Editor rodchenko (18 résultats)

136 pages. Large paperback: H 29.25cm x L 20.75cm. Paper covers rubbed with slight scuffing at edges, slight wear at spine ends with slender short strip of surface abrasion above center of front joint. Interior pages are clean. Binding is firm. A very good copy. "Rodchenko's statements;" "Alexander Rodchenko" by Alexander Lavrentiev;" "Material values" by John Milner;" "Stylistic changes" by Andrei Nakov;" "Productivist life" by Szymon Bojko;" "Graphic commitment" by Gail Harrison;" "Photography versus painting" by Ossip Brik;" "Photomontage" by Varvara Stepanova;" "Working with Mayakovsky" by Rodchenko;" "Vkhutemas" by Galina Chichagova;" "Working with Rodchenko" by Zakhar Bykov;" "Analytical sequences" by Hubertus Gassner;" "Line" by Rodchenko;" "Slogans" by Rodchenko;" "Productivist manifesto" by Stepanova and Rodchenko;" "Into production" by Ossip Brik;" "Vladimir Tatlin" by Rodchenko;" "A few words about my father" by Varvara Rodchenko. ISBN 0394737563. Profusely Illustrated (illustrateur).…

Paperback. Etat : Very Good. Gruppo Editoriale Fabbri January 1983 Binding: Trade Paperback.

Paperback. Etat : Fine. Gruppo Editoriale Fabbri January 1983 Binding: Trade Paperback.

First Edition. First edition. Softcover. Features Nick White's interview of Mari Mahr, Yehuda Safran's review of "Mayakovsky: Twenty Years of Work" that is accompanied by black and white images by Rodchenko and others of the Russian poet. Also includes Jenny Matthews reivew of John Berger and Jean Mohr's "Another Way of Telling." A very good plus copy in stapled wrappers with some minor wear.…

First Edition. First edition. Softcover. May 1973. Features images by these photographers: Todd Walker, Anton Bragaglia, Marc Garanger, Alexander Rodchenko. A near fine copy in stapled wrappers with some very light wear.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Solid very good plus copy in dust jacket.

Hardcover. Etat : Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Soft cover. Etat : Very Good. 1st Edition. Includes works by Marc Garanger ; Alexander Rodchenko ; Anton Guilio Bragaglia. Paginated pages 145-180, illustrations. Slight shelf wear to edges, no inscriptions. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Hardcover. Etat : New. In shrink wrap. Looks like an interesting title.

dj. First Edition. Hardcover. First Edition. Near Fine in a Near Fine dust jacket.

Paperback. Etat : New.

Hardcover. Etat : Some minor rubbing. VG. orig.boards Some minor rubbing. VG. Textual photo illustrations 27x20cm, 158 pp, Series : Mastera sovetskogo knizhnogo iskusstva Text entirely in Russian. Study of Soviet-era illustration & design by Aleksandr Mikhailovich Rodchenko (1891-1956) & Varvara Fedorovna Stepanova (1894-1958) in theatre, cinema, photography, architecture and design, advertisement and polygraphy. Contents: Na puti k knige; informatziia i stil'; sotzial'n'ie i hudozhestvenn'ie problem'i oformleniia knigi; vremia i prostranstvo fotoal'buma; fotomontazh; redaktory zhurnala " Radioslushatel'" ; kak m'i rabotali nad "Pervoi konnoi"; moment'i tvorchestva; pisateli i hudozhniki o A.M. Rodchenko i V.F. Stepanovoi; dat'i zhizni i tvorchestva; izdaniia, oformlenn'ie A.M. Rodchenko i V.F. Stepanovoi;spisok literatur'i; spisok illiustratzii; list of illustrations;resume (in English).…

Hardcover. Etat : Fine. No Jacket. 1st Edition. Brief text in English., about one hundred pages of sepia-toned photographs of Russian youth, Greenish -blue cloth with white lettering. Embossed stylized athlete on front cover. Unpaginated, but about 100 pages of sepia toned photographs of youthful Soviet athletes. VG plus, light cover wear, light cover soiling, Foreign shipping/ insurance may be extra.…

Hardcover. 306p. [xvi], a now-handleable copy following much restoration commissioned by ourselves: original illustrated boards are a bit worn, expect minor internal dampstaining and a small envelope irritatingly affixed to the illustrated pastedown; a bound-in cell [celluloid leaf] with profile of Stalin now mended with reversable filmoplast; head and tail of spine professionally restored, outer joints repaired. A reading copy for English-speakers.…

Hardcover. Etat : Near Fine. First edition. Design and photomontage by V. Stepanova and A. Rodchenko. Quarto. 312, [12]pp. Text in English. Quarter red leather and cloth with paper illustration over boards. Endpapers illustrated with film images on photo paper. Extensively illustrated, with innovatively illustrated half-title and title page with film illustrations in color, tipped-in celluloid sheet with Stalin's silhouette, a folding plate of a theatre and audience, etc. Publication celebrating an overview of the Soviet cinema with contributions by many, profiles of filmmakers, mention of the industry in Soviet Union vassal states, etc. Near fine.…

Softcover. Etat : f to vg. First edition. Folio (16 1/2 x 11 3/4"). Unpaginated. Original illustrated wrappers, with red and black lettering on front cover. "USSR in Construction" was a stunning photographic propaganda magazine published in the Soviet Union from 1930 to 1941, and briefly in 1949. It was published in Russian, French, English, German, with a Spanish-language edition added in 1938. The magazine's self-proclaimed aim was to "reflect in photography the whole scope and variety of the construction work now going on the USSR." It was conceived and designed to be an important foreign relations tool and to portray a positive image of the developments occurring in the Soviet Union to the rest of the world. "USSR in Construction" informed readers abroad of the rapid construction and industrialization taking place within the Soviet Union and depicted the nation as a leading industrial power. From a design perspective, the magazine was a fascinating example of early 20th-century photomontage, with its recurrent use of inserts, and spectacular fold-out pages. The method of printing used for the printing was rotogravure, a type of intaglio printing process, in order to create extremely high quality duotone images (in blue, green, salmon, and olive). With this striking Russian-language issue of "USSR in Construction" dedicated to the "brave Soviet paratroopers," renown Soviet artist Aleksander Rodchenko* and his wife Varvara Stepanova introduced a circular design as the basis for their page layout, thus allowing them to accomodate a variety of scenes from the parachutists' everyday activities as well as Communist political messages. This issue is complete with the parachute fold-out, and the origami-folded centerfold depicting Stalin surrounded by half a circle, which in turn is superimposed over a triangle-shaped image of clouds with numerous parachutists floating down. Discoloration and minor foxing along upper margin of covers. Moderate creasing along spine. Tiny closed tears along fore-edge of back cover, with previous owner's inscription (in Russian) on upper margin. Tip of corners slightly creased throughout (not affecting text or images). Text in Russian. Wrappers in overall fair, interior in good+ to very good, parachute fold-out and origami-folded centerfold in very good condition. *Aleksander Mikhailovich Rodchenko (1891-1956) was a Russian artist, sculptor, photographer and graphic designer. He was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova. Rodchenko was one of the most versatile Constructivist and Productivist artists to emerge after the Russian Revolution. He worked as a painter and graphic designer before turning to photomontage and photography. His photography was socially engaged, formally innovative, and opposed to a painterly aesthetic. Concerned with the need for analytical-documentary photo series, he often shot his subjects from odd angles - usually high above or down below - to shock the viewer and to postpone recognition. He wrote: "One has to take several different shots of a subject, from different points of view and in different situations, as if one examined it in the round rather than looked through the same key-hole again and again." (From Wikipedia).…

Soft cover. Etat : Fine. German version of the magazine that was edited from 1930 till 1949 - 42 x 29,5 cm - 24 pgs of which 1 folding - 34 pgs - original cover, stapled - about the Moscow Volga Canal - fine condition - see Getty 752 - Bolliger D.B. VI 683 - Rowell & Wye photos pgs 242-243.

Moscow: Gosizdat, 1928. Octavo (22.3 × 15.2 cm). Original staple-stitched photo-illustrated wrappers by Aleksandr Rodchenko; 47, [1] pp. With two leaves of plates, featuring for example photographs and pictures of stage designs by A. Rodchenko to recto and verso, on somewhat thicker paper stock. Wrappers somewhat dust-soiled and with traces of use; front cover nearly loosened; few leaves with small annotations; back cover with contemporary Soviet bookstore stamp; else very good. A single issue of this leading avant-garde journal of the eponymous artistic group Levyi front iskusstva (Left front of the arts: LEF) edited by the futurist poet and artist Vladimir Mayakovsky. Published monthly 1927-1928, twenty-four issues of the journal appeared in total. The original LEF, published 1923-1925, introduced Constructivist design and formulated "productivism" as a movement in the arts. The editorial team also understood art as playing a central role in the class struggle. By 1925, just seven issues of the central organ of the Russian avant-garde had appeared. Due to massive criticism of its apparent incomprehensibility to the masses, the journal was discontinued. Two years later, the series continued under the name Novyi LEF (New LEF) for two more years, with the final year appearing under the direction of Sergei Tretiakov. From the beginning, Aleksandr Rodchenko was responsible for the cover design, having won a cover design contest in 1923. (See John Bowlt and Béatrice Hernad, Aus vollem Halse, Munich 1993, p. 135f.) The 1927-1928 issues focused on Factography or "photography of fact," with a special interest in left-leaning cinema. The new publication positioned itself against the "poor taste" and "lack of class-consciousness" of art of the NEP period. Aware of the upcoming drive toward industrialization, the editorial team understood the "twinning of art with production a necessary factor in the industrialization of the country." Novyi LEF featured Rodchenko's photographic experiments, which were highly controversial at the time, characterized by extreme perspectives, dynamic oblique views, and spatial superimpositions that significantly influenced the photography of the New Vision (see Claudia Gabrielle Philipp, in: Kat. MKG, Hamburg 2001, p. 205ff.). Scarce in the trade. One of 3.000 copies printed. Cat. MoMa (Rowell/Wye) 715; Cat. MoMA, Rodchenko 210. …