Ericsson tr (15 résultats)

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : As New. Etat de la jaquette : As New. Cleveland Museum of Art / Yale: 2015. Hardcover in dust jacket. 240 pages, illustrated throughout. Condition: Like New, with no marks or flaws; no sign of wear. Exhibition catalog, with this description provided by the museum "TR Ericsson employs photo-based work, sculptural objects, and cinema to create installations that provide a ruthlessly honest, yet tender portrait of his mother, who committed suicide at age 57, and of the triangulated relationships between three generations within one Northeastern Ohio family. Ericsson is involved in an ongoing investigation and reinterpretation of a deteriorating archive of family artifacts, documents, writings, and photographs. Crackle & Drag makes a personal struggle public, coming to terms with the archive's power to determine the past and the future, even as it vanishes in time. The exhibition's title is taken from the final line of Sylvia Plath's poem "Edge": "Staring from her hood of bone./She is used to this sort of thing. Her blacks crackle and drag." The title "Crackle and Drag," is appropriated from a Paul Westerberg song, which pays homage to the poet Sylvia Plath.…

hardcover. Etat : Very Good. 2015 The Cleveland Museum. Page all clean tight and bright no marks. Illustrated hardcover is clean and strong dust jacket is clean slight rub at corners and spine ends.

Etat : good. The dust jacket is missing.

Hardcover. Etat : Very Good. No Jacket. Hardbound no dust jacket.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Hardback with original Dust Jacket, unclipped. pp 240. Grey paper boards over hardback with black lettering to spine. Very Good overall condition. Profusely illustrated throughout.

Hardcover with dustjacket, 240 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket as issued, very good condition; small bump to bottom edge of front cover; no internal marks. Foreign shipping may be extra.

First Edition. First edition. Hardcover. Exhibition catalog for a show that ran February 11 through May 1, 2021. Printed in an edition of only 750 copies. Features text by Jeremy Sigler. Includes numerous color and black and white illustrations, biographical information, list of previous exhibitions, list of publications, and list of reviews, articles and interviews. A fine copy in photo-illustrated cloth boards. No dust jacket as issued.…

Hardcover. First Edition. Light grey illustrated cloth over boards with stamped, grey and white lettering; unpaginated; richly illustrated. Created on the occasion of an exhibition held at TOTAH in New York, February 11th through May 1st, 2021. VG (Light bumping of boards at corners and edges; binding is solid; appears unread.). …

Softcover. pictorial wraps w/ white printing. approx 40 unpaginated pgs w/ color plates. Illustrated throughout with full-bleed images. Includes interview with the artist conducted by Mark Nelson. Exhibitions held Shaheen Modern and Contemporary Art, Cleveland, September 17-November 12, 2010; and Francis M. Naumann Fine Art, New York, January 12-February 25, 2011. VG (light scratches to wraps; edge-wear. rubbing to corners; fine crease to front, lower corner).…

Hardcover without dustjacket as issued, new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Tapa Dura. Etat : New. 1ª Edición. Es complicado sorprendernos hoy en día, ahora que parece que ya esta todo inventado en Fotografía. TR. Ericsson lo ha conseguido con este elegante y sorprendente fotolibro. TR Ericsson reinventa fotografías familiares personales en su conmovedor libro Nicotine. Para crear las obras de arte, Ericsson emplea un proceso único que implica pasar nicotina a través de una serigrafía de medios tonos, lo que da como resultado una huella fantasmal de una imagen. Las impresiones resultantes tratan tanto de la inquietante presencia del pasado manifestada en fotografías como de la naturaleza efímera de la memoria.Fumadora de toda la vida, la madre de Ericsson, Sue, a menudo se quedaba despierta hasta altas horas de la noche en la mesa del comedor, con un cigarrillo en la mano. Después de su muerte por suicidio en 2003, Ericsson se enfrentó a la tarea de limpiar su casa y sus paredes manchadas de nicotina. Esta experiencia sirvió como catalizador para la creación de las obras de nicotina. Mientras Ericsson raspaba el papel tapiz, pensó no sólo en las manchas físicas sino también en su propia madre, sola, despierta toda la noche, reflexionando sobre su pasado. Nicotina es una oda a la vida de la madre de Ericsson y una meditación sobre las impresiones persistentes que quedan cuando una vida termina. Al transformar instantáneas aparentemente banales en formas recién concebidas, Ericsson recontextualiza las imágenes, las eleva y preserva las nuevas narrativas que contienen, historias que de otro modo serían enterradas con el difunto.La nicotina toma la forma de un extraño y excéntrico álbum familiar. Su cubierta está encuadernada en una lujosa tela similar a la gamuza de color tabaco que evoca las cortinas de los interiores de otra época. Es un monumento físico que captura la esencia que se desvanece de una vida vivida una vez. Con ecos de un catálogo científico del siglo XIX, cada una de las veintiséis imágenes está colocada individualmente en las páginas del libro, haciendo referencia a la meticulosa atención prestada a un álbum de recortes familiar.El proceso de quemar estas imágenes para crearlas . firmado por el autor o artista. Libro, Book, Buch. Livre. …

Hardcover. Etat : New.

Hardback. Etat : Near fine. 25 x 30cm near fine hardback exhibition catalogue, no dust jacket, colour reproductions throughout. The work of the American artist TR Ericsson is built around deeply personal narratives that investigate the lives of the artist, his middle-class Midwestern family and the changing cultural landscape that impacted each generation. Working from an archive of inherited photographs and documents Ericsson repurposes these artifacts with traditional as well as experimental art materials into a series of intertwining images, objects and texts. Each of these intimate fragments expand into universal declarations on time, memory, love and loss.…