Eric michaud (180 résultats)
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Langue : anglais
Edité par Stanford University Press, 2004
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Langue : anglais
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Langue : anglais
Edité par Stanford University Press, 2004
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Utopia Post Utopia : Configurations of Nature and Culture in Recent Sculpture and Photography
Jameson, Fredric, Joselit, David, Jardine, Alice, Solomon-Godeau, Abigail, Michaud, Eric
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Cloth. Etat : Very Good. Etat de la jaquette : Very Good Dust Jacket. 270 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Remainder mark bottom fore-edge.
Langue : anglais
Edité par Éditions Michel Chomarat, Lyon, 1990
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Ajouter au panierFrench-fold / Sans Cout. Plier. Etat : Fine / État De Neuf. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair.
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Soft cover. Etat : Good. no jacket. Cover has some dark stains and rub marks, shelf wear and small dents. Inside pages are clean and unmarked. One dog-eared page.
Edité par MIT Press, 1989
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Ajouter au panierWraps. Etat : Good. Wide 8vo, 112 pp., illus. Includes articles on Van Gogh, Lacan, Yves Klein, Sontag, etc. Spine sunned, wrappers handled, lightly dustsoiled and edgeworn, corners bumped.
Langue : anglais
Edité par Éditions Michel Chomarat, Lyon, 1990
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Vendeur : Montreal Books, Westmount, QC, CanadaMontreal Books
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EUR 19,39
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EUR 17,62
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112 pp.; 23 x 17.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue 49 of the periodical October. Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, Annette Michelson, and Terri L. Cafaro. Contents include: "Some Functions of Feminist Criticism, or The Scandal of the Mute… Body," by Tania Modleski; "Van Gogh, or The Insufficiency of Sacrifice," by Eric Michaud; "French Customs, Literary Borders," by Denis Hollier; "The Orthopsychic Subject: Film Theory and the Reception of Lacan," by Joan Copjec; "Yves Klein, or The Dead Dealer," by Thierry de Duve; "Sontag's Urbanity," by D. A. Miller and "A New History of the Passions," by Allen S. Weiss. Good. Light dusting of covers and edge-wear. Red and black ink underling to pages 3-24 and 73-74. Contents otherwise clean and unmarked.
Langue : anglais
Edité par MIT Press Ltd, Cambridge, Mass., 2019
Série : Livre 1 sur 1 - October Books
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Hardcover. Etat : new. Hardcover. How the history of art begins with the myth of the barbarian invasion-the romantic fragmentation of classical eternity.The history of art, argues ric Michaud, begins with the romantic myth of the barbarian invasions. Viewed from the nineteenth century, the Germanic-led invasions of the Roman Emp…ire in the fifth century became the gateway to modernity, seen not as a catastrophe but as a release from a period of stagnation, renewing Roman culture with fresh, northern blood-and with new art that was anti-Roman and anticlassical. Artifacts of art from then on would be considered as the natural product of "races" and "peoples" rather than the creation of individuals. The myth of the barbarian invasions achieved the fragmentation of classical eternity.This narrative, Michaud explains, inseparable from the formation of nation states and the rise of nationalism in Europe, was based on the dual premise of the homogeneity and continuity of peoples. Local and historical particularities became weapons aimed at classicism's universalism. The history of art linked its objects with racial groups-denouncing or praising certain qualities as "Latin" or "Germanic." Thus the predominance of linear elements was thought to betray a southern origin, and the "painterly" a Germanic or northern source. Even today, Michaud points out, it is said that art best embodies the genius of peoples. In the globalized contemporary art market, the ethnic provenance of works-categorized, for example, as "African American," "Latino," or "Native American"-creates added value. The market displays the same competition among "races" that was present at the foundation of art history as a discipline. How the history of art begins with the myth of the barbarian invasionthe romantic fragmentation of classical eternity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Etat : New.
Prenez soin de vous maintenant ! Pour vivre heureux plus longtemps
Christophe Fauré, Eric Dupont, Christine Michaud, Diane Bilodeau, Christian Fortin et Serge Marquis
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Vendeur : Ammareal, Morangis, FranceAmmareal
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EUR 3,50
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Softcover. Etat : Comme neuf. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, As new. Ammareal gives back up to 15% of this item's net price to charity organizations.
October 49: Art, Theory, Criticism, Politics (Summer 1989)
Copjec, Joan (Ed.); Crimp, Douglas (ed.); Krauss, Rosalind (ed.); Michelson, Annette (ed.); Modleski, Tania; Michaud, Eric; Hollier, Denis; de Duve, Thierrry; Miller, D. A.; Weiss, Allen S.
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Softcover. Etat : Very Good with no dust jacket. Square, tight binding. Clean and bright pages. Wrappers have edge rubbing, light shelf and handling wear, light soiling. Contents: Modleski, Some functions of feminist criticism, or the scandal of the mute body. Michaud, Van Gogh, or the insufficiency of sacrifice. Hollier, French… customs, literary borders. Copjec, The orthopsychic subject: film theory and the reception of Lacan. de Duv, Yves Klein, or the dead dealer. Miller, Sontag's urbanity. Weiss, A new history of the passions. 9.0" tall; 112 pages.
Langue : anglais
Edité par Stanford University Press 4/30/2004, 2004
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Paperback or Softback. Etat : New. The Cult of Art in Nazi Germany. Book.
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112 pp.; 23 x 17.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue 49 of the periodical October. Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, Annette Michelson, and Terri L. Cafaro. Contents include: "Some Functions of Feminist Criticism, or The Scandal of the Mute… Body," by Tania Modleski; "Van Gogh, or The Insufficiency of Sacrifice," by Eric Michaud; "French Customs, Literary Borders," by Denis Hollier; "The Orthopsychic Subject: Film Theory and the Reception of Lacan," by Joan Copjec; "Yves Klein, or The Dead Dealer," by Thierry de Duve; "Sontag's Urbanity," by D. A. Miller and "A New History of the Passions," by Allen S. Weiss. Fine. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
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Langue : anglais
Edité par Stanford University Press, 2004
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- Signé
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EUR 17,62
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Paperback. Etat : Fair. Inscribed by Mikkel Borch-Jacobsen to Neil Hertz on front end page. Softcover. French text. Shelf wear. Water damaged. Front end page excised. Scattered markings. Sold with all faults. *Autographed by author.*. Signed.
Langue : anglais
Edité par MIT Press; October Books, Cambridge, MA, 2019
Série : Livre 1 sur 1 - October Books
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Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st. 270 pages, illustrations, maps; 24 cm. Translated from the French. Tight, clean copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. *** "How the history of art begins with the myth of the barbarian invasion--the romantic fragmentation of classi…cal eternity. The history of art, argues Eric Michaud, begins with the romantic myth of the barbarian invasions. Viewed from the nineteenth century, the Germanic-led invasions of the Roman Empire in the fifth century became the gateway to modernity, seen not as a catastrophe but as a release from a period of stagnation, renewing Roman culture with fresh, northern blood--and with new art that was anti-Roman and anticlassical. Artifacts of art from then on would be considered as the natural product of 'races' and 'peoples' rather than the creation of individuals. The myth of the barbarian invasions achieved the fragmentation of classical eternity. This narrative, Michaud explains, inseparable from the formation of nation states and the rise of nationalism in Europe, was based on the dual premise of the homogeneity and continuity of peoples. Local and historical particularities became weapons aimed at classicism's universalism. The history of art linked its objects with racial groups-denouncing or praising certain qualities as 'Latin' or 'Germanic.' Thus the predominance of linear elements was thought to betray a southern origin, and the 'painterly' a Germanic or northern source. Even today, Michaud points out, it is said that art best embodies the genius of peoples. In the globalized contemporary art market, the ethnic provenance of works--categorized, for example, as 'African American,' 'Latino,' or 'Native American'--creates added value. The market displays the same competition among 'races' that was present at the foundation of art history as a discipline." - Publisher. *** CONTENTS: Introduction: the modern invention of barbarians: delusions of descent and the transmission of forms; From "national taste" to "racial style"; Self-mimesis and self-portrait gods; The barbarian invasions and the racialization of art history; A new barbarian: the artless Jew; Barbarian blood: heredity and style; Epilogue: the ethnicization of contemporary art. Size: 8vo. Collectible.
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Vendeur : Ammareal, Morangis, FranceAmmareal
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EUR 6,17
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Softcover. Etat : Très bon. Ancien livre de bibliothèque. Légères traces d'usure sur la couverture. Edition 2014. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Slight signs of wear on the cover. Edition 2014. Amma…real gives back up to 15% of this item's net price to charity organizations.
Painters in the Theater of the European Avant-Garde
Garafola, Linn; Michaud, Eric; Paz, Marga; De Chirico, Giorgio; Derain, Andre; Gris, Juan; Leger, Fernand; Malevich, Kasimir; Miro, Joan; Kandinsky, Wassily; Lissitzky, El; Matisse, Henri; Picasso, Pablo; Rodchenko, Alexander; Picabia, Francis; Grosz, George; Mondrian, Piet
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EUR 30,84
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Hardcover. Etat : Good. No Jacket. Some spine wear; Mild rubbing/scuffing to boards; Spine titles faded.
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- Édition originale
Vendeur : A Book Preserve/ John A. Crider, Bookseller, Columbus, OH, Etats-UnisA Book Preserve/ John A. Crider, Bookseller
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EUR 28,20
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Soft cover. Etat : New. 1st Edition. Catalog for Leger Retrospective of 2002. 204 pp. Many full color plates. Essays in Catalan, Spanish and English. Ships fast with tracking. AB0001AZ.
Paying the Ferryman
Romeo, Melodie; Inez, Mariesa; Hogan, Rachel; Roddey, S. H.; Michaud, Jenner; McCloskey, Scott; Lane, Heidi; Rosamilia, Armand; Steele, Brian Fatah; Dean, Eric I.; Raymer, Herika R.; Pletzers, Lee; Benns, Jerry E.; Scabrous, Rick; Green, Silas; Ullery, D. S.; Taylor, Brian W.; Arrelle, Diane; Best, Bryan; Nehmelman, Tanya
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-UniRia Christie Collections
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EUR 18,60
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Etat : New. In.
Langue : anglais
Edité par Institute of Contemporary Art / MIT Press Boston / Cambridge, MA, 1988
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EUR 26,44
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120 pp.; 25.5 x 20.5 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held January 29 - March 27, 1988. Introduction by David A. Ross. Essays by Fredric Jameson, Eric Michaud, Elisabeth Sussman, David Joselit, Abigail S…olomon-Godeau, Alice Jardine. Artists include: Robert Gober, Albert Bierstadt, Richard Prince, Meg Webster, Dorit Cypis, Larry Johnson, Lorna Simpson, Jeff Wall, Oliver Wasow, James Welling. Includes exhibition checklist. Good / Very Good. Light wear to cover edge and top of spine on verso. Contents clean and unmarked.
