Fitzpatrick joan (312 résultats)

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Trade Paperback. Etat : Very Good. Minor thumbing, light marks in text, else tight and clean. Illus.

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Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Exlibrary with usual library markings. ; 139 pages.

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Hardcover. Etat : Near Fine. 1st Edition. Book.

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Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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Hardcover. Etat : Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

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hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-UniWorldofBooks
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Paperback. Etat : Very Good. Between the premiere of Brian Friel's stage play "Dancing at Lughnasa" in 1990 and Pat O'Connor's cinematic adaptation in 1998, Ireland experienced seismic economic and social changes, as well as Riverdance, Angela's Ashes and an international vogue for all things Irish. Set in 1936, "Dancing at Lugh…nasa", as both film and play, imagines an anachronistic past in which the loss of joyous communal ritual is symptomatic of the cultural malaise so often associated with Ireland in the 1930s. Drawing upon unpublished material from the Friel archive at the National Library of Ireland, Joan FitzPatrick Dean contrasts the expressly theatrical elements of Friel's play and their cinematic counterparts. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Etat : As New. Unread book in perfect condition.

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paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

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Paperback. Etat : new. Paperback. Between the premiere of Brian Friel's stage play "Dancing at Lughnasa" in 1990 and Pat O'Connor's cinematic adaptation in 1998, Ireland experienced seismic economic and social changes, as well as Riverdance, Angela's Ashes and an international vogue for all things Irish. Set in 1936, "Dancing at… Lughnasa", as both film and play, imagines an anachronistic past in which the loss of joyous communal ritual is symptomatic of the cultural malaise so often associated with Ireland in the 1930s. Drawing upon unpublished material from the Friel archive at the National Library of Ireland, Joan FitzPatrick Dean contrasts the expressly theatrical elements of Friel's play and their cinematic counterparts. Drawing upon unpublished material from the Friel archive at the National Library of Ireland, Joan FitzPatrick Dean contrasts the expressly theatrical elements of Friel's play and their cinematic counterparts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Etat : New.

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Paperback. Etat : As New. NEW. SEALED. In original shrink wrap.

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Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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Etat : New.

Langue : anglais
Edité par Bloomsbury Publishing PLC, London, 2021
Série : Livre 4 sur 8 - Forms of Drama
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-UnisGrand Eagle Retail
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Paperback. Etat : new. Paperback. Focusing on examples from medieval theatre, womens suffrage campaigns, and the 2012 Olympics Opening Ceremony, this is the first book to offer a critical overview of pageant as a dramatic form. By enacting highly selective historical episodes, pageants manipulate audiences sense of the past. Thr…ough iconic music, affecting images, and vernacular forms, pageants express and, in turn, shape religious, civic, or political allegiances. Freely appropriating elements of history plays, patriotic celebrations, opera, and film, pageants create spectacles of sensory overload. Impressive recent scholarship recognizes pageants as public history, but this is the first authoritative account of the origins, characteristics, and techniques of pageants as a theatrical idiom. Performed in sporting arenas, the open air, or purpose-built theatres, these paratheatrical events express identity through what Erika Fischer-Lichte calls the re-theatricalization of theatre. Pageants are intimately connected with powerthey either assert and celebrate it or seek and demand it. Medieval religious pageants were so popular and powerful that they were suppressed and extinguished. The vogue for pageantry that swept through the English-speaking world in the decade before WWI was closely tied to the expansion of the franchise. Many early twentieth century pageants celebrated localities; others subversively advocated for womens suffrage. First performed in 1909, Cicely Hamiltons A Pageant of Great Women depicted historical personages from the near and distant past as well as allegorical figures such as Justice and Prejudice. Today, the Olympic Games mandate an opening ceremony that details the country's history, culture, and overall importance for the global community. London delivered just such a pageant in 2012. This book features a wide-ranging introduction that maps the cultural evolution of this enduring theatrical form and covers popular and readily accessible pageants from medieval England, the early twentieth century, and our own day. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-UniRarewaves.com USA
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Paperback. Etat : New. Focusing on examples from medieval theatre, women's suffrage campaigns, and the 2012 Olympics Opening Ceremony, this is the first book to offer a critical overview of pageant as a dramatic form. By enacting highly selective historical episodes, pageants manipulate audiences' sense of the past. Through icon…ic music, affecting images, and vernacular forms, pageants express and, in turn, shape religious, civic, or political allegiances. Freely appropriating elements of history plays, patriotic celebrations, opera, and film, pageants create spectacles of sensory overload. Impressive recent scholarship recognizes pageants as public history, but this is the first authoritative account of the origins, characteristics, and techniques of pageants as a theatrical idiom. Performed in sporting arenas, the open air, or purpose-built theatres, these paratheatrical events express identity through what Erika Fischer-Lichte calls "the re-theatricalization of theatre." Pageants are intimately connected with power-they either assert and celebrate it or seek and demand it. Medieval religious pageants were so popular and powerful that they were suppressed and extinguished. The vogue for pageantry that swept through the English-speaking world in the decade before WWI was closely tied to the expansion of the franchise. Many early twentieth century pageants celebrated localities; others subversively advocated for women's suffrage. First performed in 1909, Cicely Hamilton's A Pageant of Great Women depicted historical personages from the near and distant past as well as allegorical figures such as Justice and Prejudice. Today, the Olympic Games mandate an opening ceremony that "details the country's history, culture, and overall importance for the global community." London delivered just such a pageant in 2012. This book features a wide-ranging introduction that maps the cultural evolution of this enduring theatrical form and covers popular and readily accessible pageants from medieval England, the early twentieth century, and our own day.

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Vendeur : GreatBookPrices, Columbia, MD, Etats-UnisGreatBookPrices
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- Édition originale
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Hardcover. Etat : Very Good. First Edition. First Edition, First Printing. Not price-clipped. Published by Twayne Publishing, 1990. Octavo. Hardcover. Book is very good. Dust jacket is very good.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. Al…l books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

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Etat : New. 2003. Illustrated. Paperback. . . . . .

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Etat : As New. Unread book in perfect condition.

Dancing at Lughnasa (Ireland into Film)
Dean, Joan Fitzpatrick/ Hopper, Keith (Editor)/ Humphreys, Grainne (Editor)
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Vendeur : Revaluation Books, Exeter, Royaume-UniRevaluation Books
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Paperback. Etat : Brand New. 98 pages. 7.25x5.25x0.50 inches. In Stock.

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Vendeur : Biblios, frankfurt am main, HESSE, AllemagneBiblios
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Etat : New.