Fleming jerry (40 résultats)

Paperback. Etat : Very Good. Poetry. African & African American Studies. Soon after the 2016 presidential election, Sixteen Rivers Press, a shared-work collective of Northern California poets, conducted a nationally advertised call for submissions, seeking unpublished poems that would respond to the cultural, moral, and political rifts that now divide our country: poems of resistance and resilience, witness and vision, that embody what it means to be a citizen in a time when our democracy is threatened. In a matter of weeks, the press received over two thousand poems. The work came from across the country, from red states and blue states, high schools and nursing homes, big cities and small towns. At the same time, the poet-members of the press were asked to nominate poems. These poems could be old or new, published or not, the poets living or dead--anything from anywhere that spoke to this moment in the voice of poetry. In this way, we gathered another three hundred poems, ranging from Virgil and Dante to Claudia Rankine and Mai Der Vang, from Milton to Merwin, from Bai Juyi to last Thursday's just-posted Poem-a-Day. This anthology is a blend of poems from these two sources, each of its nine sections a kind of town-hall meeting where citizen-poets gather to raise their voices, now raucous, now muted, now lyric, now plain: voices responding with dissent and consoling with praise, perspective, vision, and hope. Around 1950, Pablo Neruda wrote the poem, Am rica, I do not call your name without hope to a Latin America in crisis. In this anthology, Dean Rader's poem, in the spirit of Neruda but in the time of Trump, speaks, under the same title, to our America: this is for you and your fear, your tar; / for the white heat in your skin and / for your blue bones that one day may sing. The title of our book echoes this cry: America, listen to what your poets are saying. Are we the corrosive, racist, authoritarian regime that the 2016 election brought to power, or are we a democracy, that fragile, imperfect form of government that must be constantly guarded in the struggle for equality, justice and freedom? In resistance and resilience, and not without hope, America, we call your name.…

Paperback. Etat : Good. Poetry. African & African American Studies. Soon after the 2016 presidential election, Sixteen Rivers Press, a shared-work collective of Northern California poets, conducted a nationally advertised call for submissions, seeking unpublished poems that would respond to the cultural, moral, and political rifts that now divide our country: poems of resistance and resilience, witness and vision, that embody what it means to be a citizen in a time when our democracy is threatened. In a matter of weeks, the press received over two thousand poems. The work came from across the country, from red states and blue states, high schools and nursing homes, big cities and small towns. At the same time, the poet-members of the press were asked to nominate poems. These poems could be old or new, published or not, the poets living or dead--anything from anywhere that spoke to this moment in the voice of poetry. In this way, we gathered another three hundred poems, ranging from Virgil and Dante to Claudia Rankine and Mai Der Vang, from Milton to Merwin, from Bai Juyi to last Thursday's just-posted Poem-a-Day. This anthology is a blend of poems from these two sources, each of its nine sections a kind of town-hall meeting where citizen-poets gather to raise their voices, now raucous, now muted, now lyric, now plain: voices responding with dissent and consoling with praise, perspective, vision, and hope. Around 1950, Pablo Neruda wrote the poem, Am rica, I do not call your name without hope to a Latin America in crisis. In this anthology, Dean Rader's poem, in the spirit of Neruda but in the time of Trump, speaks, under the same title, to our America: this is for you and your fear, your tar; / for the white heat in your skin and / for your blue bones that one day may sing. The title of our book echoes this cry: America, listen to what your poets are saying. Are we the corrosive, racist, authoritarian regime that the 2016 election brought to power, or are we a democracy, that fragile, imperfect form of government that must be constantly guarded in the struggle for equality, justice and freedom? In resistance and resilience, and not without hope, America, we call your name.…

paperback. Etat : Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Paperback. Etat : Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Etat : Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Very good condition. Minimal wear. Clean and tight. No writing or marking.

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Very Good. Poetry. African & African American Studies. Soon after the 2016 presidential election, Sixteen Rivers Press, a shared-work collective of Northern California poets, conducted a nationally advertised call for submissions, seeking unpublished poems that would respond to the cultural, moral, and political rifts that now divide our country: poems of resistance and resilience, witness and vision, that embody what it means to be a citizen in a time when our democracy is threatened. In a matter of weeks, the press received over two thousand poems. The work came from across the country, from red states and blue states, high schools and nursing homes, big cities and small towns. At the same time, the poet-members of the press were asked to nominate poems. These poems could be old or new, published or not, the poets living or dead--anything from anywhere that spoke to this moment in the voice of poetry. In this way, we gathered another three hundred poems, ranging from Virgil and Dante to Claudia Rankine and Mai Der Vang, from Milton to Merwin, from Bai Juyi to last Thursday's just-posted Poem-a-Day. This anthology is a blend of poems from these two sources, each of its nine sections a kind of town-hall meeting where citizen-poets gather to raise their voices, now raucous, now muted, now lyric, now plain: voices responding with dissent and consoling with praise, perspective, vision, and hope. Around 1950, Pablo Neruda wrote the poem, Am rica, I do not call your name without hope to a Latin America in crisis. In this anthology, Dean Rader's poem, in the spirit of Neruda but in the time of Trump, speaks, under the same title, to our America: this is for you and your fear, your tar; / for the white heat in your skin and / for your blue bones that one day may sing. The title of our book echoes this cry: America, listen to what your poets are saying. Are we the corrosive, racist, authoritarian regime that the 2016 election brought to power, or are we a democracy, that fragile, imperfect form of government that must be constantly guarded in the struggle for equality, justice and freedom? In resistance and resilience, and not without hope, America, we call your name.…

Paperback. Etat : Good. Poetry. African & African American Studies. Soon after the 2016 presidential election, Sixteen Rivers Press, a shared-work collective of Northern California poets, conducted a nationally advertised call for submissions, seeking unpublished poems that would respond to the cultural, moral, and political rifts that now divide our country: poems of resistance and resilience, witness and vision, that embody what it means to be a citizen in a time when our democracy is threatened. In a matter of weeks, the press received over two thousand poems. The work came from across the country, from red states and blue states, high schools and nursing homes, big cities and small towns. At the same time, the poet-members of the press were asked to nominate poems. These poems could be old or new, published or not, the poets living or dead--anything from anywhere that spoke to this moment in the voice of poetry. In this way, we gathered another three hundred poems, ranging from Virgil and Dante to Claudia Rankine and Mai Der Vang, from Milton to Merwin, from Bai Juyi to last Thursday's just-posted Poem-a-Day. This anthology is a blend of poems from these two sources, each of its nine sections a kind of town-hall meeting where citizen-poets gather to raise their voices, now raucous, now muted, now lyric, now plain: voices responding with dissent and consoling with praise, perspective, vision, and hope. Around 1950, Pablo Neruda wrote the poem, Am rica, I do not call your name without hope to a Latin America in crisis. In this anthology, Dean Rader's poem, in the spirit of Neruda but in the time of Trump, speaks, under the same title, to our America: this is for you and your fear, your tar; / for the white heat in your skin and / for your blue bones that one day may sing. The title of our book echoes this cry: America, listen to what your poets are saying. Are we the corrosive, racist, authoritarian regime that the 2016 election brought to power, or are we a democracy, that fragile, imperfect form of government that must be constantly guarded in the struggle for equality, justice and freedom? In resistance and resilience, and not without hope, America, we call your name.…

hardcover. Etat : Good. Etat de la jaquette : Includes dust jacket. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Paperback. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Trade Paperback. Etat : Used.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : acceptable. All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Etat : Very Good. Fast Shipping - Safe and Secure 7 days a week.

Paperback. Etat : Good. THE SCRIPT! Presentable ACTING EDITION. Some shelf wear to the covers. Tight binding and the text flows clearly. Enjoy this reliable ACTING SCRIPT good for performance.

Etat : Very Good. 2nd. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Very Good. Millennium Film Journal No. 25 (The Script Issue) includes 13 film scripts from Yvonne Rainer, Ann Marie Fleming, Gary Goldberg, Sokhi Wagner, Jerry Tartaglia, Lynne Sachs, Jon Jost, Ken Kobland, Jon Moritsugu, Pat O'Neill, Ondrej Rudavsky and others. Also a piece by Stan Brakhage on Gertrude Stein. 120 pages, paper with stiff cover. Cover and edges have some wear. Inside is fine.…

Paperback. Etat : new. New Copy. Customer Service Guaranteed.

No Binding. Etat : Very Good. A VG or better original release 8 x 10 still. Ultra rare. Photographic Image.

paperback. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Etat : Very good. Etat de la jaquette : Very good. First printing [stated]. xi, [1], 543, [3] pages. Map. Illustrations. Includes Acknowledgments, Notes, and Index. Chapters include War Week; Big Lies, Greed, and Other Hoary Animals; Enlisting Volunteers and Other Unlikely Events; Creeling and Other Activities That Make Philip Dru Unhappy; Seeds of the Apocalypse; The Women of No-Man's-Land; Politics is Adjourned, Ha-Ha-Ha; Fights to the Finish; Peace That Surpasses Understanding; Peace That Surpasses Understanding II; Chilling the Heart of the World; Illusions End; and A Covenant with Power. Thomas James Fleming (July 5, 1927 - July 23, 2017) was an American historian and writer and the author of over forty nonfiction and fiction titles. His work reflects a particular interest on the American Revolution, with titles such as Liberty! The American Revolution And The Future Of America, Duel: Alexander Hamilton, Aaron Burr, and the History of America and Washington's Secret War: The Hidden History of Valley Forge. Fleming served as president of the Society of American Historians and the PEN American Center. Fleming also spent ten years as chairman of the New York American Revolution Round Table and was an Honorary Member of the New York State Society of the Cincinnati since 1975. Fleming published books about various events and figures of the Revolutionary era. He also wrote about other periods of American history, and wrote over a dozen well-received novels set against various historical backgrounds. He said, "I never wanted to be an Irish-American writer, my whole idea was to get across that bridge and be an American writer". In this groundbreaking book, acclaimed historian Thomas Fleming undertakes nothing less than a drastic revision of Americas experience in World War I. He reveals how the British and French duped Wilson and the American people into thinking the war was as good as won, and that there would be no need to send an army overseas. He describes a harried president making speech after speech proclaiming America's ideals while supporting the Espionage and Sedition Acts that sent critics to federal prisons. Meanwhile, a government propaganda machine created a hate driven "war will" that soon spilled over into attacks on ethnic Americans. On the Western Front, the Allies did their utmost to turn the American Expeditionary Force into cannon fodder. At the Paris Peace Conference, the cynical Europeans mocked President Wilson and his ideals, and browbeat him into accepting the vengeful Treaty of Versailles, sowing the seeds of World War II. The political history of the American experience in World War I is a story of conflict and bungled intentions that begins in an era dedicated to progressive social reform and ends in the Red Scare and Prohibition. Thomas Fleming tells this story through the complex figure of Woodrow Wilson, the contradictory president who wept after declaring war, devastated because he knew it would destroy the tolerance of the American people, but who then suppressed freedom of speech and used propaganda to excite America into a Hun-hating mob. This is tragic history: inexperienced American military leaders drove their troops into gruesome slaughters; progressive politics were put on hold in America; an idealistic president's dreams were crushed because of his own negligence. Wilson's inability to convince Congress to ratify U.S. membership in the League of Nations was one of the most poignant failures in the history of the American presidency, but even more heartrending were Wilson's concessions to his bitter allies in the Treaty of Versailles. In exchange for Allied support of the League of Nations, he allowed an unfair peace treaty to be signed, a treaty that played no small role in the rise of National Socialism and the outbreak of World War II. Thomas Fleming has once again created a masterpiece of narrative American history. This incomparable portrait shows how Wilson sacrificed his noble vision to megalomania and single-mindedness, while paying homage to him as a visi. Jerry Bauer (Author photograph) (illustrateur). …

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 96 pages : color illustrations ; 27 cm ; ISBN: 1859678785; 9781859678787 ; Dewey: 635.9312; 635.9/32 ; OCLC: 44153145 ; OCLC: 44153145 ; "Richard Bird is Professor, Department of Economics, University of Toronto." ; color photographic boards in similar dustjacket ; features the gardens of Richard and Hillary Bird, Mavis Seeney, Davis Seeney, and Merriments Gardens, Kent ; FINE/FINE. Book.…