Eric drott (75 résultats)

Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Softcover. Etat : Very Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers have light shelf wear. Contents: Sheppard, Continuity in composing the American cross-cultura: Eichheim, Cowell, and Japan. Drott, Free jazz and the French critic. Levin, et al., Colloquy: finishing Mozart's Requiem. 9.25" tall; 237 pages.…

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback or Softback. Etat : New. Streaming Music, Streaming Capital. Book.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : New. In Streaming Music, Streaming Capital, Eric Drott analyzes the political economy of online music streaming platforms. Attentive to the way streaming has reordered the production, circulation, and consumption of music, Drott examines key features of this new musical economy, including the roles played by data collection, playlisting, new methods of copyright enforcement, and the calculation of listening metrics. Yet because streaming underscores how uneasily music sits within existing regimes of private property, its rise calls for a broader reconsideration of music's complex and contradictory relation to capitalism. Drott's analysis is not simply a matter of how music is formatted in line with dominant measures of economic value; equally important is how music eludes such measures, a situation that threatens to reduce music to a cheap, abundant resource. By interrogating the tensions between streaming's benefits and pitfalls, Drott sheds light on music's situation within digital capitalism, from growing concentrations of monopoly power and music's use in corporate surveillance to issues of musical value, labor, and artist pay. …

Etat : new.

Etat : good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Etat : new. Paperback. In Streaming Music, Streaming Capital, Eric Drott analyzes the political economy of online music streaming platforms. Attentive to the way streaming has reordered the production, circulation, and consumption of music, Drott examines key features of this new musical economy, including the roles played by data collection, playlisting, new methods of copyright enforcement, and the calculation of listening metrics. Yet because streaming underscores how uneasily music sits within existing regimes of private property, its rise calls for a broader reconsideration of music's complex and contradictory relation to capitalism. Not simply a matter of how music is formatted in line with dominant measures of economic value, equally important for Drott's analysis is how music eludes such measures, a situation that threatens to reduce music to a cheap, abundant resource. By interrogating the tensions between streaming's benefits and pitfalls, Drott sheds light on music's situation within digital capitalism, from growing concentrations of monopoly power and music's use in corporate surveillance to issues of musical value, labor, and artist pay. Eric Drott undertakes a wide-ranging study of the political economy of music streaming to engage in a broader reconsideration of music's complex relation to capitalism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New.

Etat : New.

Paperback. Etat : New. In May 1968, France teetered on the brink of revolution as a series of student protests spiraled into the largest general strike the country has ever known. In the forty years since, May '68 has come to occupy a singular place in the modern political imagination, not just in France but across the world. Eric Drott examines the social, political, and cultural effects of May '68 on a wide variety of music in France, from the initial shock of 1968 through the 'long' 1970s and the election of Mitterrand and the socialists in 1981. Drott's detailed account of how diverse music communities developed in response to 1968 and his pathbreaking reflections on the nature and significance of musical genre come together to provide insights into the relationships that link music, identity, and politics.…

Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : New.

Etat : New. 2011. 1st Edition. Paperback. In May 1968, France teetered on the brink of revolution as a series of student protests spiraled into general strike. This title examines the social, political, and cultural effects of May '68 on a variety of music in France, from the initial shock of 1968 through the 'long' 1970s and the election of Mitterrand and the socialists in 1981. Series: California Studies in 20th-Century Music. Num Pages: 368 pages, 8 b/w photographs, 10 music examples. BIC Classification: AVGC. Category: (P) Professional & Vocational. Dimension: 229 x 154 x 23. Weight in Grams: 506. . . . . .…

Etat : New. 2024. paperback. . . . . .

Etat : New.

Paperback. Etat : New. In Streaming Music, Streaming Capital, Eric Drott analyzes the political economy of online music streaming platforms. Attentive to the way streaming has reordered the production, circulation, and consumption of music, Drott examines key features of this new musical economy, including the roles played by data collection, playlisting, new methods of copyright enforcement, and the calculation of listening metrics. Yet because streaming underscores how uneasily music sits within existing regimes of private property, its rise calls for a broader reconsideration of music's complex and contradictory relation to capitalism. Drott's analysis is not simply a matter of how music is formatted in line with dominant measures of economic value; equally important is how music eludes such measures, a situation that threatens to reduce music to a cheap, abundant resource. By interrogating the tensions between streaming's benefits and pitfalls, Drott sheds light on music's situation within digital capitalism, from growing concentrations of monopoly power and music's use in corporate surveillance to issues of musical value, labor, and artist pay. …

Etat : New. In English.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : As New. Unread book in perfect condition.

Etat : New. 2011. 1st Edition. Paperback. In May 1968, France teetered on the brink of revolution as a series of student protests spiraled into general strike. This title examines the social, political, and cultural effects of May '68 on a variety of music in France, from the initial shock of 1968 through the 'long' 1970s and the election of Mitterrand and the socialists in 1981. Series: California Studies in 20th-Century Music. Num Pages: 368 pages, 8 b/w photographs, 10 music examples. BIC Classification: AVGC. Category: (P) Professional & Vocational. Dimension: 229 x 154 x 23. Weight in Grams: 506. . . . . . Books ship from the US and Ireland.…

Etat : New.

Etat : New. 2024. paperback. . . . . . Books ship from the US and Ireland.

Etat : As New. Unread book in perfect condition.