fagg william editor (8 résultats)

Paperback. Etat : Very Good. U.S. orders are shipped from N.Y. state.

Paperback. Etat : Very Good or better. First Paperback Printing. Oversize wraps with general wear but no significant faults; clean, no spine crease; clean and unmarked. xviii, 209 pages, illustrated in color and b/w. Experienced full-time bookseller since 1994 (selling online since 1998). Images may be added by request. Questions welcome.

Soft cover. Etat : Very Good-. Kenn Fagg; Ed Valigursky; Ed Emsh; Ernie Barth; Kelly Freas; Paul Orban; (illustrateur). First Edition. 120 pp. Digest format. General wear with creasing on the spine. Cover art by Kenn Fagg; interiors by: Ed Valigursky; Ed Emsh; Ernie Barth; Kelly Freas; and Paul Orban. This issue contains: Novelettes: Jupiter Five by Arthur C. Clarke; The Huddlers by William Campbell Gault; Derelict by Alan E. Nourse; Short Stories: She Knew He Was Coming by Kris Neville; Pipe of Peace by James McKimmey Jr; The Kenzie Report by Mark Clifton; Field Trip by Gene Hunter; Circle of Flight by Richard E. Stockham; Say Hello for Me by Frank W. Coggins; and The Contest by Gavin Hyde; along with the usual features. Size: 12mo. Book.

Hardcover. Etat : Near Fine. Etat de la jaquette : Fair. 1st Edition. Near fine minus assumed 1971 first edition, profusely illustrated in full color, is tight, bright, and clean, free of markings. The fair plus dust jacket has wear at the spine ends and extremities.

Hardback. Etat : Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Hard Cover. Etat : Fine. Etat de la jaquette : Fine. Profusely Illustrated (illustrateur). First Edition. HEAVY. xiii, 208pp, bibliography, 70 full page plates (35 color); 50 bw & col photographs. Or fawn cloth in pictorial jacket. Jacket has very slight edge wear with light toning to flap edges. One bottom page corner turned. Sumptuously illustrated this vlume explores the world of Yoruba sculpture from the west African country of Nigeria. Size: Folio.

Hardcover. Etat : As New. Etat de la jaquette : Very Good. 1st Edition. With an essay by Peter Mark. Large-format volume, measuring approximately 9.5" x 12.5", is bound in black cloth, with stamped silver lettering to spine. Book is like new. Dust jacket shows light shelfwear and is preserved in mylar cover. 255 pages. "The earliest objects from Black Africa to reach European collections were ivories brought from West Africa to Portugal in the last years of the 15th century. Records of import duties paid at Lisbon for the year 1504-05 show that on eighteen occasions in the course of that year alone sailors and merchants returning from the coast of West Africa paid taxes on ivory spoons and "saleiros", or saltcellars. Between 1490 and 1600 African artists working for European patrons carved exquisite ivory saltcellars, hunting horns, spoons and other commissions for the royal households of Europe. The ivories' exotic origin, together with their exquisite craftsmanship and precious material, made them worthy gifts to persons of importance. In 1500, an Afro-Portuguese ivory hunting horn bearing the arms of Castile, Aragon, and Portugal was given as a wedding gift to a daughter of Ferdinand and Isabella. This is the earliest instance of cross-cultural interaction between Europeans and West Africans and it produced a series of remarkable works of art. These works crystallize an important historical event and express the first impressions Africans had of Europeans before the large scale slave trade, the industrial revolution and colonial rule distorted relations between them. Portuguese who came to the ivory workshops in Sierra Leone, Nigeria, and the Congo brought models of hunting scenes, coats of arms, decorative motifs and chalice shapes. African artists, already skilled carvers of wood, stone, and ivory, interpreted these in their own style, and added their own motifs to produce a new, highly original art in ivory. "Africa and the Renaissance" retraces the African and European sources of ivories, and interprets these works of art as documents of the first contact. The objects reveal the sophistication of Africans in the 15th and 16th centuries, and correct the misconception that Africa was devoid of history and culture, closed to the outside world until the colonial era.".

Hardcover. Etat : very good. Large quarto in stmped and gilt tititled and ornamented burgduny cloth; 144p, chiefly tables and charts. Uncommon. Shipping. Cargo. Warehouses. Transportation. Trade. Commerce. Commercial products. Shipment of goods. Entrep?ts. Produits commerciaux. Exp?dition de marchandises. Shipment of goods. Warehouses. Slight crease to rear board; minor wear; personal owner signature in large red ink to front free endpaper; overall about very good. Please see photos.