Eko illustrator (9 résultats)

Paperback. Etat : Very Good. Eko (illustrateur).

Hardcover. Etat : Brand New. 120 pages. 8.00x5.00x0.58 inches. In Stock. Eko (illustrateur).

Paperback. Etat : Brand New. 300 anv edition. 356 pages. 8.00x5.50x1.00 inches. In Stock. Eko (illustrateur).

Hardcover. Etat : Brand New. 128 pages. 6.00x4.00x0.60 inches. In Stock. Eko (illustrateur).

Hardcover. Etat : Brand New. 30 pages. 8.50x0.25x11.00 inches. In Stock. Wahyudi, Eko (illustrateur).

Hardcover. Etat : Brand New. 128 pages. 6.00x4.00x0.60 inches. In Stock. Eko (illustrateur).

Book measures: 17.5 x 26 cm. 11 pages: illustrations. Text in Ukrainian. The cover shows slight wear, particularly at the edges and corners. The red comb binding is partially damaged. Pages are generally clean with bright colors. Some minor age-related yellowing is present. Library stamps and handwritten numbers appear on several pages. This enchanting children's fairy tale, published by the Ukrainian diaspora in the United States, is brought to life by the vivid illustrations of the renowned Ukrainian caricaturist Edvard Kozak. His artwork, rich in color and infused with traditional Ukrainian motifs, beautifully complements the narrative. A rare gem of mid-20th century Ukrainian émigré literature, this book is a vibrant testament to cultural heritage preserved across oceans. Edvard Kozak, 1902-1992 (pseudonyms: EKO, Mamai, Hryts Zozulia, Maik Chichka, Avenir Lushniak, Kosy) was a multifaceted artist-painter, caricaturist, illustrator, film animator, graphic artist, and writer. He served with the Ukrainian Sich Riflemen and the Ukrainian Galician Army before studying at the Lviv Studio-School of O. Novakivsky (1927-1930). In the 1930s, Kozak contributed to Lviv's satirical magazines and illustrated numerous publications, including "Ukrains'ka biblioteka" and "Velyka istoriia Ukrainy." A member of ANUM from 1932, he exhibited his work frequently. After relocating to Kraków in 1939, he joined the art group "Zarevo" and later returned to Lviv, participating in exhibitions with SUOM. Emigrating to Germany in 1944, he led USOM and published the magazine "Lys." After moving to the United States in 1951, Kozak continued his artistic endeavors, including the publication of "Lys Mykyta," and wrote humorous poems and stories. His body of work also includes children's book illustrations, animated films, caricatures, and a series of postcards commemorating the Ukrainian Sich Riflemen. As of August 2024, not in OCLC. Edvard Kozak (EKO), illustrator (illustrateur).…

Illustrated wrappers. First Edition. An important collection of 432 issues of the Ukrainian satirical magazine Lys Mykyta, meticulously curated and published by Edward Kozak in the United States between 1950 and 1991. This collection is particularly notable for including numerous issues from the magazine's formative years in the US, offering a rich repository for scholars and collectors alike. Each magazine issue, spanning 6-10 pages, is in Ukrainian and embellished with illustrations, reflecting the magazine's commitment to striking visual satire. The collection's physical condition is generally very good, despite evidence of use such as occasional wear to the wrappers, punched holes, and "duplicate" stamps, which attest to the historical journey and the tangible legacy of these publications. Edward Kozak, known as EKO (1902-1992), the visionary behind Lys Mykyta, was a multifaceted artist: a painter, illustrator, caricaturist, writer-humorist, satirist, editor, and a leader within the civic realm. Originating from the village of Hirne in the Stryi district, Kozak pursued his education in the arts across Vienna, Lublin, and Lviv, ultimately studying at the Oleksa Novakivskyi Art School. His contributions to Ukrainian satirical and humorous periodicals during the pre-World War II era marked the beginning of a prolific career that would extend into the realms of book illustration and the foundational work in the development of Ukrainian comics. Lys Mykyta emerged in 1947 within a Munich camp for displaced persons, later relocating to New York and subsequently to Detroit, where it was published from November 1, 1951. The publication's schedule evolved over the years from semi-monthly to monthly, and finally, to quarterly editions. Lys Mykyta served as more than just a magazine; it functioned as a platform with the aim of galvanizing the Ukrainian diaspora. Its mission was to unite Ukrainians worldwide by creating a shared intellectual and spiritual space. Kozak's initial forays into the world of satirical journalism, with contributions to magazines like Zyz [Cross-Eye], Komar [Mosquito], and Nash dzvinochok [Our Little Bell], laid the groundwork for the distinctive voice and style of Lys Mykyta. Throughout its run, the magazine maintained a steadfast commitment to its editorial agenda and aesthetic vision, marked by vibrant covers, penetrating commentary, and a creative reimagining of conventional periodical formats. The integration of various artistic influences, including socialist realism, Soviet caricature, modernist photo collages, and Ukrainian folk art, contributed to a rich visual and textual discourse that resonated deeply within the Ukrainian emigre community. This archive not only signifies Edward Kozak's substantial legacy within satirical journalism and his pioneering role in Ukrainian comic art but also encapsulates a critical period in the cultural and political dialogue of the Ukrainian diaspora throughout the latter half of the 20th century. It presents an invaluable resource for academic study, offering insights into the dynamics of cultural expression, political satire, and the preservation of national identity amidst the challenges of displacement and emigration. An impressive compilation reflecting the anti-communist sentiment pervasive in the Ukrainian diaspora during the Cold War era, along with a visually striking counterpoint to the famous Soviet magazine Krokodil [The Crocodile.] Detailed Inventory of Lys Mykyta Issues, 1950-1991. YEAR - No. issues 1950 - 18 1951 - 10 1952 - 11 1953 - 13 1954 - 15 1955 - 17 1956 - 14 1957 - 11 1958 - 11 1959 - 11 1960 - 11 1961 - 10 1962 - 10 1963 - 11 1964 - 11 1965 - 11 1966 - 9 1967 - 10 1968 - 10 1969 - 11 1970 - 11 1971 - 11 1972 - 11 1973 - 11 1974 - 11 1975 - 11 1976 - 11 1977 - 11 1978 - 11 1979 - 10 1980 - 11 1981 - 10 1982 - 10 1983 - 11 1984 - 11 1985 - 11 1986 - 6 1987 - 6 1988 - 7 1989 - 4 1990 - 1 1991 - 1. Hutsaliuk, Liuboslav (illustrator) (illustrateur).…

Book measures: 17.5 x 26 cm. 9 pages: color illustrations. Text in Ukrainian. Library stamps and handwritten numbers appear on several pages. The cover has very light signs of wear. The white comb binding is intact. Pages are clean with bright illustrations. Minimal age-related discoloration. A beautifully illustrated treasure rooted in rich Ukrainian folklore. Edvard Kozak's vivid and detailed artwork breathes life into the narrative, capturing the essence of the tale. Published by the Ukrainian diaspora, this book stands as a significant piece of mid-20th century Ukrainian émigré culture and literature. Edvard Kozak (1902-1992), known by pseudonyms such as EKO, Mamai, and Hryts Zozulia, was a multifaceted artist-painter, caricaturist, illustrator, film animator, graphic artist, and writer. Renowned for his satirical drawings and writings, Kozak offered a sharp and enduring commentary on political and social developments within the Ukrainian community for over half a century. As of August 2024, OCLC locates a single copy at Cleveland Public Library. Edvard Kozak (EKO), illustrator (illustrateur).…