Eva mannering (70 résultats)

Soft cover. Etat : Fine. Etat de la jaquette : Fine. White stiff card covers, unpaged, 28 leaves, 9.5 in. tall. A collection of 24 full page bird prints without descriptive text. Essay is in French. Dust jacket has a John Gould print on front panel. Fine in a fine dust jacket.

Trade Paperback. Etat : Very Good. No Jacket. First Edition. 8vo - over 7¾" - 9¾" Very good paperback in jacket (minor wear to edges). The color reproductions are very well done. From the library of noted American poet Denise Levertov with her ink stamp.Color Plates.

hardcover. Etat : Good.

Soft cover. Etat : Fair. Etat de la jaquette : Torn with Loss. 15 pages of text plus 24 colour plates. There is some tanning, but the plates are all in good condition.

XVI mit Abb. u. 24 Tafeln mit farb. Abb. Sehr gutes Exemplar. Pergamin umschl. etw. abgerändert. Sprache: Deutsch Fol., Orig.-Leinen mit ill. Orig.-Schutzumschlag u. Pergamin-Umschlag.

Hardcover. Etat : Very Good. Etat de la jaquette : Good+. Very good slim hardback in good jacket. Minor wear to cover extremities. Light edge wear to jacket, with light moderate sunning to and around jacket spine and tear (approx. 1.5 in.) to head of spine. -- General information: please email for any more information or condition photos. There may be other minor faults not included here, but this description should include all important points and convey accurately the overall conditon of the item(s). We are happy to give a more detailed description on request. Posted next day (Mon-Fri) from the UK. We normally post by Royal Mail 1st class within the UK, but may use a slower service for books over 1kg or multiple orders or a tracked service for higher value orders. We normally post by Royal Mail Tracked for overseas deliveries, and may request additional postage (at cost) for heavier items (buyers always have the option to cancel the order if we do so).…

Soft cover. Etat : Good. 1st. lacking dust jacket, soiling to covers, toning to edges of plates, 4 or 5 plates toned overall, but colors still bright. Contains 24 color plates, printed one-side only, each 16 x 11 inches. [40pp] 1.64lb 16.0x11.7x0.3in.

hardcover. Etat : Very Good. The copy shows minor external wear, but is otherwise in clean condition.

SOFTCOVER, elephant folio, white light card wrappers, black lettering to spine & front wrapper, decorated prelims, xvi + coloured plates- not counted presumed all present, VG+ (light creasing to spine, light tanning & scuffing to wrapper edges, sl soiling to wrappers, moderate tanning to page edges & eps, contents nice and clean) in d/w, VG (in brittle/chipped delicate & tanned glassine cover- easily removed if desired, light to moderate creasing & chipping to edges, light staining to bottom edges, occasional foxing & tanning).…

Hardcover. Folio, 40,5 x 29,5 cm. Originaler hellblauer Leinenband mit goldgeprägten Einbandtitel und lilafarbenem Rückenschild. Der Einband ist etwas randbestoßen und stellenweise schwach fleckig. XV Seiten Text, gefolgt von 15 farbigen Tafeln. Eine kleine Schadstelle im Vorderdeckel zieht sich als 1 cm langer feiner Einriss über alle Textseiten, bis über etwa die Hälfte der Tafeln. Vortitelblatt mit dreizeiliger privater Widmung in schwarzem Stift, die Textseiten sind an wenigen Stellen schwach randfleckig. Insgesamt noch gut erhaltenes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Wenn es draußen stürmt, können Sie es sich mit einem guten Buch gemütlich machen und ein warmes Getränk dazu genießen. Bei uns finden Sie die passende Lektüre! -- Wir kaufen Ihre werthaltigen Bücher! K00770B.…

Paperback. Etat : Good. The best of Redoute's Roses, selected and introduced by Eva Mannering, 1959. A large soft back with dust jacket, shelf wear, bumped and rubbed, sunned, some marks on the cover, slightly foxed.

Etat : fine. 1966, hardcover met stofomslag. De stofomslag heeft twee scheurtjes aan de onderzijde en er is een korte boodschap voorin geschreven.

In folio grande, pp. XIV, 23 grandi tavole a colori che riproducono le rose di Pierre-Joseph Redouté pubblicate tra il 1817 e il 1824, brossura editoriale figurata a colori e sovraccop. in velina. False (illustrateur).

Paperback. Etat : Good. First Edition. the covers are shelf rubbed. foxing and markings on the covers and contents. all plates remain intact, vibrant and presentable. fairly good copy. [SK]. Our orders are shipped using tracked courier delivery services.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : new.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : Very Good. 4to., pp.xxii,306, glazed hardcover, b/w illustrations and photos, colour plates; slight shelfwear to boards, a very good, clean copy.

Etat : As New. Unread book in perfect condition.

hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardback. Etat : New. When Viking Age house interiors are reconstructed, the focus is usually on the fireplace and the placement of tables, benches and beds. These features help us understand how people lived. However, we often forget that textiles, such as blankets, sheets, tablecloths and wall hangings, were also important in everyday life. Textiles were used for comfort, cleaning and decoration, and they helped tell stories as well as signal a person's or family's social status. Most Viking Age textiles that have survived are found in graves. These include not only clothing but also bedding, pillows and fabrics used to wrap objects. A burial can be seen as a kind of room for the dead, filled with items that reflect how people lived and what they valued. Because of this, grave finds are important when discussing the interior textiles used in Viking Age houses. Wall hangings are mentioned as status symbols in the Icelandic sagas, and examples from the late Viking Age and early medieval period have been found and preserved in churches, giving us insight into their use and value. Old Norse texts also mention soft furnishings such as tablecloths and handcloths, and the use of interior textiles can be seen on the Bayeux embroidery. Other types of iconography, such as on rune stones and picture stones, help us understand how interior textiles may have been used. By combining information from textiles, written sources and iconography, and by applying different approaches, the chapters in this book offer various perspectives on how interior textiles were used in the Viking Age, why they were needed and how valuable they were.…

Etat : NEW.

Hardback. Etat : New. When Viking Age house interiors are reconstructed, the focus is usually on the fireplace and the placement of tables, benches and beds. These features help us understand how people lived. However, we often forget that textiles, such as blankets, sheets, tablecloths and wall hangings, were also important in everyday life. Textiles were used for comfort, cleaning and decoration, and they helped tell stories as well as signal a person's or family's social status. Most Viking Age textiles that have survived are found in graves. These include not only clothing but also bedding, pillows and fabrics used to wrap objects. A burial can be seen as a kind of room for the dead, filled with items that reflect how people lived and what they valued. Because of this, grave finds are important when discussing the interior textiles used in Viking Age houses. Wall hangings are mentioned as status symbols in the Icelandic sagas, and examples from the late Viking Age and early medieval period have been found and preserved in churches, giving us insight into their use and value. Old Norse texts also mention soft furnishings such as tablecloths and handcloths, and the use of interior textiles can be seen on the Bayeux embroidery. Other types of iconography, such as on rune stones and picture stones, help us understand how interior textiles may have been used. By combining information from textiles, written sources and iconography, and by applying different approaches, the chapters in this book offer various perspectives on how interior textiles were used in the Viking Age, why they were needed and how valuable they were.…

Hardcover. Etat : new. Hardcover. When Viking Age house interiors are reconstructed, the focus is usually on the fireplace and the placement of tables, benches and beds. These features help us understand how people lived. However, we often forget that textiles, such as blankets, sheets, tablecloths and wall hangings, were also important in everyday life. Textiles were used for comfort, cleaning and decoration, and they helped tell stories as well as signal a persons or familys social status. Most Viking Age textiles that have survived are found in graves. These include not only clothing but also bedding, pillows and fabrics used to wrap objects. A burial can be seen as a kind of room for the dead, filled with items that reflect how people lived and what they valued. Because of this, grave finds are important when discussing the interior textiles used in Viking Age houses. Wall hangings are mentioned as status symbols in the Icelandic sagas, and examples from the late Viking Age and early medieval period have been found and preserved in churches, giving us insight into their use and value. Old Norse texts also mention soft furnishings such as tablecloths and handcloths, and the use of interior textiles can be seen on the Bayeux embroidery. Other types of iconography, such as on rune stones and picture stones, help us understand how interior textiles may have been used. By combining information from textiles, written sources and iconography, and by applying different approaches, the chapters in this book offer various perspectives on how interior textiles were used in the Viking Age, why they were needed and how valuable they were. By combining information from textiles, written sources and iconography, and by applying different approaches, the chapters in this book offer various perspectives on how interior textiles were used in the Viking Age, why they were needed and how valuable they were. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New.

Etat : New.

Hardback. Etat : New. When Viking Age house interiors are reconstructed, the focus is usually on the fireplace and the placement of tables, benches and beds. These features help us understand how people lived. However, we often forget that textiles, such as blankets, sheets, tablecloths and wall hangings, were also important in everyday life. Textiles were used for comfort, cleaning and decoration, and they helped tell stories as well as signal a person's or family's social status. Most Viking Age textiles that have survived are found in graves. These include not only clothing but also bedding, pillows and fabrics used to wrap objects. A burial can be seen as a kind of room for the dead, filled with items that reflect how people lived and what they valued. Because of this, grave finds are important when discussing the interior textiles used in Viking Age houses. Wall hangings are mentioned as status symbols in the Icelandic sagas, and examples from the late Viking Age and early medieval period have been found and preserved in churches, giving us insight into their use and value. Old Norse texts also mention soft furnishings such as tablecloths and handcloths, and the use of interior textiles can be seen on the Bayeux embroidery. Other types of iconography, such as on rune stones and picture stones, help us understand how interior textiles may have been used. By combining information from textiles, written sources and iconography, and by applying different approaches, the chapters in this book offer various perspectives on how interior textiles were used in the Viking Age, why they were needed and how valuable they were.…

Etat : New.