Fauser annegret (117 résultats)

Softcover. Etat : Very Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers have light shelf wear. Kowalke, Seven degrees of separation: music, text, image, and gesture in The Seven Deadly Sins. Hutcheon, The "phenomenal image" in opera. Paley, Zwischenreden für Zwischenakte: Egmont and the melodramatic supplement. Fauser, Visual pleasures - musical signs: dance at the Paris Opera. Levitz, Syvilla Fort's Africanist modernism and John Cage's gestic music: The story of Bacchanale. Lerner, "Look at that big hand move along": clocks, containment, and music in High Noon. 9.0" tall; 176 pages. …

Softcover. Etat : Very Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers have light shelf wear. Contents: Kügle, Glorious sounds for a holy warrior: new light on Codex Turin I.II.9. Goodman, "The tears I shed at the songs of thy church": seventeenth-century musical piety in the English Atlantic world. Butler, Gluck's Alceste in Bologna: production and performance at the Teatro Communale, 1778. Walden, "An essential epression of the people": interpretations of Hasidic song in the compoisition and performance history of Ernest Bloch's Raal Shem. Cohen, et al., Colloquy: musicology beyond borders?; 9.25" tall; 281 pages.…

Softcover. Etat : Very Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers have shelf wear including rubbing and wear to lower front edge. Contents: Dumitrescu, Who was "Prioris": a royal composer recovered. Fairclough, "Don't sing it on a feast day": the reception and performance of western sacred music in Soviet Russia, 1917-1953. Burford, Sam Cooke as pop album artist--a reinvention in three songs. Moshaver, Telos and temporality: phenomenology and the experiences of time in Lewin's study of perception. Currie et al., Colloquy: Vladimir Jankélévitch's philosophy of music. 9.25" tall; 307 pages.…

Softcover. Etat : Very Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers have light shelf wear. Contents: Warfield, The march as musical drama and the spectacle of John Philip Sousa. Proksch, "Forward to haydn!": Schenker's politics and the German revival of Haydn. Shelemay, Musical communities: rethinking the collective in music. Allen, et al., Colloquy: ecomusicology. 9.25" tall; 207 pages. …

Soft cover. Etat : Fine. Softcover, 300 pgs. Fine.

Paperback. Etat : new. Paperback. Appalachian Spring, with music by Aaron Copland and choreography by Martha Graham, counts among the best known American contributions to the global concert hall and stage. In the years since its premiere-as a dance work at the Library of Congress in 1944-it has become one of Copland's most widely performed scores, and the Martha Graham Dance Company still treats it as a signature work. Over the decades, the dance and the music have taken on a range ofmeanings that have transformed a wartime production into a seemingly timeless expression of American identity, both musically and visually. In this Oxford Keynotes volume, distinguished musicologist Annegret Fauserfollows the work from its inception in the midst of World War II to its intersections with contemporary American culture, whether in the form of choreographic reinterpretations or musical ones, as by John Williams, in 2009, for the inauguration of President Barack Obama.A concise and lively introduction to the history of the work, its realization on stage, and its transformations over time, this volume combines deep archival research and cultural interpretations to recountthe creation of Appalachian Spring as a collaboration between three creative giants of twentieth-century American art: Graham, Copland, and Isamu Noguchi. Building on past and current scholarship,Fauser critiques the myths that remain associated with the work and its history, including Copland's famous disclaimer that Appalachian Spring had nothing to do with the eponymous Southern mountain region. This simultaneous endeavor in both dance and music studies presents an incisive exploration this work, situating it in various contexts of collaborative and individual creation. Appalachian Spring, with music by Aaron Copland and choreography by Martha Graham, counts among the best known American contributions to the global concert hall and stage. Distinguished musicologist Annegret Fauser offers a concise and lively introduction to the history of the work, its realization on stage, and its transformations over time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Etat : Brand New. 144 pages. 8.25x5.50x0.50 inches. In Stock.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Etat : Very Good. Previous owner's name inside. No marks in text. Dust jacket, binding, excellent.

Etat : new.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : Brand New. 320 pages. 8.75x6.00x0.75 inches. In Stock.

Etat : New. 2017. 1st Edition. Paperback. . . . . .

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

Paperback. Etat : Brand New. 144 pages. 8.25x5.50x0.50 inches. In Stock.

Etat : New. 2020. Paperback. . . . . .

Etat : New. pp. 320.

Etat : New. In English.

Etat : New. 2017. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Encuadernación de tapa blanda. Etat : Muy bien.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

1ª ed., 1ª imp. 300 p. il. col. 24*14 cm. En rústica editorial. Excelente estado IMPORTANTE. Lea Nuestras Condiciones de Venta y Gastos de Envío. Contrareembolso 6 eur.

Etat : New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

Etat : New. pp. 320.

1998. (Trade paperback) Near fine. 198pp. Photographs, illustrations, musical notation, notes. Contributors include Linda Phyllis Austern (Nature, Culture, Myth, and the Musician in Early Modern England), Annegret Fauser (La Guerre en dentelles: Women and the Prix de Rome in French Cultural Politics), K.M. Knittel (Wagner, Deafness, and the Reception of Beethoven's Late Style). Published for American Musicological Society. (Music, Classical Music, Music, Musicology).…

Etat : As New. Unread book in perfect condition.

Etat : leido. 1ª edición. rústica. ilustrado color 300.

Etat : New. Brand New.

Etat : New. pp. 392.

Etat : New.