includes texts by the curators of each show. "Self-Indulgence," curated and with an essay by Linda Burnham, Artists include Edie Ellis, Marc Kreisel, Jeffrey Vallance ; "Energism," curated by Ronny Cohen, artists include Nancy Arlen, Richard Beckett, Lynda Benglis, Jonathan Borofsky, Tom Butter, Arthur Cohen, Peggy Cyphers, Cynthia Gallagher, Dina F. Ghen, Deborah Kass, Kathryn Kennedy, Robert Kitchen, Elizabeth Murray, Marilla Palmer, Suzan Pitt, Barbara Quinn, Randal Rupert, Takao Saito, Frank Schröder, Leora Klaymer Stewart, Robin Tewes, Jeff Way; "Untitled," curated and with an essay by Edit deAk, artists include Futura 2000, James Nares, Yoko Ono, Pat Place, Alan Vega; "The Frame As Stage," curated and with an essay by John Howell, artists include Ericka Beckman, Julia Heyward, Pooh Kaye, Tony Mascaterello, Michael McClard, Robin Winters; "Untitled," curated and with an essay by Thomas Lawson, Artists include Eric Fischl, Jack Goldstein, Thomas Lawson, Nachume Miller, Gerry Morehead, Walter Robinson, Salomé, Michael Zwack; "Untitled," curated and with an essay by Joseph Masheck, artists include Jeremy Gilbert-Rolfe, Sharon Gold, Richard Hennessy, Stewart Hitch, Vered Lieb, Thomas Nozkowski, Catherine Porter-Scully, Sean Scully, Andrew Spence, Thornton Willis; "Untitled," curated and with an essay by Peter Plagens, artists include Laurie Fendrich, Patrick Hogan, Ron Linden, Carol Lindsey, John Phillips "Untitled," curated and with an essay by Marcia Tucker, artists include Billy Copley, John Hull, Kristin Hodson, Kent Shell, Kenneth Shorr, Kevin Teare, and Paul Wong. Includes an exhibition checklist and exhibition map. Very Good. Light yellowing of covers, 3 mm. and 2 mm. tear to top edge of recto, and additional light edge-wear. Contents clean and unmarked. …

hardcover. Etat : Like New. First Edition. Publisher: Kyoto Shoin/ArT RANDOM, 1989. FINE Hardcover in glossy illustrated boards, as issued. Text in English and Japanese. First Edition. First Printing.

Hardcover. Etat : Fine. No Jacket. 1st Edition. First edition / First printing. Illustrated laminated boards. Fine. Issued without dust jacket, a clear archival jacket is supplied. Text in English and Japanese. Nancy Spero (illustrateur).

Hardcover. Etat : Fine. 1st Edition. Based on Jean Gent's "The Blacks". Patkin, Izhar (illustrateur).

2nd edition laminated boards Very nice copy tall octavo (48)pp., colour & b/w plates, (Art Random No 16).

Etat : Fine. Quarto, 78 pages, illustrated throughout. Illustrated wrappers by Carl Andre. Summary: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartonlini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn; "Confessions of a Professional Bookie," by Peter Frank. …

Staple bound art journal on newsprint, 32 pages; very good condition for this fragile publication; a couple small tears to edges; no internal marks; pages slightly browned as usual.

Hardcover. Etat : Very Good. 1st Edition. 48 unnumbered pages, chiefly illustrations (some color). Text primarily in English with some Japanese. Very good copy. This copy contains a handwritten inscription on the rear free endpaper by contributor and editor Louanne LaRoche. The inscription includes her name alongside the business name, address, and phone number for The Red Piano Gallery (Hilton Head Island, South Carolina), which LaRoche owned and operated between 1980 and 1995. LaRoche was a prominent dealer and early collector of Sam Doyle's work during his lifetime, and she authored the biographical essay appearing in the volume. Provenance Note: Acquired from the estate of John Turner, author, collector, and folk-art curator, who organized exhibitions for the Smithsonian and the Museum of American Folk Art and served as adjunct curator of Twentieth-Century American Folk Art at the Museum of Craft and Folk Art in San Francisco. N.B., there are no physical markings or stamps from the Turner collection on or within the book itself. Sam Doyle (1906-1985) was a self-taught Gullah artist from St. Helena Island, South Carolina, known for narrative portraits painted with house paint on salvaged wood and corrugated roofing tin. Nationally introduced in the Corcoran Gallery of Art's 1982 exhibition Black Folk Art in America: 1930-1980, Doyle's work was acquired by contemporary figures including Jean-Michel Basquiat, who displayed Doyle's paintings in his studio and occasionally traded his own work to secure them. Doyle's work has been the subject of ongoing institutional inclusion, with recent exhibitions at the Smithsonian American Art Museum (2022), the Royal Academy of Arts (2023), and the Whitney Museum of American Art (2024). In March 2026, London's Gallery of Everything presented a dedicated solo installation of Doyle's work at the Outsider Art Fair in New York. The front cover reproduces Doyle's Dr Bus Ha.Lo (Dr. Buz), a work specifically highlighted by Gallery of Everything in its 2026 Outsider Art Fair presentation. Sam Doyle (illustrateur). Signed by Author(s).…

Soft cover. Etat : Fine. Nr. 5. (Spring 1974) Quarto, 24 pages, illustrated throughout. Illustrated wrappers by Christo. Summary: "Two for the Road," by Stephanie Edens; "Heubl, Heubler, Heublest"; "On Documentation"; "The Book"; "Un-Skirting the Issue," statements by Laurie Anderson, Lynda Benglis, Judy Chicago, Abigail Gerd, Nancy Graves, Joan Jonas, Agnes Martin, Lee Krasner, Sylvia Sleigh, Sylvia Stone, May Wilson, and Hannah Wilke; "Diaristic Art: A Trek Through the Navelocentric Universe"; "Michelle Stuart". Nr. 7. (Autumn 1974) Video issue with guest editor Anna Canepa. Quarto, 32 pages, illustrated throughout. Illustrated wrappers by Vito Acconci. Summary: "Some Notes on My Use of Video," by Vito Acconci; "August 1974: Fawn Grove, PA.," by Joan Jonas; "Text: Television Delivers People," by Richard Serra; "Shooting Star," by Bruce Kurtz; " Video and The Museum," by David A. Ross; "The Critic: Douglas Davis"; "The Diphthong I," by Jean Dupuy; "The Question," answers by Hannah Wilke, Taka Iimura, Ron Clark, Alan Suicide, The Black Tarantula, Ernest Gusella, William Gwin, Akira Kokubo, Lynda Benglis, Shigeko Kubota. Nr. 9. (Spring 1975) Painting Quarto, 54 pages, illustrated throughout. Illustrated wrappers by Robert Ryman. Summary: "Conventional Wisdom"; "Untitled Statement," by Jeremy Gilbert-Rolfe; "Painting Matters," by Lucio Pozzi; "On Jumping," by David Reed; "On Intermediate Cases," by David Reed; "Random Notes on Painting From A Critic's Daybook," by Robert Pincus-Witten; "The Whitney Biennial," by Anthony Mascatello; "A Pained Expression," by Dennis Kardon. Nr. 10. (Fall 1975) Performance. Quarto, 48 pages, illustrated throughout. Illustrated wrappers by Joseph Beuys. Summary: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell. Nr. 11-12 (Winter / Spring 1975 - 1976) Quarto, 68 pages, illustrated throughout. Illustrated wrappers by Edward Ruscha. Summary: "Demi," by Demi R; "Clothes (That Become You)," by Dale McConathy; "Social Realism: Or Living The Artistic Life," by Willy Lenski and Judy Riflka; "The Song of Lilith," by Sylvia Sleigh. Nr. 14. (Winter 1976 / 77) Artists' books issue. Quarto, 78 pages, illustrated throughout. Illustrated wrappers by Carl Andre. Summary: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartolini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg. Nr. 15. (1977) Surroundings. Rosemary Mayer issue Quarto, 24 pages, illustrated throughout. Illustrated wrappers Nr. 17. (1977) Kim MacConnel issue. Quarto, 24 pages, illustrated throughout with Chinese brush painting. Illustrated wrappers Nr. 18. (March 15, 1978) Image Bank issue (Michael Morris and Vincent Trasov). Quarto, 24 pages, illustrated throughout. Illustrated wrappers. Nr. 19. (June 1978) special issue published in collaboration with The Los Angeles Institute of Contemporary Art LAICA Journal. Quarto, 24 pages, illustrated throughout. Illustrated wrappers by Chris Burden with pasted on title. Includes: "Projects," by Edit deAk and Walter Robinson; "Homespun Versions of Mass Media," by Walter Robinson; "Teen Genius," by Kickboy Face; "Swim Parables," by Robert Morgan; "X & Y Offer," by X & Y; "Conversation: Between Craziness and Clarity," by John McCracken Includes contributions by John Dowd, Ray Johnson, General Idea, Genesis P-Orridge, Cozey, Eric Metcalfe. …

58 pp.; 21.2 x 25.5 cm.; staple bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1980/1981 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "The Heart of the Pigeon," by Henry Korn; "Conversation," a conversation between Marcia Hafif, Olivier Mosset, Howard Smith, and Jerry Zeniuk; "Currents," artwork by Christian Poveda, Shirly Pu & R.L. Seltman, Joseph Nechvatal, Christian de Boschnek with features on PAD (Political Art Documentation/Distribution), CUD (Contemporary Urbicultural Documentation, COLAB, ABC NO RIO, Group Material, Fashion Moda, El Taller Boricua, and others; "Image Frolics," by Edit deAk; "Tanam Press," by Tony Whitfield; "Drawings," by Jules Olitski, Clark Murray, Brice Marden, Robert Morris, Mark di Suvero, Peter Gourfain, Richard Serra, Edvins Strautmanis, Robin Winters; "Men & Their Bodies," by Valentine Tatransky; "Painting;" "In This Issue" "Shop Talk," by Gregoire Müller. Additional artists in this issue include: Paula Court, Debbi de Staffan, John Fekner, Molissa Fenley, Bobby G, Barbara Kruger, Thomas Lawson, Duane Michals, Malcolm Morley, Clark Murray, Richard Nonas, Paul Russotto, David Salle, Cindy Sherman, Horacio Torres, Brian Weil, and Christian White. Front Cover: Gregoire Müller "Bather II." Back Cover: Barbara Kruger, "Tradition," 1980. Good. 2.5 cm. crease parallel to top edge of publication, from recto to verso and affecting contents. Rubbing of cover edges and handling wear to covers. Contents clean and unmarked.…

32 pp.; 27.5 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1975 issue of Art-Rite, edited by Edit deAk and Walter Robinson. Contents include: "Polemic," by Edward Pursor; "Cultural Imperialism, Provincialism, and The New Internationalism"; "A Nebulous Art Presence"; "An Article on Scott Burton In the Form of a Resumé"; "Artists Don't Only Make Art -- They Are Also Artists"; "A Late Night Conversation with Addi," translated by Irene von Zahn; "A Serious Proposal for Nelson Rockefeller"; "Ça Va? Pas Mal." by John Howell; "Oral Cultural Morphogenesis: An Example"; "Vitamin G: Obituary," by John Giorno; "Conventional Wisdom" and "Toward a More Beautiful Coffin." Unique handpainted cover for each copy by Pat Steir. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Good. 1.8 cm. tear to bottom edge of recto. 5.7 cm. dog-ear with bumping to top right corner of publication. Bumping with light chipping across top edge of covers. 2 cm. tear to top edge of page 3. Contents otherwise clean and unmarked.…

54 pp.; 27.8 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1975 issue of Art-Rite focused on Painting, edited by Walter Robinson and Edit deAk. Contents include: "Conventional Wisdom"; "Untitled Statement," by Jeremy Gilbert-Rolfe; "Painting Matters," by Lucio Pozzi; "On Jumping," by David Reed; "On Intermediate Cases," by David Reed; "Random Notes on Painting From A Critic's Daybook," by Robert Pincus-Witten; "The Whitney Biennial," by Anthony Mascatello; "A Pained Expression," by Dennis Kardon; "About Painting," by Lawrence Alloway; "Photographic Realism," by The Staff; "Lilly Brody"; "John Mendelsohn"; "Nancy Spero"; "Julian Schnabel"; "Evriah Bader"; "Peter Grass"; "Niel Jenney:" "Painters (Group One)"; "Bruce Boice (with Irving Sandler)"; "Painters (Group Two)" "Conversation with Brice Marden." Cover: Robert Ryman. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Fair. 9 mm. long "1.00" written in blue ink on recto. Tearing along spine wrapping around to covers including 1.2 cm., 1 cm., 2.1 cm. and others. 1.2 cm. loss to top edge of spine. Bumping and chipping across top edge of recto and verso. 1.4 cm. loss to verso at spine. 5.3 cm. soiling to right side edge of first page. Contents otherwise clean and unmarked. …

54 pp.; 27.8 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1975 issue of Art-Rite focused on Painting, edited by Walter Robinson and Edit deAk. Contents include: "Conventional Wisdom"; "Untitled Statement," by Jeremy Gilbert-Rolfe; "Painting Matters," by Lucio Pozzi; "On Jumping," by David Reed; "On Intermediate Cases," by David Reed; "Random Notes on Painting From A Critic's Daybook," by Robert Pincus-Witten; "The Whitney Biennial," by Anthony Mascatello; "A Pained Expression," by Dennis Kardon; "About Painting," by Lawrence Alloway; "Photographic Realism," by The Staff; "Lilly Brody"; "John Mendelsohn"; "Nancy Spero"; "Julian Schnabel"; "Evriah Bader"; "Peter Grass"; "Niel Jenney:" "Painters (Group One)"; "Bruce Boice (with Irving Sandler)"; "Painters (Group Two)" "Conversation with Brice Marden." Cover: Robert Ryman. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Fair / Good. 15.3 cm. and 3.6 cm. tears to spine. 2.2 cm. tear to recto, bumping of top edge of recto, and 1.2 cm. dog-ear to bottom right corner of recto. Chipping and tearing across top edge of verso. Yellowing of covers and pages. 2 mm. tear to page 3 and 1.3 cm. tear to pages 51-54. Contents clean and unmarked. …

Softcover, staple bound art journal on newsprint, 54 pages; very good condition for this fragile publication; covers still attached but starting to tear at staples; pages slightly browned as usual.

Paperback. Etat : Very Good. ART-RITE NO. 8-FRIENDLYISM & SOUR BALL ISSUE edited by Walter Robinson, Edit deAk and Joshua Cohen. Cover by Pat Steir titled,"Sampler For ART-RITE." Hand colored though possibley by the editors of ART-RITE and not by Steir. 32 pages, paper. 11" x 8 1/4". some fadeing to pages as is typical for newsprint but the hand coloring is bright. Very good condition.…

Soft cover. Etat : Near Fine. 1st Edition. Art-Rite Publishing Co., New York, 1975. First Edition. Side-stapled softcover. [44] pp., 8.25 x 11 inches. Condition: Near Fine. Age toning and mild wear at upper edge. Special performance issue of Art-Rite, guest edited by John Howell. With black-and-white photographs of performance pieces, and contributions from Howell, Diego Cortez, David Antin, Guerrilla Art Action Group, and Lucy Lippard. Cover by Joseph Beuys.…

Paperback. Etat : As New. First Paperback Edition. Publisher: Art-Rite Pub Co, New York, Fall 1975. FINE- newsprint magazine in staple-bound paper wraps, as issued. Cover by Joseph Beuys. First Softcover Edition, Presumed First Printing. Beautiful copy.