finstein max (35 résultats)

First edition. [52 pp]. Very near fine in printed blue wrappers and a small yellow sticker dot on the front panel, as issued. One of 600 copies. Poems with drawings by Joyce Finstein.

Paperback. Etat : Good. First edition. 8vo, pp. unnumbered. Wrappers stained, wrapper and page edges browned, small sticker ghost on front, bottom of fore-edge lightly bumped.

First edition Close to fine fine blue wraps with clean text throughout. A nice production from Clifford Burke's Cranium Press. An original poem by another poet written on the front flyleaf.

Thin Trade Paperback Original. Etat : Very Good. First Edition. Blue wraps darkened on spine, sticker scar on front cover, and a few spots on cover. Final page is a fold-out poem. Edition printed in 600 copies.

40 p., 1 l. First edition (cover with age toning to spine and front cover, slight wear to cover, else near fine). Sprache: Englisch Gewicht in Gramm: 400 8to (17,7 x 12,7 cm). Publisher`s paperboards (design by Dan Rice).

Soft cover. Etat : Very Good. 1st Edition. Side-stapled softcover, 26 pgs. Limited to 250 copies printed. Moderate rubbing to cover, else fine.

Paper. First edition. Foreword by Gilbert Sorrentino Light dusting on white covers else VG.

Softcover. Etat : Very Good. First Edition. Very Good stapled mimeo 8½x11 inches with some edgewear and cover soil marks. 67 pages, text ummarked. Robert Kelly, James Koller, Diane Wakoski, Allen Ginsberg, Robert Duncan, Gail Dusenberg, John Thibeau, Joanne Kyger, Allen Planz, Mike Hannon, Jack Collom, Paul Cordell, Paul Blackburn, Fielding Dawson, Michael Rumaker, Robert Sward, Clark Coolidge, Richard (Red) Barker, Max Finstein, Frederick Ward, Clair Oursler, Tuli Kupferberg, Thomas Clark, Gino Il Tedesco; OOCB OVR72; 4to 11" - 13" tall; 67 pages.

Softcover. Etat : Near Fine. First edition. Drawings by Joyce Finstein. Typography by J. Brooke. Cover edges and spine lightly sunned, dime sized dark blue spot on front cover, else near fine in blue printed covers. One of 600 copies.

40 S., 2 Bll. Erste Auflage / first edition (Einband gebräunt / cover browned). Sprache: Englisch Gewicht in Gramm: 450 8°. Orig.-Karton Illustration Dan Rice.

Soft cover. Etat : Good. 1st edition. Good only (lacking front wrapper). 4to, [ii]+38pp (mimeographed both sides), stapled wrappers. The final issue (from a psychedelicizing San Francisco) of this important sixties mimeographed poetry magazine. Includes Gary Snyder (Sherlock v2.D106). The missing front cover by Bob Branaman is supplied in photocopy. Unmarked copy with general reading wear, back cover is detached from staples. Not Signed.

Softcover. Etat : Very Good. First edition. Cover design by Dan Rice. Forward by Gilbert Sorrentino. Very good with soiling to the wraps, toning and tear at the foot of the spine.

Soft cover. Etat : Near Fine. Etat de la jaquette : Fine. Fielding Dawson (illustrateur). Printed yellow card portfolio containing 14 loose sheets, each printed with a holograph poem and a portrait of its poet by Fielding Dawson. In original manila envelope. "Jargon 31" printed on envelope has been outlined in red ink; otherwise unmarked and about fine.

Soft cover. Etat : Very Good. 1st Edition. Very good copy with 14 loose plates in mustard-colored folder in original plain white envelope. IB.

Etat : Good. Prospectus. 25 x 16 cm., Single Page, Very Good. Excerpt of Finstein's work on verso. This is the Prospectus for a book, not the book itself.

7 x 5, wraps, 41 pp, spine slightly frayed, covers worn and moderately soiled. FIRST EDITION.

First edition. 55 pp. Fine in tape-bound, oblong wrappers. Cover art and internal illustrations by Jorge Fick. Dated (2/66) and INSCRIBED by Finstein inside the front cover, "Gil-- Move, though / different machines. / I hope. / All best wishes. / Max.".

Soft cover. Etat : Very Good. 1st edition. VG. 4to, 20pp (including wrappers), staple-bound. Scarce third issue of this important Denver 1960s underground magazine edited by James Ryan Morris. Address label to The Wormwood Review and canceled postage stamp on front cover (no other markings), remnants of original closure tape, a bit of general wear. Not Signed.

Soft cover. Etat : Very Good Plus. 1st Edition. Oblong 8vo. Stab-stapled and tape bound. [iv], 56pp. + 10pp. illustrations. Just a couple of spots to the head edge, the front cover a touch marked there and with small, pencilled initials in the corner, the fore corners gently bumped, but rather crisp in fact.

First edition. 40 pp. Near fine in printed wrappers with lightly sunned spine. Cover art by Dan Rice. Foreword by Gilbert Sorrentino. Printed by the Orion Press, distributed by the Totem Press. Hellenberg's only publishing venture.

Broadside. First Edition. Broadside, 13 x 20 inches, printed in brown on white with illustration in gray and black below poem. Limited to 300 copies, created for the San Francisco Arts Festival, 1964. Signed by the illustrator on bottom right. First edition (first printing). A near fine copy.

No Binding. Etat : Very Good. 1st Edition. 8by11.PROMO SHEET.with an illus. ad for the book stapled on, with orig. envelope sent to the poet Tram Coombs and with a p.c. from Wild Dog press.etc.(VV2/0)12.

Softcover. Etat : Near Fine. First edition. Cover design by Dan Rice. Forward by Gilbert Sorrentino. Near fine with toning to the spine and small streaks on the rear wrap.

Softcover. Etat : Near Fine. First edition. 12mo. Wrappers. Foreword by Gilbert Sorrentino. Age-toning, else near fine. Cover art by Dan Rice.

EA, nn S., OKart., Einband etw. angestaubt, sonst gut erhalten Sprache: Englisch. Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Etat : Very good. LIMITED EDITION BROADSIDE SIGNED BY THE ARTIST & THE POET - A 20 inch high by 13 inch wide broadside on creamy white watermarked paper. The text to the poem by Max Finstein is printed above Fred Martin's half-page gray & tan woodcut illustration representing lines from the poem. The broadside is signed in ink by the poet Max Finstein to the right of the justified text of the poem and also signed in pencil by the artist Fred Martin under his woodcut. There is minor creasing to the edges, else near fine. Limited edition of only 300 copies signed by BOTH the poet and the artist, created for the San Francisco Art Festival Poetry Portfolio, 1964 by East Wind Printers.

Wrappers. First Edition. Wrappers a little darkened and dust-marked, otherwise a very nice copy.

Softcover. Etat : Near Fine. Magazine. Cover by Norman Bluhm. 65pp. Tipped-in illustration on page 63. Stapled wrappers. Spine lightly rubbed, else fine. One of the most influential of all the "little magazines" published during the mimeograph revolution. This issue features contributions from Jones, Allen Ginsberg, Robert Creeley, John Ashbery, Charles Olson, Gilbert Sorrentino, Philip Whalen, Larry Eigner, Frank O'Hara, Bruce Boyd, Kenneth Koch, George Stanley, Gregory Corso, B. Smith, Stuart Z. Perkoff, Max Finstein, Joel Oppenheimer, Diane di Prima, and Edward Marshall.

Softcover. Etat : Near Fine. Magazine. Cover by Bob Brannaman. Quarto. 37pp. Stapled pictorial wrappers. Near fine with edgewear. Includes contributions from Larry Eigner, Drew Wagnon, Fielding Dawson, Gary Synder, Lewis Warsh, David Ray, Mike Hannon, Jonathan Greene, Theodore Enslin, Bill Hutton, Victor Contoski, Robert Howell, Bruce Maddox, Ronald Wigginton, Max Finstein, and Daphne Buckle.

Wraps. Etat : Near Fine. First Edition. 5.75 x 8.75' Yellow printed cardstock folder housing 14 loose sheets, each with a reprint of a holograph poem from the poet, and a drawing by Fielding Dawson. With the original manila envelope. Fine in a Near Fine envelope. Featured poets: Paul Blackburn, Bob Brown, Edward Dahlberg, Max Finstein, Allen Ginsberg, Paul Goodman, Denise Levertov, Walter Lowenfels, Edward Marshall, E. A. Navaretts, Joel Oppenheimer, Gilbert Sorrentino, Jonathan Williams, and Louis Zukofsky. Dedicated to William Carlos Williams.