Entourage (15 résultats)

Soft Cover. Etat : Fine.

Soft cover. Etat : Very Good+. No Dust Jacket. 104 pp. Original pictorial wraps w/ mild edge wear. INSCRIBED AND SIGNED BY ONE CONTRIBUTOR, MELISSA CLARK, ON INSIDE OF FRONT COVER. Illust. w/ b/w photos and drawings. Contents very nice. Signed by Author(s).

Trade Paperback. Etat : Like New. 1st Published: 2005. 454 + xiv + pp. An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially and virtually flawless copy with crisp pages, clean text, and very light shelf wear. Dennis M. Arnold (Cover Design); 'Dean Berkeley and His Entourage' Detail From John Smibert (Cover Art) (illustrateur). …

Etat : fine. Photo non contractuelle. Envoi rapide et soigné.

Etat : Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Etat : Comme neuf. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

ENSEMBLE REPRÉSENTATIF DE L'ART DE LA LITHOGRAPHIE ÉROTIQUE À L'ÉPOQUE ROMANTIQUE Suite de 6 lithographies en coloris d'époque, 75 x 113 mm (ou 113 x 76 mm pour deux d'entre elles) contrecollées postérieurement sur carton, quelques rousseurs sur les supports dont deux légèrement brunis, "JE VOUDRAIS CUEILLIR LA PLUS BELLE", lithographie en noir, 208 x 288 mm, un déchirure sans manque (45 mm) habilement restaurée dans la partie droite, quelques rousseurs, "Fleuve scamandre" / "Manière de ne pas faire d'enfans", lithographie en noir à belles marges, 240 x 158 mm (sujet: 117 x 86 mm), quelques rousseurs, papier légèrement bruni, [ La pèche au vit], lithographie en noir, 138 x 170 mm (sujet: 148 x 116 mm), petite restauration ancienne par doublage d'un trou de 4 mm dans un blanc de l'encadrement au coin haut gauche, quelques rousseurs visibles dans l'encadrement, Lithographie en noir, 177 x 129 mm, petite abrasion au coin haut droit, "Voila le prix du vainqueur", lithographie en noir à belles marges, 185 x 202 mm (sujet 97 x 130 mm), "UNE JOUISSANCE ÉQUESTRE.", lithographie en noir, 183 x 211 mm (sujet: 126 x 156 mm), brunissures en partie droite et quelques rousseurs. ANONYME (Achille Deveria & entourage ou suiveurs). Ensemble de 12 lithographies érotiques, dont 6 en couleurs d'une même suite. S. l. n. d. n. n. (France, vers 1830-1850). Durant nos recherches, nous n'avons pu retrouver d'autre exemplaire (un pour chacune) que des numéros 2 et 7.…

Etat : Good. 1p. 11.2 x 7.8cm. with franked envelope. Letter relative to payment to Le Courrier de la Presse.Provenance: Archives of Jean Bourguignon, a student of Verlaine's at Collège Notre-Dame de Rethel , who became a prominent French curator and writer, particularly known for his expertise and publications on the Napoleonic era. He served as the curator of the Château de Malmaison from 1916 to 1946. Bourguignon also took numerous portraits of French and foreign writers during the 1920s and 1940s. He was a leading historian and expert on Napoleonic history.Expertise by Jacques Etienne et Noel Charavay, Maison Charavay, Paris.…

Etat : Good. 1p. 11.2 x 7.8cm. with franked envelope. Letter relative tpayment to Le Courrier de la Presse.Provenance: Archives of Jean Bourguignon, a student of Verlaine's at Collège Notre-Dame de Rethel , who became a prominent French curator and writer, particularly known for his expertise and publications on the Napoleonic era. He served as the curator of the Château de Malmaison from 1916 to 1946. Bourguignon also took numerous portraits of French and foreign writers during the 1920s and 1940s. He was a leading historian and expert on Napoleonic history.Expertise by Jacques Etienne et Noel Charavay, Maison Charavay, Paris.…

Etat : Good. 2 pp. 10.5 x 13.5cm. Letter relative to to Le Courrier de la Presse.Provenance: Archives of Jean Bourguignon, a student of Verlaine's at Collège Notre-Dame de Rethel , who became a prominent French curator and writer, particularly known for his expertise and publications on the Napoleonic era. He served as the curator of the Château de Malmaison from 1916 to 1946. Bourguignon also took numerous portraits of French and foreign writers during the 1920s and 1940s. He was a leading historian and expert on Napoleonic history.Expertise by Jacques Etienne et Noel Charavay, Maison Charavay, Paris.…

Etat : Good. 1 p. 28.3 x 20cm. .Lithograph or collotype.Menu for the Collège Notre-Dame de Rethel students' banquet (illustrated with Verlaine's bust.Paul Verlaine taught at the Collège Notre-Dame de Rethel in Rethel, France, from June 1877 to 1879. He taught French, English, history, and geography. The college is now known as the Collège Sorbon. Verlaine's time in Rethel was a period of relative stability for him, and he continued writing poetry during this time, including the collection "Sagesse" (Wisdom). He also wrote articles for the local newspaper, le Courrier des Ardennes.Provenance: Archives of Jean Bourguignon, a student of Verlaine's at Collège Notre-Dame de Rethel , who became a prominent French curator and writer, particularly known for his expertise and publications on the Napoleonic era. He served as the curator of the Château de Malmaison from 1916 to 1946. Bourguignon also took numerous portraits of French and foreign writers during the 1920s and 1940s. He was a leading historian and expert on Napoleonic history.Expertise by Jacques Etienne et Noel Charavay, Maison Charavay, Paris. …

Etat : Good. 4 page notice of the death of Henry-Albert Verlaine (1815-1900) and the Assemblée chez son fils. Provenance: Archives of Jean Bourguignon, a student of Verlaine's at Collège Notre-Dame de Rethel , who became a prominent French curator and writer, particularly known for his expertise and publications on the Napoleonic era. He served as the curator of the Château de Malmaison from 1916 to 1946. Bourguignon also took numerous portraits of French and foreign writers during the 1920s and 1940s. He was a leading historian and expert on Napoleonic history.Expertise by Jacques Etienne et Noel Charavay, Maisaon Charavay, Paris.…

Etat : Good. 1 p. 10.5 x 14cm. Invitation card for the anniversary mass organized by Paul Verlaine's family and friends on January 15, 1897 at the Eglise Sainte-Clotilde - followee by a viisst to the Cemetière des Batignolles.Paul Verlaine taught at the Collège Notre-Dame de Rethel in Rethel, France, from June 1877 to 1879. He taught French, English, history, and geography. The college is now known as the Collège Sorbon. Verlaine's time in Rethel was a period of relative stability for him, and he continued writing poetry during this time, including the collection "Sagesse" (Wisdom). He also wrote articles for the local newspaper, le Courrier des Ardennes.Provenance: Archives of Jean Bourguignon, a student of Verlaine's at Collège Notre-Dame de Rethel , who became a prominent French curator and writer, particularly known for his expertise and publications on the Napoleonic era. He served as the curator of the Château de Malmaison from 1916 to 1946. Bourguignon also took numerous portraits of French and foreign writers during the 1920s and 1940s. He was a leading historian and expert on Napoleonic history.Expertise by Jacques Etienne et Noel Charavay, Maison Charavay, Paris. …

Etat : Good. 1 p. 32 x 21cm. Death certificate for Philomène Boudin. Philomène Boudin, known as Esther, was, like Eugénie Krantz, Verlaine's companion in his last years. She inspired the poet to write several collections, including "Odes en son honneur" and "Chansons pour Elle,". Acte de décès de Philomène Boudin. Philomène Boudin dite Esther, fut, comme Eugénie Krantz, la compagne de Verlaine dans ses dernières années. Elle inspira au poète plusieurs recueils dont "Odes en son honneur" et "Chansons pour Elle.Depuis le début de l'année 1895 , Philomène n'était plus la "veuve adorée" de Verlaine. Une violente dispute les avait séparés le 21 janvier et le poète avait repris la vie en ménage avec Eugénie Krantz. .Malade, vieillissant, Verlaine rencontra deux jeunes prostituées Eugénie Krantz et Philomène Boudin. Elles furent toutes deux ses protégées et ses maîtresses. Constatant à plusieurs reprises certaines disparitions et recevant des menaces des deux femmes et de leur souteneur, Rodolphe Salis (créateur du cabaret du Chat noir à Paris), Verlaine se décida à un affrontement judiciaire.«J'ai l'honneur de vous signaler l'hommeSalis dit Bibi la Purée, la femme PhilomèneBoudin, dite Esther, et la fille soi-disantEugénie Krantz et qui passe pour une nommée Victorine Mouton. Victime de vols successifs, abus de confiance, d'insultes publiques et d'ennuis sans nombre, je me vois dans la nécessité de me plaindre auprès de vous à l'effet d'une immédiate restitution d'effets et de livres évidemment retenus et systématiquement refusés».Verlaine pardonna à ses maîtresses, elles laissèrent une trace importante dans son oeuvre tardive, Eugénie Krantz lui ayant inspiré Chansons pour elle publié en 1891 et Philomène Boudin étant célébrée dans plusieurs de ses poèmes.Provenance: Archives of Jean Bourguignon, a student of Verlaine's at Collège Notre-Dame de Rethel , who became a prominent French curator and writer, particularly known for his expertise and publications on the Napoleonic era. He served as the curator of the Château de Malmaison from 1916 to 1946. Bourguignon also took numerous portraits of French and foreign writers during the 1920s and 1940s. He was a leading historian and expert on Napoleonic history.Expertise by Jacques Etienne et Noel Charavay, Maison Charavay, Paris.…

No Binding. Etat : Very Good. Portrait de Jean-Baptiste-César du Buc de Saint-Olympe Old Master Drawing Black chalk on filigraned paper, 207 mm x 160 mm Entourage de Louis-Léopold Boilly Wikipedia source : Jean-Baptiste du Buc de Saint-Olympe, né à Sainte-Marie (Martinique) le 17 décembre 1756, écuyer puis chevalier, est mort le 30 septembre 1834 au château de Limanton (Nièvre). …