Fulton miller (33 résultats)

Etat : Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

paperback. Etat : Fair.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Etat : Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

paperback. Etat : Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

56 pp.; 25.8 x 18.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Portland Institute for Contemporary Art, OR, September 4 - November 2, 2002. Traveled to Western Gallery, Western Washington University, Bellingham, Washington, January 6 - March 1, 2003; Dalhousie Art Gallery, Dalhousie University, Halifax, Nova Scotia, March 20 - May 11, 2003; Oakville Galleries, Ontario, Canada, June 14 - August 17, 2003 and Oakville Galleries at Centennial Square, June 21 - August 17, 2023 and Freedman Gallery, Albright College Center for the Arts, Reading, PA, February 6 - March 28, 2004. Curated and with an essay by Stuart Horodner. Artists include Francis Alÿs, Eleanor Antin, Janine Antoni, Paul Ramírez Jones, Mawry Baden, Jim Campbell, Janet Cardiff, George Bures Miller, Hamish Fulton, Sharon Harper, Martin Kersels, Toni Marioni, Matthew McCaslin, François Morelli, Douglas Ross, Nancy Spero, Rudolf Stingel, and Richard Wentworth. Includes artist biographies and exhibition checklist. Good / Very Good. Light wear of covers including light bumping of corners at spine, bowing of covers, yellowing, and light rubbing. 1 cm. of surface bubbling to verso. Inscribed by previous owners on end papers in black ink. Light yellowing of page edges. Contents otherwise clean and unmarked. …

paperback. Etat : Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Soft cover. Etat : Very Good. VERY GOOD gift inscription inked inside front cover. Mike Nelson (illustrateur).

479 pages. Large paperback: H 29.75cm x L 22.25cm. Glossy paper covers rubbed; several slender light indentations to front cover. Interior pages are bright and clean. Binding remains fairly crisp. B/w and color illustrations throughout. Laid-in is an Art Institute of Chicago brochure for the June-August 1993 exhibition. Published as a companion volume to "Chicago Architecture 1872-1922" (available separately). Please note that this large book has an approximate shipping weight of 6 pounds (2.72 kg) and will require additional postage for any postal class other than domestic Media Mail. ISBN 0865591091.…

Etat : Good. Good condition. (cookbook, cooking, german recipes) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Magazine. 40p., 5.5x8.5 inches, illustrations, poetry, very good booklet in original stapled pictorial wraps.

Soft cover. Etat : Very Good. BooK: Very Good/ 39.17 0911954228 MILLER'S GERMAN COOKBOOK * MILLER, FULTON NITTY GRITTY PRODUCTIONS 1972 Sun Browning On Off White Spine With Title In Blue And Black Letters, Rectangular Soft Cover BooK: Very Good/Good, 177 Numbered Pages, That Were Read, And Are Clean And Tight To The Spine, Slight Shelf, Edge And Corner Wear. Some Stains On The Rear Cover. This BooK Is Hard To Find, Will Be Packaged And Shipped Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift. = WORLD WIDE Shipping AVAILABLE =. BooK: Very Good/ 1972 (illustrateur).…

Hardcover. Etat : Good. No Jacket. * PUBLISHER : FULTON MILLER * YEAR : 1969 * ISBN : N/A * No OF PAGES : 179 * CONDITION : USED - GOOD * OTHER: THE COVER BOARDS ARE RUBBED AND CREASED WITH BUMPING ALONG THE EDGES AND CORNERS. THE SPINE IS RUBBED WITH BUMPING AND SMALL TEARS AT BOTH ENDS. THE BINDING IS FIRM. THERE IS LIGHT FOXING TO THE FOR-EDGE. THE PAGES ARE CLEAR AND CRISP. PAGES GENERALLY APPEAR CLEAN AND CREASE FREE. ALL IN ALL A NICE EXAMPLE OF THIS BOOK.…

Magazine. 48p., 5.5x8.5 inches, illustrations, poetry, very good booklet in original stapled pictorial wraps.

Stapled Wrappers. Etat : Very Good. First Edition. 60pp. (including printed covers). In addition to reviews & listings there are roundups of the publishing scenes in Chicago, Cleveland, Little mags, Mexico, Mondragon & Randall's El Corno Emplumado, Canada, India & Argentina.

Hardcover. Etat : Very Good condition. No dust jacket. First Edition, Limited 1,000 copies. New York: The New York Public Library, 1943. Very Good condition. NOT a library discard. NO owner's name or bookplate. Pages are clean and unmarked. Bound in the original red cloth, stamped in bright and shiny gold. Spine color has uniformly sun-faded a shade. 1943. First Edition, Limited to 1,000 copies. Illustrated with forntispiece portait and 11 plates. This festschrift was published to honor Lydenberg upon his retirement as Director of The New York Public Library. Introduction by Franklin F. Hopper. Contributors include Randolph Adams, Charles Eberstadt, H. L. Mencken, Emily Skeel, Margaret Stillwell, Robert W. G. Vail, Robert W. Henderson, Henry W. Kent, Victor Hugo Paltsits, George Parker Winship, Curt Buhler, Philip Hofer, William A. Jackson, Lawrence C. Wroth, Daniel Berkeley Updike, etc. on topics from Americana to witchcraft. Includes a bibliography of Lydenberg's writings by George McKay. First Edition, Limited 1,000 copies. Hardcover. Very Good condition/No dust jacket. Illus. by NOT a library discard. 8vo. 588pp. Great Packaging, Fast Shipping. NOT a library discard (illustrateur).…

Hardcover. Etat : Fine condition. No dust jacket. First Edition, Limited 640 copies. New York: The Typophiles, 1951. Fine condition. Sharp corners. NO owner's name or bookplate. Pages are crisp, clean and unmarked. Typophile Chap Books, XXV (#25). Laid in is a 16-page pamphlet, THE TYPOPHILES CHAP BOOK COMMENTARY 26. First Edition. Limited to 640 copies. Illustrations by Valenti Angelo, W. A. Dwiggins, Bruce Rogers, Fritz Eichenberg, etc. Contents: AS I KNEW HIM by Harry Miller Lydenberg; JOHN ARCHER, EDITOR'S FRIEND by Deoch Fulton; THE LIBRARY AS PUBLISHER AND PRINTER by Karl Brown; LEANING TOWER, TYPOPHILE by Paul A A. Bennett; BESIDE THE LIBRARY LIONS by Frederic G. Melcher; GOOD BOOKMAN AND FRIEND by George L. McKay; and ON BUILDING THIS BOOK by Paul A. Bennett. 4.5" wide by 7" tall. Bound in the original gray cloth, stamped in bright gold over black decorative panels on the spine and front cover. First Edition, Limited 640 copies. Hardcover. Fine condition/No dust jacket. Illus. by Angelo, Valenti; W. A. Dwiggins; et al. (xiv), 94pp. Great Packaging, Fast Shipping. Angelo, Valenti; W. A. Dwiggins; et al (illustrateur).…

Paperback. Etat : Good. First Edition. Small Press Review vol. 1, no. 2. Fall 1967. Features work by Douglas Blazek, Brown Miller, and other little magazine writers. Clean pages. Rare.

Paperback. Etat : New. Wide-ranging examination of women's achievements in and influence on many aspects of medieval culture.Medieval women were normally denied access to public educational institutions, and so also denied the gateways to most leadership positions. Modern scholars have therefore tended to study learned medieval women as simply anomalies, and women generally as victims. This volume, however, argues instead for a via media. Drawing upon manuscript and archival sources, scholars here show that more medieval women attained some form of learning than hitherto imagined, and that women with such legal, social or ecclesiastical knowledge also often exercised professional or communal leadership. Bringing together contributors from the disciplines of literature, history and religion, this volume challenges several traditional views: firstly, the still-prevalent idea that women's intellectual accomplishments were limited to the Latin literate. The collection therefore engages heavily with vernacular writings (in Anglo-Saxon, Middle English, French, Dutch, German and Italian), and also with material culture (manuscript illumination, stained glass, fabric and jewelry) for evidence of women's advanced capabilities. But in doing so, the contributors strive to avoid the equally problematic view that women's accomplishments were somehow limited to the vernacular and the material. So several essays examine women at work with the sacred languages of the three Abrahamic traditions (Latin, Arabic and Hebrew). And a third traditional view is also interrogated: that women were somehow more "original" for their lack of learning and and dependence on their mother tongue. Scholars here agree wholeheartedly that women could be daring thinkers in any language; they engage readily with women's learnedness wherever it can be found.…

Wraps. Etat : Good. Printed wraps. 32 pp. First issue of this little magazine focusing on literature of the South, including poetry and prose, with work by Norman Macleod, Jewell Miller and others. With a letter from the editor, Addison Hibbard, discussing and criticizing, the overuse of certain characters or themes in Southern writing, including stereotypical portrayals of African-Americans. GOOD condition. Heavy offsetting/darkening along the extremities, with moderate foxing. Some soiling and small areas of staining. Heavy pencil line at the front for edge, with a cursive l at the top left corner. Minor wrinkling and creasing along the extremities.…

Paperback. Etat : New. Wide-ranging examination of women's achievements in and influence on many aspects of medieval culture.Medieval women were normally denied access to public educational institutions, and so also denied the gateways to most leadership positions. Modern scholars have therefore tended to study learned medieval women as simply anomalies, and women generally as victims. This volume, however, argues instead for a via media. Drawing upon manuscript and archival sources, scholars here show that more medieval women attained some form of learning than hitherto imagined, and that women with such legal, social or ecclesiastical knowledge also often exercised professional or communal leadership. Bringing together contributors from the disciplines of literature, history and religion, this volume challenges several traditional views: firstly, the still-prevalent idea that women's intellectual accomplishments were limited to the Latin literate. The collection therefore engages heavily with vernacular writings (in Anglo-Saxon, Middle English, French, Dutch, German and Italian), and also with material culture (manuscript illumination, stained glass, fabric and jewelry) for evidence of women's advanced capabilities. But in doing so, the contributors strive to avoid the equally problematic view that women's accomplishments were somehow limited to the vernacular and the material. So several essays examine women at work with the sacred languages of the three Abrahamic traditions (Latin, Arabic and Hebrew). And a third traditional view is also interrogated: that women were somehow more "original" for their lack of learning and and dependence on their mother tongue. Scholars here agree wholeheartedly that women could be daring thinkers in any language; they engage readily with women's learnedness wherever it can be found.…

PAPER BACK MULTI. Etat : GOOD. General wear and slightly soiled boards--otherwise very good condition B&W and color photos of the art DATE PUBLISHED: 1951 EDITION: 71. OAI (illustrateur).

Paperback. Etat : new. New Copy. Customer Service Guaranteed.

paperback. Etat : New. In shrink wrap. Looks like an interesting title.

Paperback. Etat : New. Wide-ranging examination of women's achievements in and influence on many aspects of medieval culture.Medieval women were normally denied access to public educational institutions, and so also denied the gateways to most leadership positions. Modern scholars have therefore tended to study learned medieval women as simply anomalies, and women generally as victims. This volume, however, argues instead for a via media. Drawing upon manuscript and archival sources, scholars here show that more medieval women attained some form of learning than hitherto imagined, and that women with such legal, social or ecclesiastical knowledge also often exercised professional or communal leadership. Bringing together contributors from the disciplines of literature, history and religion, this volume challenges several traditional views: firstly, the still-prevalent idea that women's intellectual accomplishments were limited to the Latin literate. The collection therefore engages heavily with vernacular writings (in Anglo-Saxon, Middle English, French, Dutch, German and Italian), and also with material culture (manuscript illumination, stained glass, fabric and jewelry) for evidence of women's advanced capabilities. But in doing so, the contributors strive to avoid the equally problematic view that women's accomplishments were somehow limited to the vernacular and the material. So several essays examine women at work with the sacred languages of the three Abrahamic traditions (Latin, Arabic and Hebrew). And a third traditional view is also interrogated: that women were somehow more "original" for their lack of learning and and dependence on their mother tongue. Scholars here agree wholeheartedly that women could be daring thinkers in any language; they engage readily with women's learnedness wherever it can be found.…

Soft Cover. Etat : Very Good+ to Near Fine. First Edition. ----------pulp magazine, standard pulp size. The story Ships and Men, part 2, by Bedford-Jones and Williams is graced by 3 illustrations of a nude woman by ALEX RAYMOND, famed for the comic strips Flash Gordon, Jungle Jim and Rip Kirby. These illustrations, and the ones done for the first part of the story in the January 1937 issue, are the ONLY pulp work done by Raymond (Tom Roberts: Alex Raymond His Life and Art, pp 113-116). Small splits and chipping to spine extremities, a likely unread VG+ to near fine copy. Herbert Morton Stoops (front cover), Alex Raymond (interior illustrations) (illustrateur). …